This is a personal piece, designed to help me practice with character design. The concept was inspired by the hyena men of Africa. I took a different approach on it, however, and tried to conceptualize how a post-apocalyptic America would look and how it may breed such a character.
I was tired of seeing constantly desolate and barren post-apocalyptic scenarios, so I went with the idea that after civilization crumbles it may be lush and overgrown. After all, while I understand the concept of nuclear winter, I personally believe that if the modern world is going to die, it will die with a whimper; not a bang. Consequently, most other life will probably flourish in the absence of industry, and this is what it might look like. Humans will still be around, of course, but I think they would be reduced to small groups living a more tribal lifestyle. Like this fellow. :)
I also figured that Native Americans would be one of the groups of people most adapted to this kind of lifestyle, as they have lived on the plains of America for thousands of years, and have had the least 'conditioning' to the comforts of the modern world.
Who knows, though. This piece is based more upon what would look cool than what scientifically makes sense, but I do believe this to be one possible path in the future of humanity.
In any case, enjoy the pretty picture. :)
~~~
I worked on this piece wanting to put my absolute best effort into it, and I didn't stop until I was completely satisfied that I had done the best I could possibly do. The original idea was to create something which could be used as a kind of 'benchmark' for my abilities at this point, and which I can look back on to gauge improvement. I think the plan turned out well, and I now know a lot more about my capabilities.
If you saw my recent journal, you know this means I will be striving for a higher standard in my art, and will be taking more time on each piece to perfect it. Of course, I won't toil for hours as I did on this, but hopefully I can bump myself up to a higher caliber.
~~~
Technical notes:
Painted in Photoshop CS4, using only the circle/oval brush (no textures or effect brushes). Intuous3. Likely 40+ hours, but I don't know exactly. References were used for the major elements. The pose can be found on this handy website.
I was tired of seeing constantly desolate and barren post-apocalyptic scenarios, so I went with the idea that after civilization crumbles it may be lush and overgrown. After all, while I understand the concept of nuclear winter, I personally believe that if the modern world is going to die, it will die with a whimper; not a bang. Consequently, most other life will probably flourish in the absence of industry, and this is what it might look like. Humans will still be around, of course, but I think they would be reduced to small groups living a more tribal lifestyle. Like this fellow. :)
I also figured that Native Americans would be one of the groups of people most adapted to this kind of lifestyle, as they have lived on the plains of America for thousands of years, and have had the least 'conditioning' to the comforts of the modern world.
Who knows, though. This piece is based more upon what would look cool than what scientifically makes sense, but I do believe this to be one possible path in the future of humanity.
In any case, enjoy the pretty picture. :)
~~~
I worked on this piece wanting to put my absolute best effort into it, and I didn't stop until I was completely satisfied that I had done the best I could possibly do. The original idea was to create something which could be used as a kind of 'benchmark' for my abilities at this point, and which I can look back on to gauge improvement. I think the plan turned out well, and I now know a lot more about my capabilities.
If you saw my recent journal, you know this means I will be striving for a higher standard in my art, and will be taking more time on each piece to perfect it. Of course, I won't toil for hours as I did on this, but hopefully I can bump myself up to a higher caliber.
~~~
Technical notes:
Painted in Photoshop CS4, using only the circle/oval brush (no textures or effect brushes). Intuous3. Likely 40+ hours, but I don't know exactly. References were used for the major elements. The pose can be found on this handy website.
Category Artwork (Digital) / Human
Species Hyena
Size 1000 x 669px
File Size 307.3 kB
Even a plague wouldn't hold down plants for very long. The worst part about modern agriculture is that it is so intensively and selectively farmed that it is extremely susceptible to destruction by pests. A natural habitat is immune to permanent damage by such things because of the sheer variety of the ecosystem. Also thanks. :)
I think what you read was not what I meant--which was a logical reasoning for your future vision. => a future after a plague that would kill the humans who do all the farming and mowing and clipping and everything that keeps stuff from becoming overgrown... thus a desolate future with a bunch of plants and structures falling down for lack of repair.
Thank you kindly.
I do use textured brushes sometimes, I don't think they're a cheat at all. I think they can actually be really handy, especially for laying down chunks of detail while working on the preliminary stages of a painting. Traditional painting has similar techniques. I think painting without them can lend a unique quality, however, and there's a certain specialness to be able to look at a piece and know you hand painted every little detail. (My wrist doesn't agree, though). I did make use of a lot of Photoshop tools that I wouldn't have had during, say, an oil painting, though. Using multiplier layers and curves adjustments along the way to hone the colours is something I do a lot, and I know some 'disagree' with that practice. So yeah, either way, I don't have anything against any particular tools - that's what they're there for - to create with. :)
And yeah, there will be furry pieces of this level of detail in the near future.
