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It had been only a few hours since both Simba and Sora had lived through this drastic change of appearance, and it still felt new and strange in an enticing way to them.
While Sora had somewhat gotten over his transformation into a lion, he saw now a mixture of his usual humanoid built and those lion features, those very same features he had seen in the rulers of this land. It felt familiar, yet weird, but not unpleasant. Having his skin covered in short, soft fur was actually nice. It was still difficult to form words with the new muzzle of his, so he resorted to silence for the most part, quietly pondering his new state of being.
For Simba, on the other hand, the change was bigger. He never before had walked on his hindpaws that were now exclusively legs, so that Sora had to aid him in this new mode of transportation. Even stranger was the case with his front paws that now served as 'hands', and offered not only much more dexterity, but also additional sensitivity, since they weren't in touch with the rough terrain beneath him all the time anymore.
So while the two of them sat down in the shadow of some palm trees, it happened that Simba indulged into his eagerness to discover his new sense of touch. What he wasn't aware of was that, while he had never known clothes, Sora felt slightly uncomfortable without them. A discomfort that turned into embarrassment when Simba, not having a specific agenda, started to feel Sora's chest under his new hands.
He enjoyed the feeling of Sora's pecs under his palm and fingertips, and Sora did like it as well, although not without a blush of embarrassment under his fur. With Simba becoming more confident in using his hands on Sora, both of their feelings soon would change from embarrassment on one side and innocent curiosity on the other side to...well, I leave that to your imagination
This is now the finished version of the commission I did for
of Simba and Sora getting to know each other better and better
While Sora had somewhat gotten over his transformation into a lion, he saw now a mixture of his usual humanoid built and those lion features, those very same features he had seen in the rulers of this land. It felt familiar, yet weird, but not unpleasant. Having his skin covered in short, soft fur was actually nice. It was still difficult to form words with the new muzzle of his, so he resorted to silence for the most part, quietly pondering his new state of being.
For Simba, on the other hand, the change was bigger. He never before had walked on his hindpaws that were now exclusively legs, so that Sora had to aid him in this new mode of transportation. Even stranger was the case with his front paws that now served as 'hands', and offered not only much more dexterity, but also additional sensitivity, since they weren't in touch with the rough terrain beneath him all the time anymore.
So while the two of them sat down in the shadow of some palm trees, it happened that Simba indulged into his eagerness to discover his new sense of touch. What he wasn't aware of was that, while he had never known clothes, Sora felt slightly uncomfortable without them. A discomfort that turned into embarrassment when Simba, not having a specific agenda, started to feel Sora's chest under his new hands.
He enjoyed the feeling of Sora's pecs under his palm and fingertips, and Sora did like it as well, although not without a blush of embarrassment under his fur. With Simba becoming more confident in using his hands on Sora, both of their feelings soon would change from embarrassment on one side and innocent curiosity on the other side to...well, I leave that to your imagination
This is now the finished version of the commission I did for
of Simba and Sora getting to know each other better and better
Category Artwork (Traditional) / All
Species Lion
Size 1280 x 1788px
File Size 633.1 kB
You at least captured all the interesting parts of a post-tf mind.
(Honestly, my mind always goes to Bulgakov's "Heart of a Dog..." which is weird, since I'm the kinkist...)
A few unfortunate tangents, and the shadows seem a bit dim for a savannah, but the colors turned out nicely soft.
(Honestly, my mind always goes to Bulgakov's "Heart of a Dog..." which is weird, since I'm the kinkist...)
A few unfortunate tangents, and the shadows seem a bit dim for a savannah, but the colors turned out nicely soft.
I can imagine the reason for your association with "Heart of a Dog" only because of the obvious influence of Soviet-Realism showing yet again in my art XD That also explains the tangents, Russian dictators love those, just look at their monuments Living so close to the iron curtain has its effects, I guess.
And you're right about the shadows, I feel tempted to correct that. As for the colors, I used my hi-tech blur tool for that, which is of course a piece of paper towel. Otherwise it would be terribly grainy. I even implemented a digital sky because I couldn't get rid of that effect entirely on my light-ultramarine pen.
And you're right about the shadows, I feel tempted to correct that. As for the colors, I used my hi-tech blur tool for that, which is of course a piece of paper towel. Otherwise it would be terribly grainy. I even implemented a digital sky because I couldn't get rid of that effect entirely on my light-ultramarine pen.
Will you let go of that? There was one specific image I was thinking of. I just really like Bulgakov's work. (Latent furry... his three best novels feature anthropomorphic experiment dog, an anthropomorphic demon cat, and a science experiment that transforms beasts...)
Eh, you'll figure it out. I hear a watercolor underlay with colored pencil on top works wonders...
Eh, you'll figure it out. I hear a watercolor underlay with colored pencil on top works wonders...
