Part of the price of "fame" is being asked to do pro bono work. Of course, in furry fandom you do about 4 pro bono jobs for every one you're paid for, and I'm certain that's not how its supposed to work. One of the jobs I was asked to do was this contribution to a special issue of Rowrbrazzle. (Brazzle wasn't a comic, but rather a quarterly mailing the the membership of the members collected contributions -- an apa in other words.) The sculpted mountain top shows the Official Editors up to that point -- Marc Schirmeister (right), and Fred Patten. That Beatrix and Dorothy at the bottom. Note Bea's sensible choice of Ford Focus.
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No surprise at all, that you would have recordings of Anton Webern... no surprise that *anyone* would have recordings of Webern. He wrote some of the most gorgeous -- and addictive! -- music that I've heard. (Would you agree, though, that your drawing of Marc Schirmeister resembles Webern?)
Martinů, to my regret, is not as well known, although his critical star has risen in the past twenty years, as more performances of his work have taken place. He wrote too much, too quickly, but he had a definite feeling for the symphony; his 3rd, 5th, and 6th are favourites of mine. (Your drawing of Fred Patten would look *very* much like Martinů, were it not for Mr Patten's stronger, more well-defined chin.)
Mark
Martinů, to my regret, is not as well known, although his critical star has risen in the past twenty years, as more performances of his work have taken place. He wrote too much, too quickly, but he had a definite feeling for the symphony; his 3rd, 5th, and 6th are favourites of mine. (Your drawing of Fred Patten would look *very* much like Martinů, were it not for Mr Patten's stronger, more well-defined chin.)
Mark
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