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More from tkat
Still looking for a name for this one. I borrowed "empty set" from the fabulous "A". But not sure I'm settled on it.
Tide lands at Heceta Beach, along the Oregon Coast. The weather was so perfect, we changed plans and cut the day short so I could catch sunset on the beach. This was day 4 of the trip down Highway 101.
Secret sauce here is a nearly black piece of glass I bolted onto the front of the lens. Seriously, it's a 10-stop ND filter. 15 second exposure, right into the sun. Smooths out anything that wiggles; like here the ocean waves turned into mist. I love playing with super-long exposure, something I've been fascinated with since I learned how.
Tide lands at Heceta Beach, along the Oregon Coast. The weather was so perfect, we changed plans and cut the day short so I could catch sunset on the beach. This was day 4 of the trip down Highway 101.
Secret sauce here is a nearly black piece of glass I bolted onto the front of the lens. Seriously, it's a 10-stop ND filter. 15 second exposure, right into the sun. Smooths out anything that wiggles; like here the ocean waves turned into mist. I love playing with super-long exposure, something I've been fascinated with since I learned how.
Category Photography / Scenery
Species Unspecified / Any
Size 800 x 450px
File Size 73.6 kB
Huh! Thanks for mentioning it. I'll fiddle around here and see if different displays or monitors show the effect worse or better.
I always shoot raw and use Adobe Camera Raw (via Lightroom) to develop them. Usually that's 12-bits per pixel per channel, though the camera's sensor can do 14-bit as well and I ran it thus for the whole trip.
I always shoot raw and use Adobe Camera Raw (via Lightroom) to develop them. Usually that's 12-bits per pixel per channel, though the camera's sensor can do 14-bit as well and I ran it thus for the whole trip.
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