Ok kids, what is this thing?
If you're stumped refer to this photo:
http://www.furaffinity.net/view/3148624/
If you're stumped refer to this photo:
http://www.furaffinity.net/view/3148624/
Category Photography / Still Life
Species Unspecified / Any
Size 500 x 375px
File Size 131.3 kB
It might have been a club-only 8-track - T'Pau's first album (T'Pau aka Bridge Of Spies)came out in 1987, and club-only 8-tracks weren't discontinued until the next year (the last one allegedly being Fleetwood Mac's Greatest Hits).
Having grown up in Terre Haute, Indiana, the home of the now-defunct Columbia House, I was well aware of club-only 8-tracks.
http://en.wikipedia.org/wiki/Greate.....d_Mac_album%29
Having grown up in Terre Haute, Indiana, the home of the now-defunct Columbia House, I was well aware of club-only 8-tracks.
http://en.wikipedia.org/wiki/Greate.....d_Mac_album%29
Oh boy, 8-track! Probably one of the most faulty of all tape formats next to Betamax (well, maybe not Betamax, but anyways). In fact, I have quite a collection of them in my basement, including maybe an early Elvis Presley compilation (it appears to have been manufactured at RCA's Smiths Falls plant, where a lot of Canadian RCA mastered records were pressed, including the Canada-only Beatles albums for Capitol, even though the lacquers were cut in Toronto) and "The Best of Spike Jones".
I've seen those Canadian albums, they were better compiled than the USA versions...and no Duophonic mess.
Yes. I think these albums were released in mono only. They had to decrease the bass on those ones so that it would play without skipping on a cheap "teen's" record player that you could buy at Eaton's for around $30, according to the Capitol 6000 website.
Another plus about the Canadian Beatles records is that they were mastered from tapes and release copies of the singles which came directly from England (at least the compilation albums were mastered from tapes sent by EMI in the UK to Capitol Records of Canada). It's a good thing they said yes to the Beatles since day one.
Yes. I think these albums were released in mono only. They had to decrease the bass on those ones so that it would play without skipping on a cheap "teen's" record player that you could buy at Eaton's for around $30, according to the Capitol 6000 website.
Another plus about the Canadian Beatles records is that they were mastered from tapes and release copies of the singles which came directly from England (at least the compilation albums were mastered from tapes sent by EMI in the UK to Capitol Records of Canada). It's a good thing they said yes to the Beatles since day one.
And another cool thing was that Capitol Canada kept most of the big EMI acts from the mid 60's. It was a little shock to see 45's from the Hollies and Dave Clark 5 on the classic Swirl label instead of Imperial and Epic.
It's amazing that the "old men in the Tower" (I think thats a Brian Wilson quote) didn't do what their Canadian branch did. They could have easily dominated the mid 60's with all those UK acts on one a couple of subsidiary (Tower) labels.
Instead Capitol USA allowed these groups to go to other USA labels and kept "safe" acts like Peter & Gordon, Cilla Black and the Seekers.
It's amazing that the "old men in the Tower" (I think thats a Brian Wilson quote) didn't do what their Canadian branch did. They could have easily dominated the mid 60's with all those UK acts on one a couple of subsidiary (Tower) labels.
Instead Capitol USA allowed these groups to go to other USA labels and kept "safe" acts like Peter & Gordon, Cilla Black and the Seekers.
Yep. In fact, I even have a 45 of "Look Through Any Window" on the Capitol label. It's a shame that acts like Herman's Hermits were passed to MGM even in Canada, where the MGM label was distributed by Quality Records Limited (they have, in fact, served as a Canadian distributor for many US labels throughout the 1950s-1980s). But yeah, I think it all started to sift off in the late 60s, early 70s, when EMI groups like Deep Purple and the Scorpions (after they left RCA and got signed to EMI's "Harvest" label in 1979) were passed on to Tetragrammaton (in the US), Polydor (in Canada) and Mercury, respectively. Iron Maiden made it to Capitol, though.
Some artists prefer not to sign worldwide contracts with a company, trying to get the highest bidder in each country for their music.
The Hermits and Animals both had Mickey Most as their producer, and I think he was the one that made a deal with MGM. Iron Maiden's first couple of albums were on Harvest records here in the USA. In 1983 EMI folded that label and they along with Duran Duran and Thomas Dolby were merged into Capitol.
Tetragrammation was distributed by Warner Brothers, and that's probably how Deep Purple wound up there.
The Hermits and Animals both had Mickey Most as their producer, and I think he was the one that made a deal with MGM. Iron Maiden's first couple of albums were on Harvest records here in the USA. In 1983 EMI folded that label and they along with Duran Duran and Thomas Dolby were merged into Capitol.
Tetragrammation was distributed by Warner Brothers, and that's probably how Deep Purple wound up there.
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