Let us take a moment to completely absorb the meaning of this piece, to completely take in the pure impact it evokes.

Like the great comedic legend Bill Cosby, this piece aims not to focus on the many things that make us different, but instead it panders to the great injustices that unite us all as one people.

What is the artist trying to say? What grim Aesop could be hidden behind those cubist-esque rectangles? That is what the lady blonde asks us, tantalizing the audience with a curl of her tongue.

Why have they no bodies? Surely this must be allegorical of a deeper, biblical meaning. As David beheaded Goliath, so is Regina George without her vessel. The mutuality of victim and usurper lends further credence to the equality of the piece, and the anti-corporeal state shows us that these issues will never die within our society.

There will always be a Regina George and, in turn, we will all be her victims.