second image in trade with
patto
First, I'd like to say that for some odd reason, from the first time I drew the Death Spirit, it reminded me of something African. And not becuase of the tone of skin, but rather it's construction, skull "mask", loin cloth, and even the "tattoo" pattern on ti's body. It kept striking me very African in context, which is why I selected to make an African setting, as well as African decorated border.
The first image was a doodle I my tiny black sketchbook... the second I wanted a full blown art piece. Since I am experimenting with shape and color lately, I decided to approach this image the same way. Integrating a highly westernized caricatured style, with the geometric-oriented one. Color plays a dominant role here- especially since the BG is dominantly shape and color- to get the atmosphere of the eerie, yet silent moment when a Death Spirit comes for you.
At first, the sketch seemed as if the rabbit had passed, and almost comically; this giant, otherworldly spirit was gazing upon the cute fluffy thing.
However, I wanted to achieve another concept- not comical, but comforting. I wanted to reflect a different side to a very "tragic" concept of life. Death was, and always will be a personal thing. No one can share it with you. THAT is the most terrifying aspect of it. The fact that you are alone. You die alone.
I wanted to reflect those last moments, but this time, in a more comforting light: when death comes, you do have one companion there with you- and it's Death itself.
It forgets no one, and leaves no one behind.
Now, the image feels as if the rabbit is close to passing... and it's only comforting companion is the spirit that will take it from this world, and venture with it to the next.
pattoFirst, I'd like to say that for some odd reason, from the first time I drew the Death Spirit, it reminded me of something African. And not becuase of the tone of skin, but rather it's construction, skull "mask", loin cloth, and even the "tattoo" pattern on ti's body. It kept striking me very African in context, which is why I selected to make an African setting, as well as African decorated border.
The first image was a doodle I my tiny black sketchbook... the second I wanted a full blown art piece. Since I am experimenting with shape and color lately, I decided to approach this image the same way. Integrating a highly westernized caricatured style, with the geometric-oriented one. Color plays a dominant role here- especially since the BG is dominantly shape and color- to get the atmosphere of the eerie, yet silent moment when a Death Spirit comes for you.
At first, the sketch seemed as if the rabbit had passed, and almost comically; this giant, otherworldly spirit was gazing upon the cute fluffy thing.
However, I wanted to achieve another concept- not comical, but comforting. I wanted to reflect a different side to a very "tragic" concept of life. Death was, and always will be a personal thing. No one can share it with you. THAT is the most terrifying aspect of it. The fact that you are alone. You die alone.
I wanted to reflect those last moments, but this time, in a more comforting light: when death comes, you do have one companion there with you- and it's Death itself.
It forgets no one, and leaves no one behind.
Now, the image feels as if the rabbit is close to passing... and it's only comforting companion is the spirit that will take it from this world, and venture with it to the next.
Category All / Animal related (non-anthro)
Species Unspecified / Any
Size 600 x 750px
File Size 127.3 kB
Thank you!!!
Some concepts are very striking to me, so I think the execution of them become even greater than those concepts that were a mere passing thought. I tend to over-analyze everything when I'm composing and image or story- nothing can be there without a justified meaning of purpose, no color, shape, or form. This one had one hell of a driving force behind it, so it made for a clear-cut idea to begin with.
Some concepts are very striking to me, so I think the execution of them become even greater than those concepts that were a mere passing thought. I tend to over-analyze everything when I'm composing and image or story- nothing can be there without a justified meaning of purpose, no color, shape, or form. This one had one hell of a driving force behind it, so it made for a clear-cut idea to begin with.
Ngh! woooooow this looks soo fantastic! I'm really intrigued by the little blurb you had about death. Kind of made my heart sink a bit at reading because it is very true when I reflect on what your writing about.
Buruke doesn't exactly hail from a specific culture of influence, one of the things I love about having people draw my beasties is how they intemperate them and this is something I wasn't expecting, which I in turn really love! His markings change from artist to artist which lets them add their own flare to his design!
Man I'm so amazed, you have once again managed to start off my day with a big smile, I reaallly love this! I totally have to hit you up for another trade in the winter time if you are interested! <333
Buruke doesn't exactly hail from a specific culture of influence, one of the things I love about having people draw my beasties is how they intemperate them and this is something I wasn't expecting, which I in turn really love! His markings change from artist to artist which lets them add their own flare to his design!
Man I'm so amazed, you have once again managed to start off my day with a big smile, I reaallly love this! I totally have to hit you up for another trade in the winter time if you are interested! <333
I realized there was no immediate cultural association.. but damn, I ALWAYS had this inkling of "African" while drawing it. Maybe that also stems from the concept of "Out of Africa", so death HAD to be African to begin with? Also the name is very African phonetic... so I think it might have been subconscious.
Either way, I just can't seem to break that connection to it!
I think part of the intrigue and interest is to do just that: Give artistic levity to the artisans and see what they come up with. After all- They are artists! Creativity is what we do, right? Having the freedom to change the tattoos, for example, let me design them to compliment the figure/form in the style I was drawing... so of course, it would look like a seamless unity of the both.
I'm glad I could make your day! This is the awesome thing about our characters, the mere sight of them can totally lift our spirits!
I'd love to do another trade eventually- right now, I am drowning under a large body of work that is coming from 3 different employers! SO maybe well into the new year I'll hit you up for another one!
Either way, I just can't seem to break that connection to it!
I think part of the intrigue and interest is to do just that: Give artistic levity to the artisans and see what they come up with. After all- They are artists! Creativity is what we do, right? Having the freedom to change the tattoos, for example, let me design them to compliment the figure/form in the style I was drawing... so of course, it would look like a seamless unity of the both.
I'm glad I could make your day! This is the awesome thing about our characters, the mere sight of them can totally lift our spirits!
I'd love to do another trade eventually- right now, I am drowning under a large body of work that is coming from 3 different employers! SO maybe well into the new year I'll hit you up for another one!
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