If you were rural folk or back woods people in a much older time you might still know about the Chivaree. It was a custom apparently brought over that still survived in some parts of America long after it died out among the English and Irish back home. When a couple married, their neighbors congregated outside the honeymoon house and made a bloody racket. Presumably this aided their nuptials, though to be frank I don't see how. No wonder the custom died out. It was never popular among immigrant populations in the cities.
Of course, I wanted to suggest a festive brawl, a near riot of violent actions and rambunctious individuals. But like any good artist, I was lazy. One of the devices I most admired about many of the best newspaper cartoonists is the strategic use of silhouettes, and this seemed to be the perfect occasion for it. The black cut-out like shapes give all the detail necessary, but yet leave almost everything to the imagination.
Of course, I wanted to suggest a festive brawl, a near riot of violent actions and rambunctious individuals. But like any good artist, I was lazy. One of the devices I most admired about many of the best newspaper cartoonists is the strategic use of silhouettes, and this seemed to be the perfect occasion for it. The black cut-out like shapes give all the detail necessary, but yet leave almost everything to the imagination.
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Oh, a "shivaree"! I haven't seen that word in ages. I think it comes from the older Charivari. From The Oxford Universal Dictionary On Hostorical Principles (3rd Ed., 1955), p294:
Charivari (shari:vari), 1735, French, of unknown origin. A serenade of rough music, made with kettles, pans, tea-trays, etc., used in France, in derision of incongruous marriages, etc.; hence a bable of noise.
Also used, I might add, as part of the title of Punch, a British humour* magazine, back in the 19th century and possibly later.
Ah, the Good Ole Days, when people made their own noise///// music instead of letting strangers churn it out for them.
Charivari (shari:vari), 1735, French, of unknown origin. A serenade of rough music, made with kettles, pans, tea-trays, etc., used in France, in derision of incongruous marriages, etc.; hence a bable of noise.
Also used, I might add, as part of the title of Punch, a British humour* magazine, back in the 19th century and possibly later.
Ah, the Good Ole Days, when people made their own noise///// music instead of letting strangers churn it out for them.
I've seen it spelled both ways, but the "Ch" spelling is probably better because it connects to the original French cusotm of Charivari. Since it seems to be a custom practised mainly in the deep south, I'd guess it was brought to America by the French who settled in New Orleans.
Sounds reasonable enough. Personally whenever I've seen it in print I always somehow mentally pronounce it with a hard "ch" which is obviously incorrect. Something like the "g" in Daphne Lage's last name (she corrected it for me once, it's supposed to be "lah-zhe" or something to that effect - her home province Valencia in eastern Spain was somewhat linguistically influenced by its French neighbor). But I'm wandering here. Strike up the band! Laissez le bonne temps roulez! (begins pounding randomly on a large washtub)
That I wouldn't know, but I suspect the idea of making a racket to draw attention to the newlywed is the same, whether one is drawn from the other or not. Marriages are almost always accompanied with some form of attentin grabbing -- "look, look, its alright for us to have sex now! There'll soon be new babies for the clan or tribe!"
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