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Cyberwuff helped me out a lot with suggestions and his advice.
I am not entirely happy with it, but it's a work in progress. I'll pick it up again in a bit once commissions die down.
I made the key into a brush and uped it to 600dpi 2kx2k brush. It works very well for banners.
The lichen Cyberwuff suggested was a nice tough. I would have broken up the letters through the claw mark, but it would have hindered readability. Apparently in a comic that is important.
I am not entirely happy with it, but it's a work in progress. I'll pick it up again in a bit once commissions die down.
I made the key into a brush and uped it to 600dpi 2kx2k brush. It works very well for banners.
The lichen Cyberwuff suggested was a nice tough. I would have broken up the letters through the claw mark, but it would have hindered readability. Apparently in a comic that is important.
Category Artwork (Digital) / Fantasy
Species Unspecified / Any
Size 750 x 536px
File Size 363.4 kB
Would like to know what you did with the brush or how you made that... I like how that is looking for a work in progress though. It's still legible... only thing I'd say to think about is the reliance on the font and it's underlines under certain characters. I.E. the 'U' in Olympus... it looks out of place to have the U smaller and raised up when the rest are in capitals and no underlines in that word. Yet in Lion where the 'I' & 'O' both have them in there works. Just something to think about there typography wise.
There's ways you can do so if you have Illustrator... or in Photoshop You have to rasterize the type and then you can manipulate it to a degree that you want... but you lose the scalability of the type because of that... if done with Illustrator you have vectors and can still retain that scalability. But yea I know it's Mitch's 'default' font for some things...
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