SHARK ASS! :3

Much booty!

I'd like to swim in her pools everyday. lol On the bad side I'd hate getting crush by a gigantic beach-ball.

What, thought I meant the other stuff? lol

Nice blurring on the tail =D It really looks like it's in motion

Thanks! It didn't look quiiiite like the tail was really smashing into the building before I added that.

Engineers just need to wrap all the buildings in nerf padding, or something. :3

This seems to be a much more common issue than one might expect, that might not be a bad idea!

Fyreworks Inc, coming up with new ideas everyday for the betterment of giant lifestyles. :D

Shark butt
Loving the lighting in this one :3

Thanks!
I had fun doing all that shine X3

Dat booteh o,,o

I like the shading on this, you have an amazing talent for it that I can only hope to achieve, and the perspective makes this look appealing to the eyes. However I would recommend being a little more lenient with the burn tool, the lighting where there shouldn't be (namely on her legs) kind of throws off where the source is, and the drawing doesn't show the accident. However that isn't a bad thing and can be easily fixed in future pictures, plus this is a great drawing minus those minor flaws and I applaud your work!

I meant it doesn't show the accident that well, despite the focus being more on the shark lady than what she did.

Glad you like it! I actually never use the dodge/burn tool, for shine like this I usually use Color Dodge/Linear Dodge layers. As for it being there, it was requested specifically by the commissioner! They said they wanted a shine similar to this one http://www.furaffinity.net/view/13237026/ so that's what I did. Also, there can be, and usually is, more than one source of light in images, and for this I chose the sun to be behind her (from our view) so she'd get a rim lighting and then a nice dark outline after that (causing her to stand out a lot more from the background), with the secondary source being reflected from all the tall, bright, metal buildings behind her.
As for the accident, it isn't the focus as much as just the character, and this was just a full color + rough background piece, so I wasn't going to put a lot of focus or use more of the composition on something the commissioner wasn't paying me to do, so isn't something I would really "fix" on future images unless they asked me to really show it off.

Something important to consider when judging a work that is a commission is "What did the commissioner want?", which is something only that person and the artist really knows, and is why I would usually ask people to refrain from critiquing commissioned works.

All right, now I get it. Plus I guess my complain about the lighting was stupid since light could shine off the glass of the buildings and the focus is more on the character than what's happening anyways.

Dat. Ass.