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More from Cody V. Frost
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Do You Hear What I Hear?
I can't believe I never posted this.
This is more potential-website-art-masquerading-as-back-cover-material, and one of the few times I've drawn the entire cast together, in color. And I don't know if Apple would consider this an iPod ad, or something I should get sued for ;-p
Top, l-r: Cody Frost, Jake Packard, Doug Hill, Jeff Cornwallis; Middle: Todd Connors, Sam Hill, Zach Hastings, Thor Granger; Bottom: Ty Beltran, Becky Adams, Boris Hooks. There will be a 12th character eventually
This is more potential-website-art-masquerading-as-back-cover-material, and one of the few times I've drawn the entire cast together, in color. And I don't know if Apple would consider this an iPod ad, or something I should get sued for ;-p
Top, l-r: Cody Frost, Jake Packard, Doug Hill, Jeff Cornwallis; Middle: Todd Connors, Sam Hill, Zach Hastings, Thor Granger; Bottom: Ty Beltran, Becky Adams, Boris Hooks. There will be a 12th character eventually
Category All / Comics
Species Unspecified / Any
Size 766 x 600px
File Size 139.9 kB
Listed in Folders
Ehh...I know you never liked singing men, but I do.
Sometime I should show you a project of mine. I take various female-sung songs from over the decades, and I lower the song's pitch by a certain amount of semi-tones depending on the singer's voice, typically four semi-tones (sometimes three, sometimes five, sometimes even as much as eight). If successful, the result is a realistic-sounding sexy male voice that modulates the same way as the female singer did. Ideally this should achieve three goals: (1) Realism - it should be believable to the ear. (2) Masculine, or at least gender-neutral - no gender-bending at all. (3) Gay! =D In good taste though, of course - no less tasteful than the original song. :3 I've already done dozens of songs from the 70s, 80s, 90s and 00s, including discos. Interestingly, while many female singers adapt well to this digital manipulation, some singers (like Diana Ross and Madonna) never sound good no matter what you change the pitch to, and those with the whistle register (like Mariah Carey or Minnie Riperton), even if they have the ability to sound good, will immediately stretch credibility when they hit the high notes. =3 But otherwise, it's all in great fun. ^_^
Sometime I should show you a project of mine. I take various female-sung songs from over the decades, and I lower the song's pitch by a certain amount of semi-tones depending on the singer's voice, typically four semi-tones (sometimes three, sometimes five, sometimes even as much as eight). If successful, the result is a realistic-sounding sexy male voice that modulates the same way as the female singer did. Ideally this should achieve three goals: (1) Realism - it should be believable to the ear. (2) Masculine, or at least gender-neutral - no gender-bending at all. (3) Gay! =D In good taste though, of course - no less tasteful than the original song. :3 I've already done dozens of songs from the 70s, 80s, 90s and 00s, including discos. Interestingly, while many female singers adapt well to this digital manipulation, some singers (like Diana Ross and Madonna) never sound good no matter what you change the pitch to, and those with the whistle register (like Mariah Carey or Minnie Riperton), even if they have the ability to sound good, will immediately stretch credibility when they hit the high notes. =3 But otherwise, it's all in great fun. ^_^
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