I stole the idea for this collage from my friend
john-angus and make no apologies. After all, they say that imitation is the sincerest form of flattery. Check out Gus’ original HERE and while you’re at it, check out some of the other great photos in his gallery.
All of the headstock photos were shot on the same day over the course of two hours in the same location, from the same distance, using the same lens. With only a couple of exceptions, camera settings were unchanged. Only the camera height was adjusted to compensate for the sizes of the instruments.
Top Row:
Ovation Elite
The Loar Mandolin
McNally Strumulele
Washburn X-25
Bottom Row:
Applause Tenor Ukulele
Ibanez Concord
Rickenbacker 360/12
McNally Strumulele
john-angus and make no apologies. After all, they say that imitation is the sincerest form of flattery. Check out Gus’ original HERE and while you’re at it, check out some of the other great photos in his gallery.All of the headstock photos were shot on the same day over the course of two hours in the same location, from the same distance, using the same lens. With only a couple of exceptions, camera settings were unchanged. Only the camera height was adjusted to compensate for the sizes of the instruments.
Top Row:
Ovation Elite
The Loar Mandolin
McNally Strumulele
Washburn X-25
Bottom Row:
Applause Tenor Ukulele
Ibanez Concord
Rickenbacker 360/12
McNally Strumulele
Category Photography / Still Life
Species Unspecified / Any
Size 1280 x 960px
File Size 367.9 kB
Listed in Folders
Guitar Nerd Trivia:
The Rickenbacker 12-string (my personal favourite in this group) was an unlikely success when it was introduced in late 1963. At the time, 12-strings were popular among folk musicians, but other guitarists seldom used them. And of course, in 1963 folk musicians abhorred electric instruments.
Nevertheless, Rickenbacker president F.C. Hall sensed that the electric 12 had potential if it was well designed and if he could put one in the hands of an influential guitarist who was open to new sounds.
Enter The Beatles...
When The Fab Four visited America in early 1964, Mr. Hall arranged to meet them and to show them Rickenbacker's newest wares. The 360/12 that George Harrison got was the second 12-string Ric made, and it's the one that George used in the film "A Hard Day's Night", along with the soundtrack album. That big, dramatic chord that begins the title song? That's the Ric 12.
Thanks to George's influence, 12-string Rickenbackers enjoyed a short-lived but intense popularity through the late '60s. The Byrds' Roger McGuinn bought one after hearing Harrison's and put it to very good use; think of the sparkling guitar intro to The Byrds' "Mr. Tambourine Man".
In later years, such bands as The Jam, Tom Petty and the Heartbreakers, REM, The Smiths and Blue Rodeo would make the Ric 12 an essential part of their sonic landscape. The Rickenbacker company still builds them today.
*guitar nerd out* ;)
The Rickenbacker 12-string (my personal favourite in this group) was an unlikely success when it was introduced in late 1963. At the time, 12-strings were popular among folk musicians, but other guitarists seldom used them. And of course, in 1963 folk musicians abhorred electric instruments.
Nevertheless, Rickenbacker president F.C. Hall sensed that the electric 12 had potential if it was well designed and if he could put one in the hands of an influential guitarist who was open to new sounds.
Enter The Beatles...
When The Fab Four visited America in early 1964, Mr. Hall arranged to meet them and to show them Rickenbacker's newest wares. The 360/12 that George Harrison got was the second 12-string Ric made, and it's the one that George used in the film "A Hard Day's Night", along with the soundtrack album. That big, dramatic chord that begins the title song? That's the Ric 12.
Thanks to George's influence, 12-string Rickenbackers enjoyed a short-lived but intense popularity through the late '60s. The Byrds' Roger McGuinn bought one after hearing Harrison's and put it to very good use; think of the sparkling guitar intro to The Byrds' "Mr. Tambourine Man".
In later years, such bands as The Jam, Tom Petty and the Heartbreakers, REM, The Smiths and Blue Rodeo would make the Ric 12 an essential part of their sonic landscape. The Rickenbacker company still builds them today.
*guitar nerd out* ;)
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