Requiem (Story in Desc)
The priest adjusted his thin spectacles, as if shifting his glasses would somehow cause what he saw to make sense. “It's a slab of concrete, Clarion.”
Four years ago a bishop in Germany had called him right when he was preparing to go to bed; father Nigel didn't know a word of German, and the bishop's english was marginal at best. They both had often resorted to using Latin to explain something neither of them could manage in their own language, but eventually they made sense of one another. He had been asked all sorts of questions about strange creatures and if he felt that there might be other beings in the universe and how much he could be trusted to keep a secret. It all didn't seem real until the reason for all the conversation shuffled into his office one cold wintery day, pulled back the hood of her jacket, unwound the scarves, and then looked at him with the deepest green eyes he had ever seen in his life. Ever since then her visits were times of learning for both of them, and rarely were they boring. But he believed Clarion was one of God's children, and she needed him. So he would do all he could to help her find her way.
It was just instances like this where she brought him strange things that he wondered if he should have gone into law like his father wished.
Clarion had the slab wrapped in plastic and cloth, she had peeled away enough for him to look at the package and was now wrapping it back up again. “It's the keystone to an altar. I found it in South America.” She offered him the package. “Feel the weight.”
“I'm going to guess that you didn't rob a church or a mission to bring me a gift.” He took the bundle and hefted it. It was surprisingly light.
Those triangular ears of hers flattened. “It's from the temple of Chimacoatl. He was a tribal leader. He had thirty wives and one son.” She frowned. “It's made of bone.”
The priest adjusted his glasses again. “Clarion, if I want to see artifacts I can always go to a museum.”
She shook her head, swirling that pure white fur in the process. “When his son was born he didn't want any further heirs. He believed that the more sons and daughters he had, the more competition there would be for his empire. So whenever a child was born to one of his wives they killed it, and then used the bones to....” She placed a hand on the mortar block and let the evidence say the rest. “Timothy sent me to get a box of his that was stolen. I found a.... very unpleasant man with it. He also had this.”
Nigel was grateful that Catholics had little stigma on drinking. He was probably going to need half a bottle of wine at least if he had any hope of sleeping tonight. “Shouldn't this be in your employer's hands for safe keeping?”
“Timothy doesn't deal in things like this, it isn't magic. It's just something with such a dark history that someone could use it as a focus or a means of getting the attention of evil things.” She flattened her palms against the bundle. “I thought that since you have a Saint Joseph garden here, you could at least give it a proper burial.”
The priest steepled his fingers as he studied the wrapped bundle. He remembered seminary where he was expected to believe in miracles and demons and was warned he might have to deal with both, but always on a subtle level. Never in a lifetime would he have believed this would be part of his career as a priest. Yet, he took the oaths and vows and even if he didn't feel worthy or strong enough, he had a flock to tend to and a role to play.
“I'll feel better if we bless it first. My secretary brought some marigold flowers that she wanted planted in the garden after the frost killed her zinnias. We'll bury the children in the garden and then plant the flowers above them.” He pushed his hands on the table and slowly rose to stand. “Do you want to help?”
She smiled, and her tail swished behind her in what Nigel had observed as a gesture of relief. “I'd like to see this through to the end.” She gathered up her bundle, hugging it to her chest as she followed the priest into the sanctuary.
4x6 image in copic marker and gelpen.
Four years ago a bishop in Germany had called him right when he was preparing to go to bed; father Nigel didn't know a word of German, and the bishop's english was marginal at best. They both had often resorted to using Latin to explain something neither of them could manage in their own language, but eventually they made sense of one another. He had been asked all sorts of questions about strange creatures and if he felt that there might be other beings in the universe and how much he could be trusted to keep a secret. It all didn't seem real until the reason for all the conversation shuffled into his office one cold wintery day, pulled back the hood of her jacket, unwound the scarves, and then looked at him with the deepest green eyes he had ever seen in his life. Ever since then her visits were times of learning for both of them, and rarely were they boring. But he believed Clarion was one of God's children, and she needed him. So he would do all he could to help her find her way.
It was just instances like this where she brought him strange things that he wondered if he should have gone into law like his father wished.
Clarion had the slab wrapped in plastic and cloth, she had peeled away enough for him to look at the package and was now wrapping it back up again. “It's the keystone to an altar. I found it in South America.” She offered him the package. “Feel the weight.”
