I couldn't sleep so I started writing a picture description for a doodle i made and now accidentally another stoyr
i am super tired because sleep a fuck so if there's bad errors i missed in my editing phases please forgive me ill get them another time
please enjoy my newest favorite character trying her hardest
i am super tired because sleep a fuck so if there's bad errors i missed in my editing phases please forgive me ill get them another time
please enjoy my newest favorite character trying her hardest
Category Story / All
Species Unspecified / Any
Size 120 x 120px
File Size 16.9 kB
DANG
This is also really good
I love your writing? I keep picking up this hint of a thing I learned from reading Richard Morgan, uh. It's like. This... this thing were you fragment your writing. Y'know. To give a sort of, sort of tactile feel to the way someone is thinking?
This is also really good
I love your writing? I keep picking up this hint of a thing I learned from reading Richard Morgan, uh. It's like. This... this thing were you fragment your writing. Y'know. To give a sort of, sort of tactile feel to the way someone is thinking?
aa screaming
thank you
i do not know richard morgan but yes
your narrative voice should always decline for the speaker like a verb would for tense. the trick is to not make it annoying like some people who will type everything in an obnoxious phonetic accent. but how you construct sentences for the narrative should be as thought out as how you construct dialogue sentences. everything should be used to characterize and the narrator in most cases shouldn't be YOUR voice it should be a voice its own. maybe you would say something a certain way but how the narration describes something or thinks or processes information can be used to give you more information about a character's metaficitional tone and it's fun like that
thank you
i do not know richard morgan but yes
your narrative voice should always decline for the speaker like a verb would for tense. the trick is to not make it annoying like some people who will type everything in an obnoxious phonetic accent. but how you construct sentences for the narrative should be as thought out as how you construct dialogue sentences. everything should be used to characterize and the narrator in most cases shouldn't be YOUR voice it should be a voice its own. maybe you would say something a certain way but how the narration describes something or thinks or processes information can be used to give you more information about a character's metaficitional tone and it's fun like that
Yeah yeah yeah! The way the narration speaks about topics is definitely important and does a lot for the tone of a piece.
I also like applying disjointed text to dialogue- I find that dialogue can feel a lot more realistic and visceral when its not, I guess "finely scripted", but it has those little breaks and diversions and stutters.
(Richard K. Morgan wrote the Takeshi Kovacs trilogy- I'm sure other authors make use of the same trick but its something that really stood out to me reading Altered Carbon years ago, so I associate it with him.)
I also like applying disjointed text to dialogue- I find that dialogue can feel a lot more realistic and visceral when its not, I guess "finely scripted", but it has those little breaks and diversions and stutters.
(Richard K. Morgan wrote the Takeshi Kovacs trilogy- I'm sure other authors make use of the same trick but its something that really stood out to me reading Altered Carbon years ago, so I associate it with him.)
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