I recently scanned the original black and white art for this, but want to show the hand-coloured copy first. Unfortunately, I can't find it. This ay be one of the very few times I sold the coloured copy without re-doing it for myself. In that case, the colour xerox I have may be the the only coloured version I have of it. I have a back-up record of such hand-colouring that may shed some light on the situation, but I'll have to search again later. The next post will be the black & white original art. I may have posted the copy earlier, but I've posted hundreds of works on DA, and frankly don't recall. ((PS... I found the previous post, about 7 pages back. There was only one comment on the art, so I deleted the earlier posting.))
Category All / All
Species Unspecified / Any
Size 1200 x 1566px
File Size 670.6 kB
Dalmirin is an entity of 21 different non-human species, living an a number of different worlds -- the word only means "civilization." Humanity isn't a member ... and at this rate isn't likely to be. I have't detailed much about the other members of Dalmirin, but have written about Teh Langgi, and know a little about the Uluriamimsi. A couple of others have names, but not much -- else like the Riijinla and Dnebrala. Their civilization includes species with different levels of technology. The Kjola are cutting edge, the Dnebrala not so much, and the Teh Langgi are more or less at an Woodlands Indian level of technology, but are mechanically clever enough to service high-tech. In other words, each is difference. Dalmirin encloses a space of about 1,000 lightyears, and Earth is just outside of that space. The Pleiades Cluster is approacimately in the center, and Kjoja, the home world of Saara's people is close enough to the open star cluster that it is a the whole of the night sky in it's season.
As noted above, the Kjola have almost no gender differences in dress or style ... they don't even have distinctive gender names. To tell the difference you have to check under the skirt or below the neckline. They aren't androgynous, but you don't find voluptuous or body-building types either.
I'd like to think I wouldn't be misled by his attire and correctly surmise that he's...an he.
One of the first things I noticed is that his shoulders are noticably wider than his hips, which was the giveaway for me. A few years ago I designed a femboy character with which I tried to follow that set of attributes (most are simply drawn like flat-chested girls with exaggerated hips). This proved to be more of a challenge since his posterior became more...prominent in the latest round of physiological updates. Overall he still looks quite like a girl, and his skeletal proportions only become evident if you look for that sort of thing.
One of the first things I noticed is that his shoulders are noticably wider than his hips, which was the giveaway for me. A few years ago I designed a femboy character with which I tried to follow that set of attributes (most are simply drawn like flat-chested girls with exaggerated hips). This proved to be more of a challenge since his posterior became more...prominent in the latest round of physiological updates. Overall he still looks quite like a girl, and his skeletal proportions only become evident if you look for that sort of thing.
It seems as though there is a reason why men and women have tended to dress differently. If their roles are different, it becomes important to signal that role. Otherwise you have to go naked to know who to order around, who is sexually available, whether you can slug them or not... I wonder if the present trend to hyper-identify everyone to one of 47 pigeon holes won't end in total confusion rather than greater clarity.
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