When I was at MFF this year I was really looking forward to the drawing panels, unfortunately they were a big disappointment. But I stuck it out anyways and learned a few things. Like how bodies and body parts are all just shapes and need to fit together. I don’t really understand it all that well, the artist teaching us didn’t have all their right equipment and it hindered the demonstration greatly. I didn’t feel like the actual drawing demonstrations were helpful because it wasn’t really explained how it all worked.
I did my best with what I could and tried to follow along, but no matter what I did I couldn’t get my drawings to look like how the artist was explaining to make them. I got some sketches and not others. It wasn’t a good teaching kind of panel like how I expected it was a glossed over type panel.
The artist was still able to make really nice heads and paws and wings and limbs all one sharpie stroke at a time, and I couldn’t seem to do it the same. Looking around me at other people’s sketchbooks was a bad idea because they all were terrific personalized styles of the demonstrated sketches. I felt like a wasted joke. Instead of getting me excited to draw, I was becoming very discouraged. I held my clip board close to me was closing down. My confidence was wounded and I felt very vulnerable, exposed and anxious. I stayed though and I kept going, through the unease.
I still can vividly recollect how I felt, the tingles and pangs in all the same places in my chest cavity, but looking back on the experience now I am glad I stayed and fought for it. Sometimes we have to be uncomfortable to find out comfortable.
I am still disappointed by the experience I had with this drawing panel, but grateful for the encouragement of my friends, because at the end of the day, that is what makes me feel better than some drawing.
I did my best with what I could and tried to follow along, but no matter what I did I couldn’t get my drawings to look like how the artist was explaining to make them. I got some sketches and not others. It wasn’t a good teaching kind of panel like how I expected it was a glossed over type panel.
The artist was still able to make really nice heads and paws and wings and limbs all one sharpie stroke at a time, and I couldn’t seem to do it the same. Looking around me at other people’s sketchbooks was a bad idea because they all were terrific personalized styles of the demonstrated sketches. I felt like a wasted joke. Instead of getting me excited to draw, I was becoming very discouraged. I held my clip board close to me was closing down. My confidence was wounded and I felt very vulnerable, exposed and anxious. I stayed though and I kept going, through the unease.
I still can vividly recollect how I felt, the tingles and pangs in all the same places in my chest cavity, but looking back on the experience now I am glad I stayed and fought for it. Sometimes we have to be uncomfortable to find out comfortable.
I am still disappointed by the experience I had with this drawing panel, but grateful for the encouragement of my friends, because at the end of the day, that is what makes me feel better than some drawing.
Category Scraps / Doodle
Species Unspecified / Any
Size 1034 x 1280px
File Size 112.2 kB
Listed in Folders
You seem to have a great intuitive understanding of wing structure. I'd say if you practice your S-curves enough to make them a bit more fluid, you'd have them down pat. That'd be a noteworthy step forwards to take. Keep it up, dude!
And believe you me- a good 80% of it is muscle memory. Try looking at artworks that an artist makes using their non-dominant hand. Their lines are a whole lot worse. There's a lot of technical know-how, yeah, but without the sheer repitition of their strokes the artist's work would be much worse. And that's all you lack for now!
And believe you me- a good 80% of it is muscle memory. Try looking at artworks that an artist makes using their non-dominant hand. Their lines are a whole lot worse. There's a lot of technical know-how, yeah, but without the sheer repitition of their strokes the artist's work would be much worse. And that's all you lack for now!
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