I wrote this a while back just really liking the basic chord progression, and rather than move around with new chords I just changed it into more of a theme and variations format. It might be a little bit melodramatic and repetitive, but I still think it turned out nice. :3
Thumbnail by my close friend
Pawzors
Thumbnail by my close friend
Pawzors
Category Music / Classical
Species Unspecified / Any
Size 120 x 113px
File Size 2.83 MB
Listed in Folders
that's because everyone on here is techno and trance crazed and do not recognize good music, even if it bit them on the arse. Very few people on here have any idea what sort of effort goes into writing new music that does not involve samples and loops such things. Even fewer actually know what real music is or understand how it works and sounds...it's hell here in that respect and one of the primary reasons i don't upload here as often as I could...no-one cares
Hmm... it depends really to the interpretation of people: (here's some that I can picture)
'Allegro con piu fuoco' For desperation. A troubled soul.
A jestful moment of an evil character (Okayokaymaybenotanevilcharacteronlyjustbecausethisisataminorkey)
A chase?
Though in those piano runs, a fantasy could be visualized.
Where the bass becomes sort of heavy, there could be conflict that could be visualized. Emotions that are rising.
'Allegro con piu fuoco' For desperation. A troubled soul.
A jestful moment of an evil character (Okayokaymaybenotanevilcharacteronlyjustbecausethisisataminorkey)
A chase?
Though in those piano runs, a fantasy could be visualized.
Where the bass becomes sort of heavy, there could be conflict that could be visualized. Emotions that are rising.
I'm really bad about not having narratives in my head when writing music. >w<
A lot of people seem to come up with all sorts of cool stories for this one and I think it's awesome hearing about them, but in reality I was just exploring what I could do with the two themes the bass presents in the beginning, so the emotion kinda jumps around as I kept hiding the melody in different places.
And as far as I'm concerned, only evil people have theme songs in major keys. Nobody sounds that cheerful unless they're hiding something! >:v
A lot of people seem to come up with all sorts of cool stories for this one and I think it's awesome hearing about them, but in reality I was just exploring what I could do with the two themes the bass presents in the beginning, so the emotion kinda jumps around as I kept hiding the melody in different places.
And as far as I'm concerned, only evil people have theme songs in major keys. Nobody sounds that cheerful unless they're hiding something! >:v
Having imageries in music is amazing! In my opinion, it's such a great feeling. It sort of enables me to connect with the piece even at a personal and emotional level!
And I see what you did there at the melodies. Interesting. The emotion jumps do seem to transition well regardless.
Was "Imperial March" in a major key?! :o
Anyways, yeah. Hurrhurr, secrecy to it's finest.
And I see what you did there at the melodies. Interesting. The emotion jumps do seem to transition well regardless.
Was "Imperial March" in a major key?! :o
Anyways, yeah. Hurrhurr, secrecy to it's finest.
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