Dated 23rd June 1995. I was in a band and we were popular after that. It was our first hit!

And now, a smart-sounding analysis of the song...

Key:
A + is a half sharp. A d is a half flat.
A # is a regular sharp. A b is a regular flat.
^ = major, - = minor, o = diminished.
Two chords separated by | = polychord.

Intro and solos:
E+ C#+- F#+- B+ E+ x2
Why did I ever do this. I HATE THESE FUCKING CHORDS. NEEDS MORE 7 AND 9 AND 11 AND 13.
Verse:
E+^9 C#+-9 F#+-9 B+7b9 E+^9 C#+-9 F#+-9 F+7b9 E+^9
Just a traditional chord progression, but it's just ninths. Oh, and a tritone sub. Jazzy.
Chorus:
A+^9 A+-11 E+^9 B+-11 A+^9 A+-11 E^9
An average chord progression, but with more color.
B+o|Ad13#11 C#+-11 C^9 E^9 G#+o|F+13#11 C#+o|Bd13#11 A+-11 E+^9
The B-half-sharp-diminished over A-half-flat-thirteenth-with-sharp-eleventh is the most legendary jazz chord, known as the "Teerunaa Chord.™" It's legendary because it's a double polychord, so it's two chords stacked together. But everything else is the same.
Bridge:
C+^9 C+-11 G+^9 D+-11 C+^9 C+-11 G^9
D+o|F+13#11 E+-11 Ed^9 G^9 B+o|G#+13#11 E+o|C#13#11 C+-11 G+^9
Same as chorus, but it's G major. In fact, the meme term "G Major" comes from this.

...Or something. I don't know. I have no music knowledge, I just chose whatever.

Timestamps:
0:00 Intro
0:22 Verse 1
0:44 Chorus 1
1:07 Verse 2
1:30 Chorus 2
1:52 Solo
2:15 Bridge
2:37 Solo
2:59 Verse 3
3:20 Chorus 3
3:42 (silence)