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Artwork (Digital) / General Furry Art
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Here is Her Grace, Her highness.
She's back and she's looking stockier than usual, good for her!
Marb (Queen) Monarch
Belongs to me, always have always will.
She's back and she's looking stockier than usual, good for her!
Marb (Queen) Monarch
Belongs to me, always have always will.
Category Artwork (Digital) / General Furry Art
Species Pokemon
Size 1011 x 1280px
File Size 235.7 kB
I'm curious as to how you managed that sort of lineart
It doesn't look like you just used overlay mode for it
Perhaps it's a specific waterpaint brush? it looks fantastic when paired with the reduced opacity, plus the very stylistic shading you used
defo a stule i'd love to incorporate more of in my own works!
It doesn't look like you just used overlay mode for it
Perhaps it's a specific waterpaint brush? it looks fantastic when paired with the reduced opacity, plus the very stylistic shading you used
defo a stule i'd love to incorporate more of in my own works!
Hoo boy it's certainly one I would struggle with replicating again.. I wish Sai had a record process feature similar to CSP or Procreate..
It started off as pale periwinkle sketch with the layer set to luminosity vs transparency.. doubled two-three times to turn it from light gray to something closer to deep gray/near enough to black.
At some point I ran over it with some reduced colour, but I can't remember the order that I did it in.. the slight line transparency means it picked up some of the colours from both the flat layers and the shading (the best visual example is her lower groin where her crotch and thighs meet, some of the cream and orange shows up in the darkness of the line work).
When it came to running over it in muted hues, it was similar in concept like using the same hue but darker for the outline? But some places had full opacity such as the tips on the lightning bolt tail where it is appropriately yellow, and then just blended into the dark gray for some nice looking gradient.
I think the cherry on top was locking the opacity and blending it, before switching the layer style to a fringe effect - which gave it the darker, lightly burnt edges, which worked really well with the colour blending. Running some beige over her knuckles and fists helped make that washed look; when i intended it to look lighter due to the proximity of the electricity.
There is a bright purple overlay over the entire image that is set to like 4% to give it a bit of colour lift.
After the image was completed I merged layers to smooth some areas out which gave the gaussian blur around the fringe and cheeks.
If you are interested in exploring it further, I can chuck you the entire file to sift through the layers?
It started off as pale periwinkle sketch with the layer set to luminosity vs transparency.. doubled two-three times to turn it from light gray to something closer to deep gray/near enough to black.
At some point I ran over it with some reduced colour, but I can't remember the order that I did it in.. the slight line transparency means it picked up some of the colours from both the flat layers and the shading (the best visual example is her lower groin where her crotch and thighs meet, some of the cream and orange shows up in the darkness of the line work).
When it came to running over it in muted hues, it was similar in concept like using the same hue but darker for the outline? But some places had full opacity such as the tips on the lightning bolt tail where it is appropriately yellow, and then just blended into the dark gray for some nice looking gradient.
I think the cherry on top was locking the opacity and blending it, before switching the layer style to a fringe effect - which gave it the darker, lightly burnt edges, which worked really well with the colour blending. Running some beige over her knuckles and fists helped make that washed look; when i intended it to look lighter due to the proximity of the electricity.
There is a bright purple overlay over the entire image that is set to like 4% to give it a bit of colour lift.
After the image was completed I merged layers to smooth some areas out which gave the gaussian blur around the fringe and cheeks.
If you are interested in exploring it further, I can chuck you the entire file to sift through the layers?
that is a VERY DETAILED explaination which i deeply thank you for, there's a lot to unpack in there for me since i'm not used to layer effects
I did notice, and wondered, how you blurred out the colors so smoothly!
And this sounds a lot like a process you gotta account for at the start of the piece o3o
Also yes i'd love to have the file ;;
Other people would have that type of stuff on gumroad and i'm defo up to paying a fee for it if you want, as a thank you x3
I did notice, and wondered, how you blurred out the colors so smoothly!
And this sounds a lot like a process you gotta account for at the start of the piece o3o
Also yes i'd love to have the file ;;
Other people would have that type of stuff on gumroad and i'm defo up to paying a fee for it if you want, as a thank you x3
Honestly I’ll be happy to let you decide.. especially since I have already offered it, I wouldn’t be happy with asking for a price.
I forgot that putting process works on gum road being a thing.. but I’ve always believed in free information to a certain extent. Behind a patreon would be better because it’s constant access etc etc.
It certainly is something that needs recording/documenting from the start, because my memory is the holiest, Swiss cheese.. pun intended.
But it’d like to point out that this style is easiest to replicate via PC paint tool Sai. I’m yet to explore replicating it in other programs. BUT the good news is, there isn’t any overly fancy brushes that are required to replicate.
I’ll Dropbox the file and the brush settings in the next day or two when I have a moment’s free time!
And the pleasure is all mine, thank you for your interest and inquiry! 💗💗💗
I forgot that putting process works on gum road being a thing.. but I’ve always believed in free information to a certain extent. Behind a patreon would be better because it’s constant access etc etc.
It certainly is something that needs recording/documenting from the start, because my memory is the holiest, Swiss cheese.. pun intended.
But it’d like to point out that this style is easiest to replicate via PC paint tool Sai. I’m yet to explore replicating it in other programs. BUT the good news is, there isn’t any overly fancy brushes that are required to replicate.
I’ll Dropbox the file and the brush settings in the next day or two when I have a moment’s free time!
And the pleasure is all mine, thank you for your interest and inquiry! 💗💗💗
Feel free to send it over through my notes ^^
we can discuss about the payment over there and such!
And don't worry, it was an unexpected request afterall
You could think of making a video of your future sketches though, i'm sure i'm not the only one that's interested in your process ^^
And dw! brushes are the easier part as long as you know overall the main options to change!
Thank you a lot for your time ^^
we can discuss about the payment over there and such!
And don't worry, it was an unexpected request afterall
You could think of making a video of your future sketches though, i'm sure i'm not the only one that's interested in your process ^^
And dw! brushes are the easier part as long as you know overall the main options to change!
Thank you a lot for your time ^^
I finally did it! like two weeks later..
https://www.dropbox.com/s/gxheosr3q.....ichur.psd?dl=0
https://www.dropbox.com/s/gxheosr3q.....ichur.psd?dl=0
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