Why I use horizontal dialogue balloons
Just some silly one-page vent comic I did, as a personal rant regarding people's use of vertically-aligned dialogue balloons in order to try to make their comics look more like a manga.
I'm not saying that people are wrong to use such dialogue balloons meant to fit vertical text such as Japanese. It's just that I felt that it's more natural to use horizontal dialogue balloons instead for languages with strictly horizontal writing systems such as English, and the text look less cramped and more pleasing to read, too. Plus, this is one of the reasons why I also studied American comics as well: so I can study how dialogue balloons in those comics are placed, and make the best use of them in terms of panel compositions.
I'm not saying that people are wrong to use such dialogue balloons meant to fit vertical text such as Japanese. It's just that I felt that it's more natural to use horizontal dialogue balloons instead for languages with strictly horizontal writing systems such as English, and the text look less cramped and more pleasing to read, too. Plus, this is one of the reasons why I also studied American comics as well: so I can study how dialogue balloons in those comics are placed, and make the best use of them in terms of panel compositions.
Category Artwork (Digital) / Comics
Species Mammal (Other)
Size 860 x 1214px
File Size 153.8 kB
I myself need to improve my own composition, as others have said. Especially since I've done comics for a client who insisted on enormous walls of text for each comic panel, which usually required me to make the font extra-small. It can be maddening to try and fit all that dialogue into one page, let alone one panel!
I see. Well, a good panel composition will be pleasing to read, even if that comic is filled with walls upon walls of text. Hence why, even though I generally draw in manga style, I like to refer to old American comics for the correct panel composition, considering my insistence on using horizontal dialogue balloons throughout all of my comics. Old American comics tend to be extremely heavy with these walls of text, because due to limited number of pages these artists are allowed to work with, and this allows them to compress much of the story in as few pages as possible.
For my Malay-language comics, I had to use smaller fonts, because Malay text tend to be a little longer than English due to our language's more heavy use of syllables per word, and in some cases, a little verbose, too.
For my Malay-language comics, I had to use smaller fonts, because Malay text tend to be a little longer than English due to our language's more heavy use of syllables per word, and in some cases, a little verbose, too.
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