The dockboy, always sure footed and obedient, is an enigmatic character in the urban environments. Leaping from canopy to hull to canopy and ultimately pier, their quiet deftness at mooring the crafts can be amusing if not awe inspiring. They’ll take any ship large or small and steer it about the pier with great facility and speed. It’s often wise to tip the nearest dockboy before tying up; just press a bill against the window and he’ll give a jaunt nod and point you to a great spot close to a café or service station. If you get close enough he may surprise you by leaping onto your canopy, and, using a handheld thruster, take control to maneuver you into position (often with better skill than you). Just be sure to tip him again for a good push-off out into the flyway.
These octopus-like extensions extend their reach from nearby buildings or infrastructure into vast openings in the city. They are the hovering and cantilevered hangouts for drivers and the general denizenry. Each pier is labeled with its address on its underside in flat red once and repeatedly on the top surface. The name of the operating firm is usually holographically displayed above each pier arm. The decks are smooth and heated to accommodate those who are out bare-pawed in the city. One can always find warmth and a good snack or drink at the cafes on these establishments, where sometimes, multiple levels can serve refreshments over a service garage. At 4 kilometers up, the air is always cold, and while mitigated by intense heat-island effect, one should mind their fuel lines and the occasional gust as the outer piers can be quite inclement and sometimes dangerous. Typically the pier tips are reserved for experienced pilots and large cruisers.
Overhead are the arm-bots which glide along rails and convey an appropriate fuel line to your position. The two bar-indicators just to the right of every fuel door tells of remaining weight capacity and the ratio of fuel weight to horizontal range. One can travel much farther on ¾ of a tank than with a full tank which would be better suited for high-power or more vertical movement.
“Pumping gas” may have been on a par with flipping burgers several millennia ago, but in the big cities today, there is often no better way to learn the behavior and taxonomy of atmospheric spacecraft – not to mention the delicacies of good fuel mixture. While in secondary school, one may opt for the job in the warm seasons in preparation for a career as a space pilot or crewmember. Superb knowledge of a free-body diagram hardly stands up to a good sense of inertia and gyroscopics relative to a given mass.
A good dockboy gets to know interesting people during his year on the pier – all of the best stories are let out in this place of eternal downtime, where nobody is listening except the dockboy. Still, we hardly will know him. Many of us have taken the job some vacation period for some pocket money, but the identity leaves us and again we are strangers to the dockboys – having grown out of our former selves. It is a place of mind that wanders freely in all the spaces in time afforded by the mindless work of pushing out, pulling in, and fueling. It is a place to dream until our lives move on.
Each morning as the sun rises, one dockboy will return to that familiar time alone, out in the airspace, perching on the cusp of a bottomless canyon, and will watch the sunrise shine between the tallest towers. Amidst all the mounting whir and hum of the floating cities at dawn, the moment of transition from night to day is one so sublime that the mind slows and thoughts inevitably run deeper. Awareness of the immediate reality is transcended by the cold touch of the canopy, and the fine grained buzzes of electronic equipment in the chilly air, and slowly the solemn glow of all components, indicators, headlights, and the infinite sea of windows, gives way to the warming sunlight – and the dockboy’s consciousness starts again as an impatient driver barks “keep it light and long, and gimme a push!”.
The dockboy answers, “yesir”, and takes a healthy tip.
These octopus-like extensions extend their reach from nearby buildings or infrastructure into vast openings in the city. They are the hovering and cantilevered hangouts for drivers and the general denizenry. Each pier is labeled with its address on its underside in flat red once and repeatedly on the top surface. The name of the operating firm is usually holographically displayed above each pier arm. The decks are smooth and heated to accommodate those who are out bare-pawed in the city. One can always find warmth and a good snack or drink at the cafes on these establishments, where sometimes, multiple levels can serve refreshments over a service garage. At 4 kilometers up, the air is always cold, and while mitigated by intense heat-island effect, one should mind their fuel lines and the occasional gust as the outer piers can be quite inclement and sometimes dangerous. Typically the pier tips are reserved for experienced pilots and large cruisers.
