A reference sheet for Connor Wolfram the werewolf, for a future fursuit...
Connor Wolfram is copyright his owner
The artwork is done with inks and acrylic paints on 9"x12" illustration board, with text and color swatches added digitally.
Connor Wolfram is copyright his owner
The artwork is done with inks and acrylic paints on 9"x12" illustration board, with text and color swatches added digitally.
Category Artwork (Traditional) / All
Species Wolf
Size 1000 x 756px
File Size 156.8 kB
*grins*
The only problem is that I like it so much I would really really like a three-pose character sheet done by you. Only problem is that I have not got the money ATM for it as for Iām a poor college student hehe.
You have an amazing talent though and im always looking forward to see your progresses of your art.
The only problem is that I like it so much I would really really like a three-pose character sheet done by you. Only problem is that I have not got the money ATM for it as for Iām a poor college student hehe.
You have an amazing talent though and im always looking forward to see your progresses of your art.
thanks =D
For the fur texture, I paint in with a medium dark color the 'clumps' of fur - and then I do a light wash over it - so that I get rid of the white paper space - but I dont lose my dark fur texture ... and then I work in some darker shadows, and some lighter highlights into it until it is a rich texture.. But its a lot like drawing and then coloring - I 'draw' in the texture, and then keep adding color to it until its how I like...
For the fur texture, I paint in with a medium dark color the 'clumps' of fur - and then I do a light wash over it - so that I get rid of the white paper space - but I dont lose my dark fur texture ... and then I work in some darker shadows, and some lighter highlights into it until it is a rich texture.. But its a lot like drawing and then coloring - I 'draw' in the texture, and then keep adding color to it until its how I like...
hmm... well, non-paint media such as markers and colored pencils can do some pretty good layering - but its nearly impossible to layer lights on top of darks - though very easy to work from light to dark. In that case, I would use a medium color to draw the texture, leave as much lights as I could, and then slowly work the dark parts darker, leaving the highlights only lightly colored, to allow for as much contrast as possible.
I like paint because I can layer light over dark...
I like paint because I can layer light over dark...
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