This song was written roughly the same time as when I started writing Seribu Janji. At the moment, I have no intention to properly finish this song -- it was more of an experiment to write trance music in 3/4 rather than the more common 4/4 time signature. I've already heard very few trance songs written this way.

Perhaps the biggest challenge is to keep the clap to still sound good in 3/4. My solution is to simply let the clap to trigger once every two kicks as in normal 4/4 time.