Those, who have read enough of my poetry, have likely seen me mention my so-called 'burn-pile' more than once. If you haven't, the quickest explanation I can offer is that it's my literary and poetic equivalent of the Island of Misfit Toys.
Essentially, every poem I have tried to write over the years, which simply doesn't come together the way I wanted it to, or which turns to a steaming pile of shit in my hands, is sent there. Very, very occasionally, I might be able to rescue a piece or a fragment years later, and use it somewhere else, but well over 90% of the ideas I've sent there over the years still remain there.
This is a very rare case of one of the very oldest and unloved fragments suddenly becoming useful. Indeed it is one of the oldest that I had on the burn pile, as it had been sitting there, getting rusty and having weeds grow up through its cracks since late 1984.
It refers to an incident that I witnessed earlier that year, which is probably one of the most painful childhood memories that I have. Indeed, the passage of almost thirty years had mostly worn off the edges and dulled how painful it really was at the time, and the very act of picking it up and dusting it off caused the proverbial faded sepia tones to suddenly return to Vistavision Technicolor, and to rediscover that underneath all the rust and dirt, the edges were still sharp and keen.
What spawned the resurgence of this particular memory was a conversation I recently had with my younger brother, when he told me that the school, where I had attended seventh and eighth grades between 1983 and 1985 had been closed down and condemned in late 2007, and was currently in the process of being gutted and turned into condominiums after having sat empty for a little over four years.
This sparked enough morbid interest that I searched and found an urban explorers' website, where several individuals had gained entry to the abandoned building, and had taken photos of the place now mostly trashed, covered with gang graffiti, and with ice in the hallways.
Looking at those images, I had a sick feeling in my guts, as if I was suddenly seeing that place revealed as it truly was, even when I attended it in so-called "happier" days. I realised that, out of all the schools I had ever attended, I had the fewest truly good and pleasant memories from this one.
That brought up further memories of how in the months after the incident, which spawned the oldest parts of this poem, I had been reading Stephen King's book: 'Pet Sematary', and one particular idea had stuck with me. At a certain place in the book, the old man, who has become a mentor to the protagonist, and who first tells him about the pet cemetery behind his property, talks about how some places just become "sour" - how bad memories and negativity can build up to the point, where they never leave.
Looking at the ruins of that building, and suddenly having those old memories of it become vivid for me once again made me realise that for me at least, that school was indeed a sour place.
Essentially, every poem I have tried to write over the years, which simply doesn't come together the way I wanted it to, or which turns to a steaming pile of shit in my hands, is sent there. Very, very occasionally, I might be able to rescue a piece or a fragment years later, and use it somewhere else, but well over 90% of the ideas I've sent there over the years still remain there.
This is a very rare case of one of the very oldest and unloved fragments suddenly becoming useful. Indeed it is one of the oldest that I had on the burn pile, as it had been sitting there, getting rusty and having weeds grow up through its cracks since late 1984.
It refers to an incident that I witnessed earlier that year, which is probably one of the most painful childhood memories that I have. Indeed, the passage of almost thirty years had mostly worn off the edges and dulled how painful it really was at the time, and the very act of picking it up and dusting it off caused the proverbial faded sepia tones to suddenly return to Vistavision Technicolor, and to rediscover that underneath all the rust and dirt, the edges were still sharp and keen.
What spawned the resurgence of this particular memory was a conversation I recently had with my younger brother, when he told me that the school, where I had attended seventh and eighth grades between 1983 and 1985 had been closed down and condemned in late 2007, and was currently in the process of being gutted and turned into condominiums after having sat empty for a little over four years.
This sparked enough morbid interest that I searched and found an urban explorers' website, where several individuals had gained entry to the abandoned building, and had taken photos of the place now mostly trashed, covered with gang graffiti, and with ice in the hallways.
Looking at those images, I had a sick feeling in my guts, as if I was suddenly seeing that place revealed as it truly was, even when I attended it in so-called "happier" days. I realised that, out of all the schools I had ever attended, I had the fewest truly good and pleasant memories from this one.
That brought up further memories of how in the months after the incident, which spawned the oldest parts of this poem, I had been reading Stephen King's book: 'Pet Sematary', and one particular idea had stuck with me. At a certain place in the book, the old man, who has become a mentor to the protagonist, and who first tells him about the pet cemetery behind his property, talks about how some places just become "sour" - how bad memories and negativity can build up to the point, where they never leave.
