The Study of the Sword (In Progress)
A work in progress - the idea behind the piece is a clouded leopard female in ancient China, practicing swordplay. Inspired by Hong Kong swordfighting films such as Crouching Tiger Hidden Dragon, and Hero. I am planning on coloring the piece as if it is raining where she is. Dramatic lighting, pools of water collecting around the stones at her feet, small splashes and such. (Firelight coming through the temple windows, perhaps to counterbalance all the blues and greys)
Feedback and critique would be most appreciated. I may not take all critique suggestions, but I would like to hear and consider, and possibly use them.
Feedback and critique would be most appreciated. I may not take all critique suggestions, but I would like to hear and consider, and possibly use them.
Category Artwork (Traditional) / All
Species Unspecified / Any
Size 800 x 645px
File Size 127.3 kB
^_^ I love the lines it's very well done.. my only critique.. if you should choose to take it.. is that the angle of the sword I feel it should be lower at the tip of the blade.. closer to were the top of the windows? are... at least that's my opinion for the pose she's making.. I really love the detial
With this current perspective, and the placement of the figure, it appears that her foot would be pressed against the pediment holding up the foo dog. This implication distorts the readablity of of depth: is the foodog in the foreground, or is the leopard. And then, why is she so close to the building? Not being able to see the rest of her also dramatically flattens the piece - similarly, her tail is being forced sideways (as shown by the contour of the spots) - if the spots were inverted to show the tail curving towards the viewer, that would imply the space better.
SO, if you could, I'd suggest expanding your background, and pull the figure farther away from the building. Somehow, get her whole body in there, with additional foreground.
Also, the curve of the sleeves on her right arm are gettin' flat. I also wonder why the flare is the only fabric showing movement. If her arm was in motion, and/or it's just the weather, other bits would show simliar momentum.
I'd also love to see this piece done without black outlines (which flatten). It's really fun to look at, and I can't wait to see what you do with it ^^
SO, if you could, I'd suggest expanding your background, and pull the figure farther away from the building. Somehow, get her whole body in there, with additional foreground.
Also, the curve of the sleeves on her right arm are gettin' flat. I also wonder why the flare is the only fabric showing movement. If her arm was in motion, and/or it's just the weather, other bits would show simliar momentum.
I'd also love to see this piece done without black outlines (which flatten). It's really fun to look at, and I can't wait to see what you do with it ^^
She is supposed to be in the very foreground, in front of the foo dog... I wanted to do a drawing where the frame cuts off parts of the character, for a more cinematic look (films rarely show a full body unless its a very distanced shot)..
I see what you mean about the tail and the motion of the clothing - and I hope that when I color the piece, through the color the depth will become more obvious..
Thanks for the input =D
I see what you mean about the tail and the motion of the clothing - and I hope that when I color the piece, through the color the depth will become more obvious..
Thanks for the input =D
Feel free to critique the architecture - I'm new at designing architecture, and I designed this building by looking at various references of building elements that I combined to make the building itself. I'm no draftsman, but as an artist I need to expand my boundaries to include the ability to recreate all that exists (and some that doesn't ^.^)
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