This fellow reminds me a bit of http://zenmai.kemono.cc/

oh gosh their art is just precious. thank you for the link!

looks like my fursona jaja XP

my english is bad

that's ok!

for watercolour darks alternate & mix your deepest brown & deepest blue--you'll get true payne's grey*, which you can get pretty much as dark as you need (especially if you have them in tubes, easier to mix on a palette/bit of plastic etc (I think ultramarine, burnt umber and white are the ones that benefit most from tubies)) and also has the advantage of being situationally variable for warm and cold darks. However in watercolour it's best to abandon the idea of an absolute, intense black (or anything else); watercolour is often thought to be the hardest paint medium to master because it's partly -about- imperfection and gradation of tone & hue. For flat, even translucent colour gouache is better.

*there's a "payne's grey" colour sold in shops, but that's some furious bullshit. The whole point of payne's grey is that you make it up in different mixtures as appropriate for the situation.

thank you very much! yeah, the lamp black i got is super dark at first, but doesn't stay that way. plus, i only have the squares of colour rather than tubes. i'll check those out!

i just tried this and it turned out really great (well as great as something could be in two seconds). thanks a whole lot!

:'> it am a pleasure