Yep! And there we are! We finally reached the scribbly sections! And this is visually as good as it'll ever get, I'm afraid. I just have neither the time nor the interest in fully completing the remaining pages of "Jolson & Jones", and the reasons for that I have laid out in recent journal entries such as this one. However, if you want to know how the various plot threads came to their conclusion and what my plans were, you're allowed to peek into my script books now. ;) It's all very rough and abstract and I probably would have tweaked some lines, some compositions and panel arrangements - but this is how it all would have played out with 95% certainty.

And I got to say: There are a couple of pages I'm actually sad about that I never did them and never will be, and there are some lines in the dialogue I'm proud of, but ah well, that's life.

Page 163 < Page 164 > Page 165

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For direct access to storylines:
A Few Early Unconnected Gags (Page 1 - 3)
Freejazzin' With Jack Blackenwhite (Page 4 - 11)
The Curious Incident of the French Restaurant (Page 12 - 31)
Underground Passage (Page 32 - 41)
Scott's Splendid New Job (Page 42 - 49)
Everything You Need To Know About #Demogate! (Page 50 - 64)
The Illusionati (Page 65 - 75)
Family Matters (Page 76 - 90)
The Most Unreliable Psychic of Apple City (Page 91 - 107)
Rise of the Alt-Left (Page 108 - 114)
The Music Box of Doom (Page 115 - 128)
Suits & Pants (Page 129 - 142)
The Most Efficient Haunted House of Apple City (Page 143 - 160)
The Final Riddle (Page 160 - 174)
Showdown Time! (Page 175 - 186)
A Beautiful Stroll in the Park at Daylight (187 - 191)
Race to the Bottom (192 - 200)