Tavarious and Salias-Ka complete
At long last the couple is complete, Tavarious (Tavareil) FireFox and his wolf lover Sailia-Ka cuddling in a earth warm environment. Tavarious is my chatacter while Salias belongs to my dear Love Rother.
Please feel free to comment ^.^
Done on Arches Hot Pressed Watercolor Paper, 12x16 block
Sakura Micron 01, 03, and Staetdler Marsmatic .35 for inks and hatching
Senellier, Winsor Newton, Shin Han, and Holbien artist watercolor as well as Staedtler and Derwent watercolor pencil and Faber Castell Polychromos colorpencil for minor detail, which funny enough cant be seen >.>
Please feel free to comment ^.^
Done on Arches Hot Pressed Watercolor Paper, 12x16 block
Sakura Micron 01, 03, and Staetdler Marsmatic .35 for inks and hatching
Senellier, Winsor Newton, Shin Han, and Holbien artist watercolor as well as Staedtler and Derwent watercolor pencil and Faber Castell Polychromos colorpencil for minor detail, which funny enough cant be seen >.>
Category Artwork (Traditional) / General Furry Art
Species Canine (Other)
Size 1035 x 736px
File Size 170.3 kB
Use of water color is fucking amazing.
However I have to admit the red fox (Salias?) has a bit of a confuing profile. This is mainly due to the horn and the ear going back at the same angle. The eye also seems a little bit to high.
Hands are well done. The sheet could use some darker shading in the area's where the pen has been used for shadow, because it's kind of hard to tell where the bed begins and his leg (the one coming at the viewer) begins. It's a wonderful start though.
I'd suggest taking bit of off white and highlighting small area's with a detail brush. Perhaps the tip of the ear and the highlighted area of the horns. This'll really help that out.
Also to get rid of further confusion in the future, stick with 3/4 views of the characters because that really makes them all the more 3 deminsional and belivable.
I really want to see the grey one's face, but it's covered up *pout*
The red fox appears to be looking off into space, not really paying attention to what's going on. Now you might have ment this, but with the positioning and the way the image is laied out I'd think you were going for a warmer expression. The eyes are the souls and are the main basis of what our expressions convey. Use them.
I also find it funny that your characters are in profile but the headboard of the bed is in 3/4. The bed in general has it's persective off. I really suggest getting Pat Quinn's book on Perspective for comics, because it's got all you'd ever need to know on how to use perspective in a drawing of any kind, comic or no.
Really nice picture, very warm and inviting and a great addition to your work. Keep up the awsome job.
However I have to admit the red fox (Salias?) has a bit of a confuing profile. This is mainly due to the horn and the ear going back at the same angle. The eye also seems a little bit to high.
Hands are well done. The sheet could use some darker shading in the area's where the pen has been used for shadow, because it's kind of hard to tell where the bed begins and his leg (the one coming at the viewer) begins. It's a wonderful start though.
I'd suggest taking bit of off white and highlighting small area's with a detail brush. Perhaps the tip of the ear and the highlighted area of the horns. This'll really help that out.
Also to get rid of further confusion in the future, stick with 3/4 views of the characters because that really makes them all the more 3 deminsional and belivable.
I really want to see the grey one's face, but it's covered up *pout*
The red fox appears to be looking off into space, not really paying attention to what's going on. Now you might have ment this, but with the positioning and the way the image is laied out I'd think you were going for a warmer expression. The eyes are the souls and are the main basis of what our expressions convey. Use them.
I also find it funny that your characters are in profile but the headboard of the bed is in 3/4. The bed in general has it's persective off. I really suggest getting Pat Quinn's book on Perspective for comics, because it's got all you'd ever need to know on how to use perspective in a drawing of any kind, comic or no.
Really nice picture, very warm and inviting and a great addition to your work. Keep up the awsome job.
I'll keep that in mind thanks, though as far as im concerned, the image is complete. i admit my perspective isnt the best, but im working on it a little at a time, i have about a dozen books and to be frank im not entirely interested in adding another just yet, but i will look it it, thanks for the refference and the constructive criticism.
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