Overhead are the arm-bots which glide along rails and convey an appropriate fuel line to your position. The two bar-indicators just to the right of every fuel door tells of remaining weight capacity and the ratio of fuel weight to horizontal range. One can travel much farther on ¾ of a tank than with a full tank which would be better suited for high-power or more vertical movement.
“Pumping gas” may have been on a par with flipping burgers several millennia ago, but in the big cities today, there is often no better way to learn the behavior and taxonomy of atmospheric spacecraft – not to mention the delicacies of good fuel mixture. While in secondary school, one may opt for the job in the warm seasons in preparation for a career as a space pilot or crewmember. Superb knowledge of a free-body diagram hardly stands up to a good sense of inertia and gyroscopics relative to a given mass.
A good dockboy gets to know interesting people during his year on the pier – all of the best stories are let out in this place of eternal downtime, where nobody is listening except the dockboy. Still, we hardly will know him. Many of us have taken the job some vacation period for some pocket money, but the identity leaves us and again we are strangers to the dockboys – having grown out of our former selves. It is a place of mind that wanders freely in all the spaces in time afforded by the mindless work of pushing out, pulling in, and fueling. It is a place to dream until our lives move on.
Each morning as the sun rises, one dockboy will return to that familiar time alone, out in the airspace, perching on the cusp of a bottomless canyon, and will watch the sunrise shine between the tallest towers. Amidst all the mounting whir and hum of the floating cities at dawn, the moment of transition from night to day is one so sublime that the mind slows and thoughts inevitably run deeper. Awareness of the immediate reality is transcended by the cold touch of the canopy, and the fine grained buzzes of electronic equipment in the chilly air, and slowly the solemn glow of all components, indicators, headlights, and the infinite sea of windows, gives way to the warming sunlight – and the dockboy’s consciousness starts again as an impatient driver barks “keep it light and long, and gimme a push!”.
The dockboy answers, “yesir”, and takes a healthy tip.
Category All / General Furry Art
Species Vulpine (Other)
Size 700 x 959px
File Size 735.7 kB
Listed in Folders
The picture is beautiful and pensive. And the description story is breathtaking, as I've come to expect. But really this reminds me a lot of my work as a cart pusher. Out alone on the lot, the thoughts that run through my head- involuntarily- can drive me to think I've gone insane, or forgotten who I am. And then the voice of some impatient customer brings me back around, and I can almost always respond with a "yessir". Though, I very rarely merit a tip.
I am again impressed by the level of detail you put into your works and the way that much of that detail is entirely deliberate and has meaning to it. Reading the description and then looking over the pic again, I see things mentioned there that I hadn't really noticed, before. It's most impressive. The descriptions always add an extra level to your pieces, and are a definite part of what I like so much about your work. Of course, being heavy on the Sci Fi doesn't hurt.
Wow.
This is all about the reflections. It's unbelievable how well you pull them off. Someone less skillful would have made them either nearly unnoticeable or much too vibrant (which would look awkward), but you've found a great balance.
The only flaw I can find is that this is... a very, very busy image, perhaps too much so. Detailing is always great, but you might want to blur less important elements so the rest of the picture benefits.
This is all about the reflections. It's unbelievable how well you pull them off. Someone less skillful would have made them either nearly unnoticeable or much too vibrant (which would look awkward), but you've found a great balance.
The only flaw I can find is that this is... a very, very busy image, perhaps too much so. Detailing is always great, but you might want to blur less important elements so the rest of the picture benefits.
God... You get such a sense of free-flowing wind from this, like the air just naturally breezes through. Love the lightness and the brightness too. A design like this could prove useful in a place where depression strikes a lot of people. I know I could never be sad in such a place.
<3
<3
Yet another stunning piece, though this time I have to say breathtaking. I can't believe the detail, the reflections, the consistency.. I'm not sure which catches my eye more, the foxes or the tech. You have an amazing talent, and a patience that I can only call exceptional. I do wonder increasingly, though - are these works and their descriptions isolated clips of a consistant world, or is there perhaps a book/story in the works? That's something I'd be incredibly interested in seeing..
I agree, thank you for putting that out there, I didn't want to be the only one to say something.
