It's not often, if ever, that any of us gets to meet a God.
But in July of 1986, I got to meet Dr. Osamu Tezuka, the "God" of Japanese comics. A local gallery, the Walker Art Center, sponsored an exhibit on modern Japanese film, art and design. As part of that exhibit, the Walker was lucky enough to get Tezuka to host an evening of his short films and clips from some of the animated features he directed (he was apparently on his way to the Zagreb animation festival and was convinced to make a stopover in Minneapolis).
I had been a rabid fan of Tezuka's work since 1980, when I was first introduced to his manga and anime by several of my friends (I had never seen Astro Boy or Kimba the White Lion as many others of my generation had when they were growing up). He was a major influence on my artwork in both visual and narrative style. Getting to meet him was an incredible experience. Of course, he must have been quite bemused: here he was, visiting a city in the very heart of the U.S.A., only to have this crazed fanboy approach him with an armload of his books. He was kind enough to autograph them all, and even did a sketch of his Phoenix ("Hi no Tori") character in my copy of A Collection of the Works of Osamu Tezuka -- which is now my most prized possession.
I only wish I still had that tuxedo jacket!
But in July of 1986, I got to meet Dr. Osamu Tezuka, the "God" of Japanese comics. A local gallery, the Walker Art Center, sponsored an exhibit on modern Japanese film, art and design. As part of that exhibit, the Walker was lucky enough to get Tezuka to host an evening of his short films and clips from some of the animated features he directed (he was apparently on his way to the Zagreb animation festival and was convinced to make a stopover in Minneapolis).
I had been a rabid fan of Tezuka's work since 1980, when I was first introduced to his manga and anime by several of my friends (I had never seen Astro Boy or Kimba the White Lion as many others of my generation had when they were growing up). He was a major influence on my artwork in both visual and narrative style. Getting to meet him was an incredible experience. Of course, he must have been quite bemused: here he was, visiting a city in the very heart of the U.S.A., only to have this crazed fanboy approach him with an armload of his books. He was kind enough to autograph them all, and even did a sketch of his Phoenix ("Hi no Tori") character in my copy of A Collection of the Works of Osamu Tezuka -- which is now my most prized possession.
I only wish I still had that tuxedo jacket!
Category Photography / All
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Heh, in that tux, it makes you look like you just came out of a Buckaroo Banzai movie scene. ;) In all seriousness, though-- Hi no tori... THAT is an honour, considering he considers that his most prized creation... It's a bloody shame that the only GOOD DVD of "Space Firebird", with both English and Japanese tracks- is from Australia, and is a ****ing Region 4-- Only one of the three DVD players I have will do R4, even though all do PAL video nicely... Even the Japanese edition is not nearly as well-prepared as the Aussie edition...
d.m.f.
(Ironic to say I'm not even an anime fan, but I like "Space Firebird" and "Robot Carnival"...)
d.m.f.
(Ironic to say I'm not even an anime fan, but I like "Space Firebird" and "Robot Carnival"...)
At one point, the only Japanese LaserDisc release of Hi no Tori 2772 was based on the same edited, 90-minute print that was distributed in the U.S. as Space Firebird. That has since been rectified -- in Japan, at least (you can find a 2-hour subbed version on the torrents). But even with a bad dubbing, it is still a fantastic movie.
FYI, region conversions are pretty easy if you have a computer and the right software. I converted my German Region 2 copy of Balto because it was (and as far as I know, still is) the only widescreen DVD release.
FYI, region conversions are pretty easy if you have a computer and the right software. I converted my German Region 2 copy of Balto because it was (and as far as I know, still is) the only widescreen DVD release.
I agree about Space Firebird- it IS a fantastic movie.
As for region conversion, my Mac's DVD drive is locked into R1- a drawback of having a Mac over a PC, ironically. :(
As far as I know, the widescreen edition of Balto came out either last year or early this year- I have seen it in a local store. Not one that captured my imagination, but as with all things, everyone has different likes and dislikes. :)
d.m.f.
As for region conversion, my Mac's DVD drive is locked into R1- a drawback of having a Mac over a PC, ironically. :(
As far as I know, the widescreen edition of Balto came out either last year or early this year- I have seen it in a local store. Not one that captured my imagination, but as with all things, everyone has different likes and dislikes. :)
d.m.f.
I decided to hang out in the lobby after the show. As I was about to leave, I peeked in the theater and noticed that Tezuka had returned and was talking with some of the Japanese fans who had been in the audience. So I approached him and asked if I could get a photo with him (one of the Japanese fans was kind enough to take the picture for me).
You are the luckiest mother-fucker on FurAffinity right now! I seriously am surprised that someone got to meet Tezuka. I'm sure you were quite excited to meet the guy considering the fact that he did quite a bit for the animation industry in Japan. What was he like when you talked to him?
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