A lot of people. I'm fairly certain one of the Ramones was a latent furry, with the song "warthog" and the cartoon animals in the "Rocket To Russia" liner and the mice fursuiters in "Rock 'n' Roll High School..." The question is which one? I'm going to go with Dee Dee, the bass players are always the weird ones.
(It always cracks me up that he as a Jewish kid had so many Nazi references in his work - he testifies that it was his childhood as an army brat in postwar germany, digging through rubble to find cool shiny eagles with swastikas on them and all that stuff, and his Jewish-American army general father would beat him senseless when he brought them home, and he thinks of Nazis as just the thing that every kid who hates his parents talks about... Beat on the brat with a baseball bat.)
Yeah! It doesn't have to be fancy at all, just a wash of purple and green or whatever, then let it dry thoroughly and then put your colored pencils on top of it.
(It always cracks me up that he as a Jewish kid had so many Nazi references in his work - he testifies that it was his childhood as an army brat in postwar germany, digging through rubble to find cool shiny eagles with swastikas on them and all that stuff, and his Jewish-American army general father would beat him senseless when he brought them home, and he thinks of Nazis as just the thing that every kid who hates his parents talks about... Beat on the brat with a baseball bat.)
Yeah! It doesn't have to be fancy at all, just a wash of purple and green or whatever, then let it dry thoroughly and then put your colored pencils on top of it.
I guess it was his way of rebelling against his parents as a kid. And which kid doesn't like shiny things. I remember when I was little that I found Deutschmark with the swastika on it on several occasions when playing in the nearby forests. Some forest areas around here are no-go zones to this day, as they contain ammunition depots from WW2 that are both too dangerous and too expensive to get rid off. Maybe we should give Merkel a call and say her they can get their stuff back any time now.
On the subject of colors: recently, when I re-ordered some color pens I was running low on, I got out of curiosity a pen with the color "copper". The coating of the pen is shiny like a piece of copper, but the lead is really weird. It's almost as hard as actual copper, and it barely leaves any color on the paper. What stays there has indeed somewhat of a coppery glint to it, but none of that shows up on the scan. The only color visible there is a faint grey. In a way, I feel cheated by Faber-Castell, but I guess it's one of those colors that only show up at certain viewing angles on the paper. I wonder if any pen really can do a metallic-sparkly color?
On the subject of colors: recently, when I re-ordered some color pens I was running low on, I got out of curiosity a pen with the color "copper". The coating of the pen is shiny like a piece of copper, but the lead is really weird. It's almost as hard as actual copper, and it barely leaves any color on the paper. What stays there has indeed somewhat of a coppery glint to it, but none of that shows up on the scan. The only color visible there is a faint grey. In a way, I feel cheated by Faber-Castell, but I guess it's one of those colors that only show up at certain viewing angles on the paper. I wonder if any pen really can do a metallic-sparkly color?
Haha, oh god, and I thought Berlin's Concrete tests were ugly. So are exploded limbs... Wouldn't it be easier in the long run to just set those woods on fire or something? (You can tell I'm from the country that appointed James Watt, and has had only two instances of foreign wartime aggression (Pearl Harbor and 9/11) on its home soil in two hundred years. I have no idea what you'd do with them.)
From the sounds of it, that's one of those pens that suspends copper pigment in alcohol, I'd shake the pen for a really long time to see if it's coagulated. It sounds like the pigment's the problem. Pens can do metallic sparkly colors if the sparkles are embedded in the solution, I've a few pens like that myself! But they're pretty damn useless, since it looks like babyshit on film and with a scanner, and when you put it on traditional art, it just looks... tacky.
From the sounds of it, that's one of those pens that suspends copper pigment in alcohol, I'd shake the pen for a really long time to see if it's coagulated. It sounds like the pigment's the problem. Pens can do metallic sparkly colors if the sparkles are embedded in the solution, I've a few pens like that myself! But they're pretty damn useless, since it looks like babyshit on film and with a scanner, and when you put it on traditional art, it just looks... tacky.
I guess it's not so much the mostly absence of foreign aggression on your soil, but more the different dimension of our countries. Austria is three times as densely populated compared to the USA generally (105 vs 35 people per square km), so there's no forest that isn't owned by someone who wouldn't appreciate having it burned down, let alone the surrounding settlements that would probably burn with them. Another aspect of it is our mentality, which we already talked about, that also has the trait of setting up "temporary solutions" that become "permanent solutions" over time, since it's more convenient and speaks to our general lethargy. In this case, putting signs with "Do not enter! Explosives in the ground!" around that piece of forest and hope people stay away from it.
Actually, it's an ordinary color pencil, nothing to shake there, it's this one I guess I was hoping to bring some "bling" into my art, but it is useless indeed, as you said.
Actually, it's an ordinary color pencil, nothing to shake there, it's this one I guess I was hoping to bring some "bling" into my art, but it is useless indeed, as you said.
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