I do use textured brushes sometimes, I don't think they're a cheat at all. I think they can actually be really handy, especially for laying down chunks of detail while working on the preliminary stages of a painting. Traditional painting has similar techniques. I think painting without them can lend a unique quality, however, and there's a certain specialness to be able to look at a piece and know you hand painted every little detail. (My wrist doesn't agree, though). I did make use of a lot of Photoshop tools that I wouldn't have had during, say, an oil painting, though. Using multiplier layers and curves adjustments along the way to hone the colours is something I do a lot, and I know some 'disagree' with that practice. So yeah, either way, I don't have anything against any particular tools - that's what they're there for - to create with. :)
And yeah, there will be furry pieces of this level of detail in the near future.
Consider my shit officially blown away by this piece. As a benchmark you are certainly setting the bar very high for yourself but then that is no bad thing. Lots of things to love about this, there really are. Especially that little back-story you have given it. I go weak at the knees for pics with a story attached
Anyway, the only thing that stuck my eye is that the crashed ute (US = pickup truck) on against the power pole kinda looks like it is floating slightly above the landscape or is in the middle of actually crashing. Other than that... well, even that is very minor.
Stunning work, my good Sir.
Anyway, the only thing that stuck my eye is that the crashed ute (US = pickup truck) on against the power pole kinda looks like it is floating slightly above the landscape or is in the middle of actually crashing. Other than that... well, even that is very minor.
Stunning work, my good Sir.
Ah, yeah, the truck... it's actually propped up by a fence post against the pole, if you look closely. Don't know how realistic that is, but I liked how dynamic it looked. :)
Thank you very much, though. I hope to do some more furry suitable stuff like this soon, not because I feel like I have to please, but because I want to see it myself. XD
Thank you very much, though. I hope to do some more furry suitable stuff like this soon, not because I feel like I have to please, but because I want to see it myself. XD
Twas a valid point. I just really needed something else broken in the background to add to the idea that it is, indeed, post apocalyptic. I think I missed the mark slightly on that, but as it's a character design primarily with a secondary background, I suppose it's not too big of an issue.
YES I knew this would turn out awesome.
and I am SO glad this guys doesn't have bulging muscles.
-_-
Strength is not measured in size, and a lot of people 'living off the land'(if they're skilled and have enough resources) tend to have a nice layer of fat over their muscle, and yet they are still TOUGH.
:3
very nice work.
the shading, and his skin are INCREDIBLE.
and this reminds me of one of those little countryside paintings, but with awesome spilled on it.
and I am SO glad this guys doesn't have bulging muscles.
-_-
Strength is not measured in size, and a lot of people 'living off the land'(if they're skilled and have enough resources) tend to have a nice layer of fat over their muscle, and yet they are still TOUGH.
:3
very nice work.
the shading, and his skin are INCREDIBLE.
and this reminds me of one of those little countryside paintings, but with awesome spilled on it.
Heh, it's changed quite a bit since the WIP! I decided to redraw the dude from scratch, obviously. Whew.
I totally agree about the muscles thing. I don't think huge muscles occurs very often in a more 'natural' environment. Natural looking guys are the most sexiest. <3
I'm really glad you noticed the countryside painting thing. I've always loved those oil paintings of old barns and farmscapes and stuff like that, ever since I saw them printed on these TV tables that my grandparents had at their house. I saw a great opportunity to incorporate that into this, I think it worked out wonderfully. :)
I totally agree about the muscles thing. I don't think huge muscles occurs very often in a more 'natural' environment. Natural looking guys are the most sexiest. <3
I'm really glad you noticed the countryside painting thing. I've always loved those oil paintings of old barns and farmscapes and stuff like that, ever since I saw them printed on these TV tables that my grandparents had at their house. I saw a great opportunity to incorporate that into this, I think it worked out wonderfully. :)
The title's almost an amusing misnomer on a furry art site; one might totally expect to be greeted with a hyena-human hybrid if not for the preview image.
Anyway, I've said a lot about this already, but it's still just as impressive. I seriously am sort of daunted by how good you'll get in the next two years, at this rate. And it took way less than half the time I normally do on anything.
The lighting seems oddly omnipresent, which makes it more surrealistic than realistic, but it doesn't take away from the quality at all. The textures look uniform — no uneven detail in certain spots compared with others — and the colours all work together smoothly.
And there's hilarious mustache. Seriously, I giggle every time I see it.
Anyway, I've said a lot about this already, but it's still just as impressive. I seriously am sort of daunted by how good you'll get in the next two years, at this rate. And it took way less than half the time I normally do on anything.
The lighting seems oddly omnipresent, which makes it more surrealistic than realistic, but it doesn't take away from the quality at all. The textures look uniform — no uneven detail in certain spots compared with others — and the colours all work together smoothly.
And there's hilarious mustache. Seriously, I giggle every time I see it.
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