[05:59:36] [Tom] And I suppose I do need to fill in with the gay couple.
[06:00:03] [SlowFag] I thought Natani and Keith were the gay couple
[06:00:07] [SlowFag] And/or Keith and Alaric
[06:01:28] [SlowFag] Y'know what, we've never seen Laura's girl parts
[06:01:32] [SlowFag] And she does have a flat chest
[06:01:42] [SlowFag] Laura x Keith is clearly another gay couple
[06:01:48] [SlowFag] Tom, your webcomic is gay.
[06:02:00] [Tom] lol
[06:02:11] [Tom] no no
[06:02:16] [Tom] Laura x Keith is lesbians.
[06:02:46] [Tom] Because Keith is a girl.
[06:03:09] [Tom] And he doesn't even realize it himself, because he's never seen other Basitins to know the difference.
[06:03:23] [SlowFag] Tom: But he went in the male baths!
[06:03:32] [Tom] Cause he doesn't know any better.
[06:04:43] [SlowFag] But he was going to "show (natani) the difference" when she kept claiming that she was a guy o.o;
[06:05:19] [Tom] Yeah, he said "don't make me show you" because... she wouldn't know how to.
[06:05:50] [SlowFag] Okay Tom, you've convinced me
[06:06:04] [SlowFag] Now it's time for me to draw up some lesbian Natani x Keith porn
[06:06:20] [Tom] lol
[06:06:52] [Tom] Alaric is actually the only one who's found out Keith's true gender.
[06:07:12] [Tom] So he's actually completely heterosexual.
[06:07:56] [Tom] Also, Keith's father knew, which was why he was never happy with Keith. So he raised Keith as a boy.
[06:08:34] [Tom] You see, it all fits!
[06:09:29] [SlowFag] Clearly.
[06:14:06] [Tom] It's been pretty obvious, I'd think.
[06:14:09] [Tom] http://twokindscomic.com/images/keithsapron.jpg
'Nuff said. :P
Since I couldn't get an answer as to what species Basitins are based off on, I went with Sciuriform heads.
Category Artwork (Traditional) / General Furry Art
Species Unspecified / Any
Size 888 x 768px
File Size 208 kB
Her pelvis is rather large, or her arm very short. Having the hand against the ground like that while sitting would cause the shoulder to raise or a bend to form at the elbow, depending if you want the arm straight or not.
I adore your light sketch lines, am not entirely sure why.
I adore your light sketch lines, am not entirely sure why.
I think you need to spend some time away from Default Anthro Head and work through a lot of different skulls so you can get out of this rut and see what we're seeing. Sort of like how I should use something other than ink because I'm getting boring. Stop having a boring tuna, stop having a boring life!
I swear I cannot tell the specie of any of these characters without reading the liner notes, it's making me want to start whispering ANIMU. How about doing some two- (or three-, explaned in a moment) figure studies. First, draw the character as a 'feral' form and then as an anthro right next to it. That will make you focus on the characters' distinctive features without relying on muscle memory since you must express them in the form that nature gives that animal, and then you come back to the anthro form and bring what you learned about the animal to the anthro design. If you're really gung ho you could do feral, then human, then anthro, and see how well you are at conveying the character in both forms and how well you can combine them.
Also, if you get stuck along the way and start to feel the blank spot on the paper staring back at you, you'll know you have been phoning it in on that part.
I swear I cannot tell the specie of any of these characters without reading the liner notes, it's making me want to start whispering ANIMU. How about doing some two- (or three-, explaned in a moment) figure studies. First, draw the character as a 'feral' form and then as an anthro right next to it. That will make you focus on the characters' distinctive features without relying on muscle memory since you must express them in the form that nature gives that animal, and then you come back to the anthro form and bring what you learned about the animal to the anthro design. If you're really gung ho you could do feral, then human, then anthro, and see how well you are at conveying the character in both forms and how well you can combine them.
Also, if you get stuck along the way and start to feel the blank spot on the paper staring back at you, you'll know you have been phoning it in on that part.
She's got a huge muzzle-chin. I think you should work on muzzle shapes in general; play with pointiness and size, and try to vary them by species. Also, try attaching them to the head a bit more gradually, if you know what I mean -- there's a pretty sharp angle there, and rounding it out might help it look less like a block glued to a ball.
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