There is a few artists here who got good proportions but boring pics because they don't use the reverse curve.
The reverse curve is a "S" it turns in the other direction and helps give a mass a kind of full feel to it. Of course the horizon line helps determine things too.
This is something I read about in a Don Bluth animation book. Something that was shown to him that became a huge boost to his art.
remember to READ the fucking art books.
The reverse curve is a "S" it turns in the other direction and helps give a mass a kind of full feel to it. Of course the horizon line helps determine things too.
This is something I read about in a Don Bluth animation book. Something that was shown to him that became a huge boost to his art.
remember to READ the fucking art books.
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And then C curves. And then straight-against curve. And then "http://radhowto.blogspot.com/2009/12/my-favorite-disney-shape.html" :D
I may not be the greatest artist on this site, but I'm addicted to S curves. When someone handed me a high-design/simplified character design to work with that was all C curves, I was completely stumped until I figured out that was what was the difference- switching gears was really really hard! :o
(C-curve designs seem to be really popular right now in character design for whatever reason)
I may not be the greatest artist on this site, but I'm addicted to S curves. When someone handed me a high-design/simplified character design to work with that was all C curves, I was completely stumped until I figured out that was what was the difference- switching gears was really really hard! :o
(C-curve designs seem to be really popular right now in character design for whatever reason)
Im not pissing on drawing from life. Its just there has been so many illustrators who have come before us and to ignore what they have learned means you cannot take that next step up.
Its like building a plane and saying..."I'm not gonna study anything already done I'm just gonna glue a shitload of feathers to my arm and leap off a cliff."
Its like building a plane and saying..."I'm not gonna study anything already done I'm just gonna glue a shitload of feathers to my arm and leap off a cliff."
oh Im not disregarding that, like I praised 'how to draw comics the marvel way' to every mofo can approached me back in the day. I still like that book's teachings on perspective and usage of inking for b/w
Is this the Bluth book in question?
http://www.amazon.co.uk/Don-Bluths-...../dp/1595820086
Is this the Bluth book in question?
http://www.amazon.co.uk/Don-Bluths-...../dp/1595820086
Ahh Im a bit of a magpie on collecting books, DC inking/penciling book series, The Art of Marvel, ImagineFX book etc etc However the only book I use as a coffee mat is How to Draw Manga which got given to me for free ;) (No offense to any lovers of the book)
Will have to see if someone has a copy of the Bluth book.
Will have to see if someone has a copy of the Bluth book.
I think you need to accept that you are a damn fine cartoon artist. If you want to expand why don't you come up with comics of your favorite characters and start putting them in stories.
Seriously I actually study that pic you drew of Fang. http://www.furaffinity.net/view/7463215 (for anyone wondering) I love the extra bits of anatomy which gave him more weight and a floppy feel that made him more fun to look at.
You have more than studied enough to do some comics and there is no limits that I see.
I like to draw cartoons but I really want to do some hard anthro guys in a med evil setting. Also I do alot of study for more ..."superhero" type stuff. So I probably won't get as far as you with toons. I accept that and you should accept that your skills are ready to go to do toon comics or whatever. Do something with your bat guys.
http://www.furaffinity.net/view/6330249/
With me I need to work on composition I am coming to the end of a study schedule and with the new one in April I will draw/copy comic panels. As well as do finished art with less single character composition with no fore or background. I think you should challenge yourself and do the same.
Seriously I actually study that pic you drew of Fang. http://www.furaffinity.net/view/7463215 (for anyone wondering) I love the extra bits of anatomy which gave him more weight and a floppy feel that made him more fun to look at.
You have more than studied enough to do some comics and there is no limits that I see.
I like to draw cartoons but I really want to do some hard anthro guys in a med evil setting. Also I do alot of study for more ..."superhero" type stuff. So I probably won't get as far as you with toons. I accept that and you should accept that your skills are ready to go to do toon comics or whatever. Do something with your bat guys.
http://www.furaffinity.net/view/6330249/
With me I need to work on composition I am coming to the end of a study schedule and with the new one in April I will draw/copy comic panels. As well as do finished art with less single character composition with no fore or background. I think you should challenge yourself and do the same.
Ever think of doing "good girl" artz??? --> http://www.cagedbeagle.com/design.htm
Burne Hoggarth is the anatomy series that alot of comic artists use--> http://en.wikipedia.org/wiki/Burne_Hogarth
http://burnehogarth.com/blog/ http://burnehogarth.com/blog/books
http://burnehogarth.com/blog/ http://burnehogarth.com/blog/books
No you could use this.
http://www.cagedbeagle.com/design.htm copy from this guy for 2 months and see what you learn.
http://www.cagedbeagle.com/design.htm copy from this guy for 2 months and see what you learn.
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betsy
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