Pretty sure this is now officially the biggest thing I've ever painted, if not by scope and level of detail then by the sheer dimension of the canvas. The full-res file is 5385x3070.
Wind Shift started out as a couple of thumbnails hastily scribbled at work. I then sketched the kids, scanned them in, and scaled up those same thumbnails to match the composition and create a rough greyscale underpainting as I usually do with scenes like this. Did a value study underneath that (4th screenshot) and at this point the basic look of the finished product was down.
I refined the pencil drawings and tweaked Heaven's pose at this point, then pasted them onto a new canvas and basically just color picked and transferred all the values over from the rough study as if it was actually a paint palette. After that it was just a lot of refining with the mouse. My art software is pretty antiquated and doesn't come with much in the way of fancy brushes, but I wanted to go for a more textured look than I normally do to emulate a physical painting.
The end result is about 23 work hours, 3-4 of which were spent yelling at a single cloud.
People always seem so surprised when they find out I'm not using a tablet, but that's how I've been bringing you pictures of sad jackals since 2010 and beyond. Working with the mouse isn't actually hard. It just takes a while, and means I can't churn out full paintings like this all the time. That said... if I want to ramp up production on these kids' story, I might actually have to dig out the dusty little Wacom I've been neglecting all this time.
Wind Shift started out as a couple of thumbnails hastily scribbled at work. I then sketched the kids, scanned them in, and scaled up those same thumbnails to match the composition and create a rough greyscale underpainting as I usually do with scenes like this. Did a value study underneath that (4th screenshot) and at this point the basic look of the finished product was down.
I refined the pencil drawings and tweaked Heaven's pose at this point, then pasted them onto a new canvas and basically just color picked and transferred all the values over from the rough study as if it was actually a paint palette. After that it was just a lot of refining with the mouse. My art software is pretty antiquated and doesn't come with much in the way of fancy brushes, but I wanted to go for a more textured look than I normally do to emulate a physical painting.
The end result is about 23 work hours, 3-4 of which were spent yelling at a single cloud.
People always seem so surprised when they find out I'm not using a tablet, but that's how I've been bringing you pictures of sad jackals since 2010 and beyond. Working with the mouse isn't actually hard. It just takes a while, and means I can't churn out full paintings like this all the time. That said... if I want to ramp up production on these kids' story, I might actually have to dig out the dusty little Wacom I've been neglecting all this time.
Category Artwork (Digital) / General Furry Art
Species Jackal
Size 861 x 1281px
File Size 1.07 MB
I LOVE STUFF LIKE THIS OMG!!!!! I love seeing how a picture builds up from idea to finished project, and with a mouse?!?! I'm double impressed you did this without pressure sensitivity. I'm too stuck on the hand-eye disconnect thing to be able to ever do that.
For a moment I thought that was a mushroom cloud instead of a storm front. It gave the picture a whole different kind of ominous vibe than the one it has with the storm.
For a moment I thought that was a mushroom cloud instead of a storm front. It gave the picture a whole different kind of ominous vibe than the one it has with the storm.
Thank you! I've been using the mouse since the oekaki days of 2002 so I'm pretty well used to it. I didn't get to try a tablet until like... 2010? And when it wasn't magically exactly like drawing on paper, I lost interest and went back to what already worked for me :P
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