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![my show pilot [WIP]](http://d.furaffinity.net/art/aisharu/stories/1488278723/1487836616.thumbnail.aisharu_cubs_be_cubs.pdf.gif "Click to change the View")
it is one of my big ideas i hope it comes to life
Category Story / Baby fur
Species Unspecified / Any
Size 72 x 70px
File Size 21.2 kB
Achieving this goal is going to be a difficult thing. Unless of course your creating this with your own team for an outlet like YouTube.
If not the case here are is some advice.
Rhetoric is the art of presenting, speaking, and writing well. It depends on ethics versus emotion soundness versus logic. It also depends on the relationship between audience, you, and the work itself.
Pilot Screen Plays: Have A GDP ”A god Damn point” that it explains what the show is about in a single sentence. Then that is furthered out into a paragraph. Some may even ask for it to be defined in a single work.
The GDP is virus the WWC (Why We care): Why you care, why the audience cares, and why the studio cares. Your selling point is usually against a studio. You are asking for a block out of people’s lives every day where a lot of invested money is involved. It also involves defining an audience (age range and time block).
Most screen play pilots have a Dramatis Persona: A list of characters and who they are. This lets the studio see the potential of character.
Prescribed Taboo: Even if we don’t think so there is cultural ideas that are hard for a wide spread audience to get over, and harder still for a studio to consider for this reason. The media goes into cycles of progressive and conservative.
You’re asking for a story about a trans anthro toddlers. The Trans concept is difficult as it is simply something many do not understand. What audience do you frame that for? How? How do you convince a studio to risk such a thing? You already, have them kiss?
Characters: Also in concern of rhetoric of audience versus you versus medium: Aisharu is you and the character. Why does the audience care to hear your story? Especially one with these elements? It creates an issue between audience and sense of belief as well as concerns of ethics.
Also scripts need locations and some context with the dialogue.
Do some research on show proposals, keep practice script writing, and do research on how studios work.
None of this is to be mean or harsh, or cruel or meant in offence. It is a lot of devil advocacy in a realist kit. Ask yourself these questions. If you want this dream to be reality and others to take it seriously you will need to treat it seriously and it is quite an uphill battle.
Good luck with this dream.
If not the case here are is some advice.
Rhetoric is the art of presenting, speaking, and writing well. It depends on ethics versus emotion soundness versus logic. It also depends on the relationship between audience, you, and the work itself.
Pilot Screen Plays: Have A GDP ”A god Damn point” that it explains what the show is about in a single sentence. Then that is furthered out into a paragraph. Some may even ask for it to be defined in a single work.
The GDP is virus the WWC (Why We care): Why you care, why the audience cares, and why the studio cares. Your selling point is usually against a studio. You are asking for a block out of people’s lives every day where a lot of invested money is involved. It also involves defining an audience (age range and time block).
Most screen play pilots have a Dramatis Persona: A list of characters and who they are. This lets the studio see the potential of character.
Prescribed Taboo: Even if we don’t think so there is cultural ideas that are hard for a wide spread audience to get over, and harder still for a studio to consider for this reason. The media goes into cycles of progressive and conservative.
You’re asking for a story about a trans anthro toddlers. The Trans concept is difficult as it is simply something many do not understand. What audience do you frame that for? How? How do you convince a studio to risk such a thing? You already, have them kiss?
Characters: Also in concern of rhetoric of audience versus you versus medium: Aisharu is you and the character. Why does the audience care to hear your story? Especially one with these elements? It creates an issue between audience and sense of belief as well as concerns of ethics.
Also scripts need locations and some context with the dialogue.
Do some research on show proposals, keep practice script writing, and do research on how studios work.
None of this is to be mean or harsh, or cruel or meant in offence. It is a lot of devil advocacy in a realist kit. Ask yourself these questions. If you want this dream to be reality and others to take it seriously you will need to treat it seriously and it is quite an uphill battle.
Good luck with this dream.
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