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"Trio Number 3" for flute, clarinet, and bassoon - by Devienne.
This is the second movement only. We performed two movements from different trios on the recent quintet recital I've mentioned. This one is less melodic, but more exciting (I think) than the other one.
Devienne has been called "The French Mozart." He lived around the same time as Mozart, and was the first flute professor of the Paris Conservatory, though he was primarily a bassoon player. He wrote a lot of music for woodwinds.
Recorded by
FlippantMoniker <3
Instrumentation:
Flute
Clarinet - ME
Bassoon
"Trio Nr. 3" by François Devienne.
Performed by members of my quintet. When you hear the clarinet, that's ME. This is MY recording that was made for free and was given to ME.
Recorded by Flippantmoniker.
Sound file editted by ME.
This is the second movement only. We performed two movements from different trios on the recent quintet recital I've mentioned. This one is less melodic, but more exciting (I think) than the other one.
Devienne has been called "The French Mozart." He lived around the same time as Mozart, and was the first flute professor of the Paris Conservatory, though he was primarily a bassoon player. He wrote a lot of music for woodwinds.
Recorded by
FlippantMoniker <3Instrumentation:
Flute
Clarinet - ME
Bassoon
"Trio Nr. 3" by François Devienne.
Performed by members of my quintet. When you hear the clarinet, that's ME. This is MY recording that was made for free and was given to ME.
Recorded by Flippantmoniker.
Sound file editted by ME.
Category Music / All
Species Unspecified / Any
Size 107 x 120px
File Size 2.28 MB
Bo do doo-lee Boo doo doo-laa
*wiggle wiggle wiggle*
Dolalalaloola-leee!
Dolalalaloola-leee!
Doo loo laa loo laa loo laa loooo
-- -- -- la loo laa loo
*gleee*
Doo loo laa loo laa loo laa loooo
-- -- -- la loo laa loo
*deep rumbly* doo-loo-la-loo-oo-oo-oo-oo-oo-oo-oo
-- loo-la-loo-oo-oo-oo-oo-oo-oo-oo
*smooth smexy* doo-loo-la-loo-oo-oo-oo-oo-oo-oo-oo
-- loo-la-loo-oo-oo-oo-oo-oo-oo-oo
*chirpy happy* doo-loo-la-loo-oo-oo-oo-oo-oo-oo-oo
-- loo-la-loo-oo-oo-oo-oo-oo-oo-oo
*GLEEEEEEEEEEEEEEEEEEEE*
I love this one
*wiggle wiggle wiggle*
Dolalalaloola-leee!
Dolalalaloola-leee!
Doo loo laa loo laa loo laa loooo
-- -- -- la loo laa loo
*gleee*
Doo loo laa loo laa loo laa loooo
-- -- -- la loo laa loo
*deep rumbly* doo-loo-la-loo-oo-oo-oo-oo-oo-oo-oo
-- loo-la-loo-oo-oo-oo-oo-oo-oo-oo
*smooth smexy* doo-loo-la-loo-oo-oo-oo-oo-oo-oo-oo
-- loo-la-loo-oo-oo-oo-oo-oo-oo-oo
*chirpy happy* doo-loo-la-loo-oo-oo-oo-oo-oo-oo-oo
-- loo-la-loo-oo-oo-oo-oo-oo-oo-oo
*GLEEEEEEEEEEEEEEEEEEEE*
I love this one
Heee! I totally do that when I find a music submission.
Yeah, that's the baby of a couple friends of mine. She was REALLY good through the whole concert, but apparently just there she fell over and hit her head on the seat. But her mom grabbed her and ran for the door (they're musicians too). I didn't mind. I just think it's great they're exposing her to music at such a young age (and yet are responsible enough to get her out when she cries). Hehe :)
Yeah, that's the baby of a couple friends of mine. She was REALLY good through the whole concert, but apparently just there she fell over and hit her head on the seat. But her mom grabbed her and ran for the door (they're musicians too). I didn't mind. I just think it's great they're exposing her to music at such a young age (and yet are responsible enough to get her out when she cries). Hehe :)
your stuff is so cool, i've been playing flute for about a year. I still struggle with breaking the habit of backtracking when I make a mistake. Then when playing a duet with my teacher I start laughing as I try to refind my place on the music sheet. It's funny but not good to be gasping for air when your trying to sound smooth, graceful and in unison. lolz
*nodnods* Well, it's a really great habit to go back and immediately fix problems when you're practicing. That way your brain processes the good run-throughs and you're not practicing mistakes. But yeah, sometimes it's hard to get into "performance mode" where you just keep going regardless. ^o^
I think it's great that you're learning the flute! You know, I've tried almost every instrument at one point or another, but flute always looked really hard to me! So I've never even tried to play one!
I think it's great that you're learning the flute! You know, I've tried almost every instrument at one point or another, but flute always looked really hard to me! So I've never even tried to play one!
Oh irony of ironys, the same way you hold a flute is how you hold a clarinet just tilt it 90degrees and pretend theres a ambrusher(the hole thing) that's excatly how you hold a flute...that or im confusing it with a sax but mostlikely its still pretty much the same. The hard part is learning to split the air im the ambrusher the rest should come easy to you. Mostlikely since your comfortable playing in your clarinet's range that is where some struggle might take place with a flute which has its own range. If anything else just hit up a music store and give it a quick play hehe.
Hmm... Probably it's the same as the saxophone. I know both have their range-breaks at octaves, while the clarinet has a 10th between registers, so our fingerings change for every register of the instrument.
Yeah, I was always intimidated by having to divide the airstream. I am not very good at making a sound on a bottle, so it would probably be hard for me to play flute. Some time I will try though. ^o^
Yeah, I was always intimidated by having to divide the airstream. I am not very good at making a sound on a bottle, so it would probably be hard for me to play flute. Some time I will try though. ^o^
you know how to whistle don't cha kid, just put your lips together and blow...lolz
It took me the better part of the day to make the sound with just the top part of the flute, the abrusher part. Then I had to learn to control my air flow by puckering (closing the lips tight)higher notes and smiling widing to make deeper ones, im not sure how it works with reeds on a clarinet but im assuming it works along the same kinda lines. Actually I have an old student clarinet here in my house that i had recorked and ready for use, But i want to work on flute first.
It took me the better part of the day to make the sound with just the top part of the flute, the abrusher part. Then I had to learn to control my air flow by puckering (closing the lips tight)higher notes and smiling widing to make deeper ones, im not sure how it works with reeds on a clarinet but im assuming it works along the same kinda lines. Actually I have an old student clarinet here in my house that i had recorked and ready for use, But i want to work on flute first.
That all makes sense about altering the aperture of your mouth for the different ranges of the instrument, to focus the air differently. Clarinet players also have to shape the air before putting it into the instrument, but since the opening of the flute stays in front of the mouth and the opening of the clarinet goes inside the mouth, we shape the air with the tongue rather than the lips. Also, on the clarinet the ideal embouchure does not change with the register, but remains still.
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