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Paree holds the key to your heart, no?
I’ve always wanted to have a character as a demimonde Opossum, since with their nocturnal habits, pink hands and fur color change, I always thought they look like trashy society dames in fur coats.
I'll make a character of her soon enough.
No country on earth ever has, or ever will, use turquoise and teal quite like 1950s Paris did. The city of jade and gray! I’ve loved the colors of Paris for most of my life… and for someone who’s just getting into fashion, I know so little about both haute couture et la langue française Parisienne.
My one true love, dahling. I live for furs, I worship furs!
I’ve always wanted to have a character as a demimonde Opossum, since with their nocturnal habits, pink hands and fur color change, I always thought they look like trashy society dames in fur coats.
I'll make a character of her soon enough.
No country on earth ever has, or ever will, use turquoise and teal quite like 1950s Paris did. The city of jade and gray! I’ve loved the colors of Paris for most of my life… and for someone who’s just getting into fashion, I know so little about both haute couture et la langue française Parisienne.
My one true love, dahling. I live for furs, I worship furs!
Category Artwork (Digital) / All
Species Opossum
Size 899 x 1280px
File Size 250.9 kB
Yep, that was what I assumed, from the full contact... Nobody can resist Paris.
Honestly, even with Judy Garland, Paris, and all the designers of UPA at his disposal it was still just an okay film. Chuck Jones, for some reason, was only as good as his writers on most of his films, to a greater extent than the others... A Pierce Jones and a Maltese Jones are almost two completely different directors. The stories he wrote himself were painful and sorta pompous (a trait I sadly share).
I want to see the den of thinking men like Jean-Paul Sartre.
I must philosophise with all the guys around Montmartre - and Montparnasse!
Honestly, even with Judy Garland, Paris, and all the designers of UPA at his disposal it was still just an okay film. Chuck Jones, for some reason, was only as good as his writers on most of his films, to a greater extent than the others... A Pierce Jones and a Maltese Jones are almost two completely different directors. The stories he wrote himself were painful and sorta pompous (a trait I sadly share).
I want to see the den of thinking men like Jean-Paul Sartre.
I must philosophise with all the guys around Montmartre - and Montparnasse!
Building up a few, rescuing a few from oblivion. (That demon bull sex god I drew like three years ago, it just hit me he'd make a great side character to keep around.) I just want to have a small repertoire I can commission and draw and build interactions between...
And I'm so bad at designing the dog style characters or adoptables, I figure this is just as good!
And I'm so bad at designing the dog style characters or adoptables, I figure this is just as good!
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