Looking at the ruins of that building, and suddenly having those old memories of it become vivid for me once again made me realise that for me at least, that school was indeed a sour place.
Category Poetry / Miscellaneous
Species Amphibian (Other)
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Indeed.
Yet generation after generation, and century after century, we hold out stupid and futile hope that they will.
However, human nature will always win out in the end... :(
The fact that you faved this piece tells me that you too may have some understanding of that sort of pain...
Yet generation after generation, and century after century, we hold out stupid and futile hope that they will.
However, human nature will always win out in the end... :(
The fact that you faved this piece tells me that you too may have some understanding of that sort of pain...
Wow.
You went to the school built on top of -that- school. huh?
Ugh. Man...I have to be totally, utterly honest. Not only is this probably the best thing you've done (not just because of the structure. It really doesn't 'flow..which works for it to great effect), it almost begs to be turned into something longer. Again..I realize this comes from a really painful memory...but this would make a really great story.
I'm horrible.
You went to the school built on top of -that- school. huh?
Ugh. Man...I have to be totally, utterly honest. Not only is this probably the best thing you've done (not just because of the structure. It really doesn't 'flow..which works for it to great effect), it almost begs to be turned into something longer. Again..I realize this comes from a really painful memory...but this would make a really great story.
I'm horrible.
I understand. I was surprised that I was able to use the parts of the piece, which really had been sitting unused and unloved since December 1984. I may eventually try and do more with it, but I went as far as I was able at the moment.
And also, I'm glad that you liked it, especially if you could understand some of the pain in it.
And also, I'm glad that you liked it, especially if you could understand some of the pain in it.
Yeah man. School was not fun for me. Not only did I take a lot of stuff too personally (I admit that I made myself a bit of a target), I had one kid who bullied me incessantly from fifth grade on through high school. The irony is, he sort of robbed me of being able to give him what for. He went into the military, and by the time he got out, he was a different person.
I ran into him one day and fully expected to get back at him for all the shit he'd given me..only I couldn't, because he was with his family and kids, and was coming up to me with tears in his eyes, happy to see me because he'd been hoping for the chance to apologize to me.
Long story short, he beat me up because his dad beat him up. The military, love and having kids changed him. We ended up becoming best friends. He died about a year later. Turns out he had a congenital heart disease:He had a hole in his heart. I miss the dude still, ten years or so later.
Life is strange.
I ran into him one day and fully expected to get back at him for all the shit he'd given me..only I couldn't, because he was with his family and kids, and was coming up to me with tears in his eyes, happy to see me because he'd been hoping for the chance to apologize to me.
Long story short, he beat me up because his dad beat him up. The military, love and having kids changed him. We ended up becoming best friends. He died about a year later. Turns out he had a congenital heart disease:He had a hole in his heart. I miss the dude still, ten years or so later.
Life is strange.
I just gotta say, man. Again..I know this comes from a painful place, but this hits like a truck. It reminded me of a lot of the crap I went through at my school, and how I'd feel if I saw it torn down. I can only imagine what the folks from places like Sandy Hook are going to feel when they grow up. Hell, the people who went through Columbine are still dealing with it today.
I think it provides a greater commentary on how pain shapes us as people, and on how the memory of that pain continues to affect us throughout our lives. It's strange how if it weren't for our bad memories and the context they provide, we wouldn't be able to appreciate the good memories as much as we do.
I think it provides a greater commentary on how pain shapes us as people, and on how the memory of that pain continues to affect us throughout our lives. It's strange how if it weren't for our bad memories and the context they provide, we wouldn't be able to appreciate the good memories as much as we do.
And I've had a few people say: "Who gives a shit about some stupid toads?"
The toads were never the issue. The issue for me was just how casually and callously the massacre was carried out—as if it were the most natural and proper thing in the world.
As I've said before: "The Lord of the Flies" was not a work of fiction, but a documentary.
The toads were never the issue. The issue for me was just how casually and callously the massacre was carried out—as if it were the most natural and proper thing in the world.
As I've said before: "The Lord of the Flies" was not a work of fiction, but a documentary.
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