Scrap or not, this is pretty great.

oooh! I absolutely love that devilish grin. The curved, sharp teeth and those delectably puffy lips. I don't wanna kiss it so much as lavish my tongue all over that mouth, feeling every nook and cranny, tugging and teasing at all those bits. Course, lord knows what that might lead to, given the sort of things that happen in these situations.

Oh, where is my hero? *faints*

Swatcher is my favorite Disney villain.

A runabout! I'LL STEAL IT!! NO ONE WILL EVER KNOW!!!!!

Who's getting tied up?

What a dastardly fellow he is! Such a twiddleable moustache! Nyeh heh heh!

So, there was this weird little Saturday morning show when I was a kid called Nice Chap that ran for four series. The premise of Nice Chap hinged on a comic book artist whose name escapes me but who wrote and drew Cosy Comics, of which Nice Chap was the star with his girlfriend Suzy. By generic television intervention (some kind of electrical storm or what-have-you), Nice Chap came to life in the real world, and was essentially the most delightfully charming and innocent individual you could imagine. He also talks in rhyme and, I vaguely recall, exhibits comic-style invulnerability. Every series would involve Nice Chap coming to life through variant means, becoming embroiled in some situation or other (usually involving Cosy Comics' main rival Mega Comix, the nominal villains) and end up turned back into a comic book character at the end of the plot arc

Series four (incidentally the only series whose final episode I missed so for all I know it ends with the end of the world) begins with our cartoonist heroine being angry and upset that Nice Chap keeps springing in and out of her world, frustratedly drawing villain eyebrows on the comic artwork to reflect this. The electrical storm from series one then comes rolling in, with the cartoonist correctly surmising that Nice Chap himself is causing this to happen. But of course she's given him the villain eyebrows now, and when he emerges from the comic he's thoroughly evil and hell-bent on global dominion or destruction. I mention all of this to speculate that Swatcher is clearly equally sensitive to the psychomathematics of facial hair. Also I love those spats

All cartoons are vulnerable to wardrobe changes like this! We can't help it!

Man, I love the "getting tied to a railroad track" motif.

gotta love those spats ^ ^