Please Full View if ya could be cool enough.
So well just an idea that I will actually use for something important.. Sort of. I like how it is coming so far.
The city scape in this submission was mainly an exercise to see how I might go about mapping it out and the style in which it would be done. It's good for a first effort but OMG so many confusing lines. I love it!
Also I am aware that the guy hanging from the noose is totally unrealistic in that all he's weight is not forced down but it kind of adds an element that relates to the idea I'm going for in that he is not dead nor struggling and such. Not sure If that is the best thing for it yet. I think it looks pretty cool though.
So well just an idea that I will actually use for something important.. Sort of. I like how it is coming so far.
The city scape in this submission was mainly an exercise to see how I might go about mapping it out and the style in which it would be done. It's good for a first effort but OMG so many confusing lines. I love it!
Also I am aware that the guy hanging from the noose is totally unrealistic in that all he's weight is not forced down but it kind of adds an element that relates to the idea I'm going for in that he is not dead nor struggling and such. Not sure If that is the best thing for it yet. I think it looks pretty cool though.
Category Artwork (Traditional) / Scenery
Species Dog (Other)
Size 1280 x 985px
File Size 255.4 kB
It looks almost like he's caught in the action of being about to be choked to death. It's the moment before the noose tightens. There's a weird smudgy quality to some of the lines and the image seems to radiate out somewhat which, somehow, reinforces this idea of a snapshot right before death occurs to me... I dunno. XP
Also, the cityscape reminds me of that movie Cool World. As much as your drawing is insane and doesn't really follow much for perspective rules, it has a really vivid sense of depth.
Good job.
Also, the cityscape reminds me of that movie Cool World. As much as your drawing is insane and doesn't really follow much for perspective rules, it has a really vivid sense of depth.
Good job.
I'm a young instructor but I read subject matter well. Just don't ever do what this youth did... your work needs to develop because you have your own technique already and that usually comes last after you've handled gesture, construction, and anatomy. Once you have those you can carry on a style after drug addict with the style you have now or even surpass him or be equally as competing. My students were really bad artists at one time just 8 months ago. You wouldn't believe it was there work now.
Well no worries in that regard.
I'm not too serious about drawing, it's just a fun hobby and form of self expression and I am content with that. I teach guitar lessons so I know how that process goes but developing more on the fundamentals has crossed my mind from time to time.
I'm not too serious about drawing, it's just a fun hobby and form of self expression and I am content with that. I teach guitar lessons so I know how that process goes but developing more on the fundamentals has crossed my mind from time to time.
Same here with guitar, I play one flamingo style song like a professional bad ass and everyone thinks I'm in my own orchestra or band but what they don't know is that I don't know how to play anything else but that song! Ask me to make up another song... I try and I try but I don't know how to. But piano? I'm good at that and the harp and the auto harp and even ok at violin. I try to study anything that I'm going to use in my first film so I can do it myself. What Ronald Jenkees says, "sometimes it's good, sometimes it's so so and sometimes you just have fun with it," "Start simple". In short, by all means don't stop what your doing, keep having fun with your work and it may change from time to time. Experimenting may impress yourself but that's only when you think it needs to get more fun. http://www.youtube.com/watch?v=zuJW7H08HrQ
Step one with gesture, draw carelessly when forming the spine of a body. Example: Take a pencil and stroke an S on a sheet using your arm because a piece of art is bigger than an essay paper's letters which are a small radius of space for words which is why we write letters with our wrist and the wrist is still useful in art pieces for small detail -thats a given. Make sure the S for this spine for a body is marked fast, swift, and carelessly the way you would if you were to make a large mark on a door just for the hell of defacing property.
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