I suppose the mistake was natural enough, given the boozy inclinations and lack of prudence general among House Gamins, but these appear to be natural plastic. I experimented heavily with lay-down dot screens for a couple of years, and it produced pleasing results for a while. But in the long run the plastic tended to shrink, peel and discolour, leaving most of the work I did in those years to be damaged to one degree or another. All things considered, this example is superior to most.
Category All / All
Species Unspecified / Any
Size 1280 x 864px
File Size 203.8 kB
I think you're misunderstanding what he's talking about. The plastic he's referring to is the backing on the ZIPaTone that he used to get the dot patterns on his drawings. Simply put it was a series of different dot / texture patterns on a plastic sheet that you just cut to the desired shape, pull off the backing which protected the adhesive surface and lay it down where you want it. It was popular many decades ago but it has a tendency to discolor and peal after several years.
I always thought you left your art intentionally light on shading just for that reason, to color it in at a later date. I've seen your shaded / toned work and it's excellent but most of what you've done seems to me to have been "coloring book" style. I would LOVE to see more of your older work colored. It would be most awesome.
Most of it was black and white, but there wasn't much pressure on me to do a lot of colour work because it was too costly in those days to reproduce. There was little you could do with colour work other than sell it, and then it was *gone*. Over time, though, it easier and easier to display colour work digitally. The thing was that this amounted to, "I got this great idea! Why don't you do even more work for free. I'm not paying or this, naturally." So what was coloured was limited by either paying customers or what I was genuinely enthusiastic about doing.
I fooled around with that stuff in the early 90s, very briefly and rather expensively. I remember it being friggety and rather unforgiving. Fortunately for me, acquaintance with Photoshop was only a couple-few years away by then, where you could fake-dot-up your art to your heart's content. Now it's a single, reversable button on Clip Studio Paint. Hey, if we were ALL 25 years younger... :)
If I was twenty-fife years younger I would be thirty five years old. Hum, that might be useful. I used zip-atone and press letters on my NAR newsletters and original anthro-zines, in Texas heat they age shrank into wadded little plastic trash. That taught me not to store originals in the garage.
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