“I'm going to guess that you didn't rob a church or a mission to bring me a gift.” He took the bundle and hefted it. It was surprisingly light.
Those triangular ears of hers flattened. “It's from the temple of Chimacoatl. He was a tribal leader. He had thirty wives and one son.” She frowned. “It's made of bone.”
The priest adjusted his glasses again. “Clarion, if I want to see artifacts I can always go to a museum.”
She shook her head, swirling that pure white fur in the process. “When his son was born he didn't want any further heirs. He believed that the more sons and daughters he had, the more competition there would be for his empire. So whenever a child was born to one of his wives they killed it, and then used the bones to....” She placed a hand on the mortar block and let the evidence say the rest. “Timothy sent me to get a box of his that was stolen. I found a.... very unpleasant man with it. He also had this.”
Nigel was grateful that Catholics had little stigma on drinking. He was probably going to need half a bottle of wine at least if he had any hope of sleeping tonight. “Shouldn't this be in your employer's hands for safe keeping?”
“Timothy doesn't deal in things like this, it isn't magic. It's just something with such a dark history that someone could use it as a focus or a means of getting the attention of evil things.” She flattened her palms against the bundle. “I thought that since you have a Saint Joseph garden here, you could at least give it a proper burial.”
The priest steepled his fingers as he studied the wrapped bundle. He remembered seminary where he was expected to believe in miracles and demons and was warned he might have to deal with both, but always on a subtle level. Never in a lifetime would he have believed this would be part of his career as a priest. Yet, he took the oaths and vows and even if he didn't feel worthy or strong enough, he had a flock to tend to and a role to play.
“I'll feel better if we bless it first. My secretary brought some marigold flowers that she wanted planted in the garden after the frost killed her zinnias. We'll bury the children in the garden and then plant the flowers above them.” He pushed his hands on the table and slowly rose to stand. “Do you want to help?”
She smiled, and her tail swished behind her in what Nigel had observed as a gesture of relief. “I'd like to see this through to the end.” She gathered up her bundle, hugging it to her chest as she followed the priest into the sanctuary.
4x6 image in copic marker and gelpen.
Category Artwork (Traditional) / General Furry Art
Species Unspecified / Any
Size 886 x 600px
File Size 574.4 kB
When he asked her what her name was, she said she didn't have one and to give her a name if he needed to call her something. A few days later and he started calling her Clarion. He won't say why other than the name is particularly special to him and it drives Three crazy sometimes ;)
Father Nigel Stevens is a fun little character. On the surface he comes off as calm and collected and serene, but Three's presence in his life has taught him how little he really knows and turned a hotshot fresh from seminary priest into a very humble and rather disquieted young man. He Loves Three like he loves any of the people in his church, and he takes his role as Three's teacher very seriously.
Received! I'll frame it and send it out as soon as my label printer is up and running. (All postcards are matted, given a backing board, and sealed in plastic before I ship them. You can almost literally take it out of the envelope and put it on your wall.)
Besides, I've had prints and other things just shoved in an envelope and mailed to me. They'd get destroyed or mangled and that would be that. I don't like getting that as a buyer, so I figure someone buying something of mine shouldn't have to deal with it either.
Nigel is really fun to write. He's got this serene and jovial exterior, but inside he's always doubting himself or pushing what he knows to the utter limit and then some. The backstory is that he was a hotshot straight out of seminary when he was introduced to her, and it made him quickly realize how little he really knew and how much his calling was really demanding of him. She inadvertently taught him a great lesson in humility and faith. Nigel is actually rather young for a priest (he's 25) and has both the enthusiasm and inexperience that come with it.
I googled Chimacoatl out of curiosity. Google's "did you mean ____ ?" was Chicomecoatl, goddess of maize. Uh, you don't want to know the particulars of her worship, but like a lot of Aztec ritual involves human sacrifice.
Chimacoatl, on the other hand, appears to be the name of an actual street somewhere in central Mexico. I couldn't find a translation, but if there's a street with that name, your made up pseudo-Aztec is actual Aztec.
Chimacoatl, on the other hand, appears to be the name of an actual street somewhere in central Mexico. I couldn't find a translation, but if there's a street with that name, your made up pseudo-Aztec is actual Aztec.
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