Oh Kayeee... I've shown you a sample of my dark side ("Alternatives")...NOW, I show you the other side of my spectrum... the ROMANTIC, OPTIMISTIC, HAPPY (!) side of my imagination ;)
This inkwashed piece of art I personally gave as a gift to Mr. WALTER LANTZ himself at one of his many appearances in Hollywood. I had the good fortune to meet Mr. Lantz more times before he passed away, and I'll tell you, not a nicer person you could ever meet. I miss him dearly.
This inkwashed piece of art I personally gave as a gift to Mr. WALTER LANTZ himself at one of his many appearances in Hollywood. I had the good fortune to meet Mr. Lantz more times before he passed away, and I'll tell you, not a nicer person you could ever meet. I miss him dearly.
Category Artwork (Traditional) / Fanart
Species Avian (Other)
Size 873 x 1200px
File Size 332.6 kB
He was very happy in receiving the artwork and also understood my apparent passion for the romanticism for these two. Lantz said he would have liked to produce more cartoons featuring Winnie, but was constrained by professional studio ethics (i.e. Studio Execs at Universal) from doing anything "relationship"-wise with Woody, since he got the edition of Knothead and Splinter, the token relations of some unknown brother or sister, to mold him into responsible behavior. Only in comics was there even a hint of Boy-Girlfriend status. Of Tex Avery? Nope...but I did meet Jay Ward of ROCKY and BULLWINKLE once at a toy convention in Pasadena. I asked him if there was anything he regretted the most in his career doing cartoons, and he simply said..."Budgets...always budgets."
I'm sure that some future decade will produce one of those "kids" to inspire such romanticism about SONIC, but, unfortunately, that artist will have a hard time finding out who the ONE creator was of that character, and ever having just one chance to meet and talk to him like I did with Lantz.
I think I fergot to tell you "Thanks" for liking the woodpecker style I infuse. Woody and Winnie are still important icons in my art history and development, and I will never stop drawing Winnie my way for sure.
What did you think of my 16 page story of those two in NAF #23? ( I wonder if it would be well received here on FA? )
What did you think of my 16 page story of those two in NAF #23? ( I wonder if it would be well received here on FA? )
Lantz also told me that by the 1970's the cost of doing an animated short was closing in on the six-figure budget...not an optimistic account if you are a producer, and definitely not an attractive liberty for studio execs whom were seeing all of Hollywood transform from "old school" studio-owned business to corporate models. You can see this "tightening" of budgets from cartoon studios' last years in that era when they started to try emulating the cost-effectiveness of Hanna-Barbera TV animation. Also a factor was that the old-style programming appetite of the movie-going public was not translating to profits... thus, they figured since the television dominance had eliminated the need for news reels, cartoon shorts and the like, they stopped animation studios "Magic Green Light" pen from flowing the support.
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