Just wanted to do a picture of Olivander by himself. I might crop part of this and use it as an ID or something.
Whenever I draw Olivander away from helpless little animals, he never looks very happy! I wonder why. :(
Whenever I draw Olivander away from helpless little animals, he never looks very happy! I wonder why. :(
Category Artwork (Digital) / General Furry Art
Species Vulpine (Other)
Size 760 x 927px
File Size 431 kB
And yet again your digital piece is looking confident enough to contend with any real media counterpart of the same content. The grass in particular beguiles one into mistaking it for painted vegetation, and the same goes for the delightful stump. The colour synergy here is really fortunate - Olivander's intense and glowing orange against the earthy palette of the forest and the rainy background stresses his presence and firmly catches the onlooker's eye. The fox's posture is wonderfully arranged, and every anatomical concern is attended to - the crossed leg is a highlight of the piece, in my eyes at least, due to having problems figuring out the limbs relative position. You managed it enviably. Despite the deceptive simplicity of his ears, you have given them volume with but a hint of shading here and there.
The rest of the shading in this picture is pleasantly smooth and unobtrusive, while doing its job.
Olivander's expression is very intense as well, owing to the intricate finesse of the lines defining his mouth, and his softly perturbed glance hints at how much is weighting down his mind. Knowing the character, it's either a fiery moral conundrum about his past and present activities, or a feverish computation of the nuances of his ongoing or future enterprise. One could assume that he would approach the planning of his projects with the same meticulous discipline as he shows in their execution.
It is reminiscent of "The Tale of Jemima Puddleduck", seeing as the protagonist had happens upon the villain in a similar setting, but Olivander asserts his individuality firmly, and despite the lack of exotic markings, garments and chromatic deviations, maintains distinctiveness from any other nefarious foxes.
Having just finished "Macbeth", I can say that Olivander would constitute an outstanding Shakespearean villain.
The rest of the shading in this picture is pleasantly smooth and unobtrusive, while doing its job.
Olivander's expression is very intense as well, owing to the intricate finesse of the lines defining his mouth, and his softly perturbed glance hints at how much is weighting down his mind. Knowing the character, it's either a fiery moral conundrum about his past and present activities, or a feverish computation of the nuances of his ongoing or future enterprise. One could assume that he would approach the planning of his projects with the same meticulous discipline as he shows in their execution.
It is reminiscent of "The Tale of Jemima Puddleduck", seeing as the protagonist had happens upon the villain in a similar setting, but Olivander asserts his individuality firmly, and despite the lack of exotic markings, garments and chromatic deviations, maintains distinctiveness from any other nefarious foxes.
Having just finished "Macbeth", I can say that Olivander would constitute an outstanding Shakespearean villain.
I'm glad you like the textures I give my work -- I really think it adds an extra something to my otherwise flat-looking digital pieces. I'm sure I'm not fooling anyone who's used digital textures before, as it's relatively easy to do (and even moreso, I've done it very simply compared to some other complex texture techniques), but I feel that my art looks almost naked without it sometimes.
Crossed legs are extremely hard for me to draw, haha. I knew I had to finish this piece, because it came out looking much better than my previous thousand attempts.
I definitely based the setting and pose off of "The Tale of Jemima Puddleduck," as our conversation some days ago reminded me of how much inspiration I took from the sandy-whiskered gentleman. And I'm pleased to hear that Olivander is distinct from other foxes, thank you. I always worry that he is too generic, but then I'm reminded that for all practical purposes, that is what Olivander himself would want, probably.
I bet Olivander loves Shakespeare and would be flattered to hear that. I loved "Macbeth."
Thank you as always for the wonderful, encouraging and thorough comment! :D
Crossed legs are extremely hard for me to draw, haha. I knew I had to finish this piece, because it came out looking much better than my previous thousand attempts.
I definitely based the setting and pose off of "The Tale of Jemima Puddleduck," as our conversation some days ago reminded me of how much inspiration I took from the sandy-whiskered gentleman. And I'm pleased to hear that Olivander is distinct from other foxes, thank you. I always worry that he is too generic, but then I'm reminded that for all practical purposes, that is what Olivander himself would want, probably.
I bet Olivander loves Shakespeare and would be flattered to hear that. I loved "Macbeth."
Thank you as always for the wonderful, encouraging and thorough comment! :D
It's possible! His methods of stuffing can range from callous force-feeding to an almost tender, nurturing sort of act, so it's difficult to say if he really connects emotionally to his prey or has the capacity to feel guilty. But I think in the very least, it may fatigue him to behave the way he does.
Also plausible, although he's usually manipulative enough to persuade other animals to go along with him for a little while, at least. His cooking is good enough that he never lacks companionship, if he really wants it. XD
But I would agree that he's become fond of Flapper, though his fondness is usually directly related to how much meat he's going to get out of his little friend...~ :9
But I would agree that he's become fond of Flapper, though his fondness is usually directly related to how much meat he's going to get out of his little friend...~ :9
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