I relay love your work, Foxer. I love the amount of thought and detail you put into it. I love getting lost in the implied interactions that you set up with your backgrounds and I love connecting with your characters in the fore ground. However, I'm always overwhelmed by your pictures. It might be the composition that you use. For example in this image the converging lines of the ship and dock make my eyes want to drift off the page to the left and I have a hard time getting to all the awesome content on the bottom of the page. Yes, there is a central focus, (I assume this is the dock boy) but it is very close in line weight, complexity, saturation, and brightness to the rest of the picture. It really needs more contrasting regions.
In short your pictures need a sense of priority, (without sacrificing the "busy" style)
I relay love your work, Foxer. I love the amount of thought and detail you put into it. I love getting lost in the implied interactions that you set up with your backgrounds and I love connecting with your characters in the fore ground. However, I'm always overwhelmed by your pictures. It might be the composition that you use. For example in this image the converging lines of the ship and dock make my eyes want to drift off the page to the left and I have a hard time getting to all the awesome content on the bottom of the page. Yes, there is a central focus, (I assume this is the dock boy) but it is very close in line weight, complexity, saturation, and brightness to the rest of the picture. It really needs more contrasting regions.
In short your pictures need a sense of priority, (without sacrificing the "busy" style)
While creating this image, I was aware of how visually challenging the composition is. I am no stranger to the value of clarity and simplicity as a professional in the field of architecture. I continually added to a layer of black fog behind the ship to punch it out more than it was previously (shoulda' seen that). Admittedly, the result is still a product of my stubborn unwillingness to leave out any drop from the flood of ideas; but in that, there is an intentional effect of overwhelming my audience. I want my viewers to have some difficulty as they fall into this alien world overwhelming in its scale and maddening futuristic complexity. As though you’ve warped into this unfamiliar eon, it should take days to fully register all of its details.
You've done a great job, IMHO.
You put so much thought and structure into a world that, image after image, continues to elaborate on an extremely intriguing universe.
I wonder though, is the lettering (alien text) structured at all? It kind of reminds me vaguely of Primal (trickster's furry language).
You put so much thought and structure into a world that, image after image, continues to elaborate on an extremely intriguing universe.
I wonder though, is the lettering (alien text) structured at all? It kind of reminds me vaguely of Primal (trickster's furry language).
i love pictures that have a lot to look at
contrary to the other opinions i guess, but then, they're all opinions
i often get lost in daydreams, imagining myself there in your pictures
its really fun to do, and its not hard to feel like i'm there, because the universe is so refined, by the details in the picture and the accompanying story
i would say keep up this amount of detail and brilliance of light and reflections, just my opinion tho
contrary to the other opinions i guess, but then, they're all opinions
i often get lost in daydreams, imagining myself there in your pictures
its really fun to do, and its not hard to feel like i'm there, because the universe is so refined, by the details in the picture and the accompanying story
i would say keep up this amount of detail and brilliance of light and reflections, just my opinion tho
can·ti·le·ver
1. A projecting structure, such as a beam, that is supported at one end and carries a load at the other end or along its length.
2. A member, such as a beam, that projects beyond a fulcrum and is supported by a balancing member or a downward force behind the fulcrum.
3. A bracket or block supporting a balcony or cornice.
Jesus it's like taking the SATS!
1. A projecting structure, such as a beam, that is supported at one end and carries a load at the other end or along its length.
2. A member, such as a beam, that projects beyond a fulcrum and is supported by a balancing member or a downward force behind the fulcrum.
3. A bracket or block supporting a balcony or cornice.
Jesus it's like taking the SATS!
It never ceases to amaze me the ammount of detail you put into this vision of the future of yours. When you explain it, it seems obvious you'd need this sort of profession in any city with flying cars (Corusant from Star Wars comes to mind). You don't just have future technology, you know what real-life people with everyday concerns would do to make a living in that future.... and then go on to make stellar drawings of it like this one.
Foxer,
You do amaze us all. All that has been said covers all my thought here. Your work and your words I do find interesting. I have worked the flightline of a few airports and bore the name of "lineboy", pumping gas into small private planes and jets. I have even worked with "the big boys" servicing MD 80's, 727's, 737's an odd DC8 or two and even Bae 146's, from refuel to push-back and yes, guiding them to their gates with those fancy glow sticks. I can totally relate to all of this. By what you have done here and what you have said, you say these things like someone who has been there and done these things. I must ask, have you also spent time working a flight line or two?
