This one is done by gifted and respected Carrbarbon (https://carrbarbon.artstation.com/). Inspired by the final act of the ballet, Woolf Works (Max Richter composes the OST. He is one of my favorite musicians with fantastic works, such as on the nature of daylight (https://youtu.be/b_YHE4Sx-08)), I once wanted to keep this idea myself until I learn how to create models and CG to bring a live version of this picture, with the BGM The Waves - Tuesday (https://youtu.be/597lnTSyTyI).
Carrbarbon changed the background from the dark grey clouds in Woolf Works to the enchanting sunset glow, which enhances the dragon's transcendence nature.
The sea might present a chaotic, free of constraints feeling from a microscopic or local view. Still, it shows rules and unity behind a macroscopic or global perspective, like some hidden hands guide, but there's no such thing, which is romantic in some sense, just as many things in the world and life. This scene gives me a feeling of solitudes and unsure, facing an enormous uncertainty. The strange part is, it will arouse some calmness and peacefulness, eventually.
Well, wish you like it. ^^

这是子归的作品。由芭蕾舞剧Woolf Works的最后一幕启发（ Max Richter，我最喜欢的音乐家之一，他的新古典非常棒，像on the nature of daylight（ https://www.bilibili.com/video/BV1Xs41157WN ））。
我本来想把这个idea留着等之后学点建模和CG了做一个动态版本的，BGM和这幕一样（ https://www.bilibili.com/video/BV1Zv4y1o7wR ）。
子归把我原本想的像剧里幕布那种被灰色厚云覆盖的背景换成了晚霞，强化了一种超然的感觉。
从微观与局域的视角，海可能是混沌的毫无约束的；但从宏观与全局，它却呈现出规律与整体性，就像是有什么隐藏的东西指引着，但实际上没有，这在某种意思上有些浪漫，世界上和生命中很多东西也是如此。这个场景给我一种在面对巨大不确定时的孤独与不安。但奇怪的是在最后它总能在心里引起一些平静的感觉。