Final movement of the symphony. Be sure to listen to the other movements first!
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Much like the first movement, this movement is in sonata form and begins with the same crash in D minor. The introduction here is expanded with the first movement's primary theme and immediately followed by an unresolved variant of the introductory melody that has been heard throughout the work (we'll call it the "mouse" theme) and leads directly into the exposition. The primary theme is a fiery march with a dependent transition derived from the first theme of the first movement leading into the secondary theme, which is the same mouse theme but now in the sonata proper! In previous movements, it was outside the proper form or purely innocent and undeveloped, but here it is excited and preparing to find closure! The exposition repeats. The first part of the development sequences theme 1 motifs in modulation. The first theme from the first movement reemerges, disguised rhythmically and in a major key reaching for closure falling short into the mouse theme motifs, which also fall short of closure, and lead into the Retransition. The dramatic primary theme marks the recapitulation, which is now expanded. The mouse theme emerges triumphant over the drama of the first theme! It finally found its much sought after resolution :>
Thank you for listening! Hope it brought some joy to people :3
~~~
Much like the first movement, this movement is in sonata form and begins with the same crash in D minor. The introduction here is expanded with the first movement's primary theme and immediately followed by an unresolved variant of the introductory melody that has been heard throughout the work (we'll call it the "mouse" theme) and leads directly into the exposition. The primary theme is a fiery march with a dependent transition derived from the first theme of the first movement leading into the secondary theme, which is the same mouse theme but now in the sonata proper! In previous movements, it was outside the proper form or purely innocent and undeveloped, but here it is excited and preparing to find closure! The exposition repeats. The first part of the development sequences theme 1 motifs in modulation. The first theme from the first movement reemerges, disguised rhythmically and in a major key reaching for closure falling short into the mouse theme motifs, which also fall short of closure, and lead into the Retransition. The dramatic primary theme marks the recapitulation, which is now expanded. The mouse theme emerges triumphant over the drama of the first theme! It finally found its much sought after resolution :>
Thank you for listening! Hope it brought some joy to people :3
Category Music / Classical
Species Unspecified / Any
Size 120 x 120px
File Size 9.1 MB
Listed in Folders
This symphony is quite good! From one classical-ish composer to another I congratulate you on this great work. It deserves more attention for sure, but there's just a handful of us on FA that appreciate this sort of thing. I'll have to listen to it more to get to know it better. Writing a symphony always seemed too big an undertaking for me, and I'm impressed to hear this full and beautiful piece. I only wish I had higher quality audio files so I could hear past the mp3 compression (10 mb limit on this site is terrible I know).
Where's all your other music? You've obviously got 3 other symphonies sitting around somewhere, and I'm curious about those piano sonatas of yours, as I hope you might be curious about mine ;)
Where's all your other music? You've obviously got 3 other symphonies sitting around somewhere, and I'm curious about those piano sonatas of yours, as I hope you might be curious about mine ;)
Thank you!! I worked very hard on this so I'm glad people are enjoying it 😊
About the other symphonies, I actually only have finished my first one and this one 😅 I've numbered my symphonies according to when I started writing them, and I just got sudden inspiration to work on this one over the others so that it only took me just over a year! (which is pretty fast for this kind of ambitious work) Currently I'm trying to my best diligence to finish fixing the orchestration and voiceleading of my first so that it's tolerable enough to post (surprisingly *sarcasm*, the music written when I was 15-year-old is quite atrocious in these regards) and then finish writing my second and third symphonies. I'm already ~35 minutes into my second symphony, so it should be done soon!
And about my piano sonatas! The first three are, imho, trash, so I won't post them haha. Numbers four and five just need to be recorded, which I'll do once I can find enough quiet time to get to it. (They are both ~30 minutes. Sorry, they're all so long >~<)
About the other symphonies, I actually only have finished my first one and this one 😅 I've numbered my symphonies according to when I started writing them, and I just got sudden inspiration to work on this one over the others so that it only took me just over a year! (which is pretty fast for this kind of ambitious work) Currently I'm trying to my best diligence to finish fixing the orchestration and voiceleading of my first so that it's tolerable enough to post (surprisingly *sarcasm*, the music written when I was 15-year-old is quite atrocious in these regards) and then finish writing my second and third symphonies. I'm already ~35 minutes into my second symphony, so it should be done soon!
And about my piano sonatas! The first three are, imho, trash, so I won't post them haha. Numbers four and five just need to be recorded, which I'll do once I can find enough quiet time to get to it. (They are both ~30 minutes. Sorry, they're all so long >~<)
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