Thanks again for allowing us to see such work.
take care, "Flying Fox" };=)
You do amaze us all. All that has been said covers all my thought here. Your work and your words I do find interesting. I have worked the flightline of a few airports and bore the name of "lineboy", pumping gas into small private planes and jets. I have even worked with "the big boys" servicing MD 80's, 727's, 737's an odd DC8 or two and even Bae 146's, from refuel to push-back and yes, guiding them to their gates with those fancy glow sticks. I can totally relate to all of this. By what you have done here and what you have said, you say these things like someone who has been there and done these things. I must ask, have you also spent time working a flight line or two?
Thanks again for allowing us to see such work.
take care, "Flying Fox" };=)
Hey, this is amazing!!!
I love the way this illustration came out. The backdrop and Surroundings are truly breath taking. The city looks like something out of cloud city, but much better. The design of the actual dockboy himself, is truly awesome. His headset and visor are probably the coolest accessory i have ever seen on a sci-fi anthro character. The scenery, i have to say again, is AWESOME! I mean, just look at the vehicle this dockboy is on. Look at all the reflections of the buildings, and all the effects and decals inscribed on it. You even took the time to put on a strip of text in a complete diffrent language.
Your description is a great synopses for a novel. It was that great in detail, and allowed me to see through this dudes eyes. A++++++
I would favor 150 times if i could, as it deserves more.
I love the way this illustration came out. The backdrop and Surroundings are truly breath taking. The city looks like something out of cloud city, but much better. The design of the actual dockboy himself, is truly awesome. His headset and visor are probably the coolest accessory i have ever seen on a sci-fi anthro character. The scenery, i have to say again, is AWESOME! I mean, just look at the vehicle this dockboy is on. Look at all the reflections of the buildings, and all the effects and decals inscribed on it. You even took the time to put on a strip of text in a complete diffrent language.
Your description is a great synopses for a novel. It was that great in detail, and allowed me to see through this dudes eyes. A++++++
I would favor 150 times if i could, as it deserves more.
By the time depicted in the picture would actually happen, all oil reserves would be gone completely, as would be natural gas and coal. In short, no fossil fuels. Fusion will have already been a proven success, since this is way beyond 50 years from now. They may succeed (or at least attempt) to mix human and animal DNA together, thus making anthropomorphism a reality (now nobody's thought about attempting it, even though we have the seuquences) and since this is "several millenia from now," it could be on par with the Sonic the Hedgehog comic book storyline. People at the time will certainly have flying cars, but the fuel source would either have to be hydrogen or an algae-based biofuel. However, time travel would not be the way it was meant to have happened. It will only be able to go back as far as the machine was turned on, so they will never be able to see the dinosaurs, or it may never happen at all (according to Steven Hawking).
Just found you through Crashheart (great pic you did for him) and am checking through your art. I can easily say I'm impressed, for your work is above par and very good. I know you know this, for you have been hearing that from others for a while. No, the reason I'm posting is to comment on the prose complimentary to the art. That was really well done as well. Both descriptive and deep, it pulled me into the meaning and story of the work, and left me both curios and thoughtful.
As I said, I have just found you, and know little about you or your work, but what I have seen so far leads me to think not only are you a great artist, in its true form, but also could be, if not are already, a great writer.
Either way, well done, and hope to see more from you, both here and, maybe, mainstream as well. ;)
As I said, I have just found you, and know little about you or your work, but what I have seen so far leads me to think not only are you a great artist, in its true form, but also could be, if not are already, a great writer.
Either way, well done, and hope to see more from you, both here and, maybe, mainstream as well. ;)
You know what is the neatest thing about this picture is? You actually kinda get a feel for the actual enviornment and surrounding scenario, and there is alot going on, but it never really detracts from the main focus. :D
It's just one of those "ooh, whats that? Hey look over there, Hey i didn't see that at first, nifty." kinda pics.
It's just one of those "ooh, whats that? Hey look over there, Hey i didn't see that at first, nifty." kinda pics.
FA+

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