Eternal Sands (Orchestra DEMO)
Here's the intro to your comission
JWT. Lot's of work to do still. I have a few middle eastern istruments, such as the Oud, in there. Let me know what ya think mate.
*Scrapped*
Music © Shawn Badolian
JWT. Lot's of work to do still. I have a few middle eastern istruments, such as the Oud, in there. Let me know what ya think mate.*Scrapped*
Music © Shawn Badolian
Category Music / Other Music
Species Unspecified / Any
Size 120 x 120px
File Size 1.54 MB
dude ;A; dayum
I love it dude ^ ^ hmm, how about making it around 4:30 in length and could you maybe slow it's pace down the last two minutes to give it a more 'earthy' tone (if that even makes sense? ;d lol) kinda like http://www.youtube.com/watch?v=9nzKfTk29b4 :3
I love it dude ^ ^ hmm, how about making it around 4:30 in length and could you maybe slow it's pace down the last two minutes to give it a more 'earthy' tone (if that even makes sense? ;d lol) kinda like http://www.youtube.com/watch?v=9nzKfTk29b4 :3
Well, you are one of three artist who managed to get more then a single song in my playlists, the others being Faine and Darkstalker (who left FA 1-2 years ago). Accordingly, you are, to me, one of the two best music artists on FA. Of course this is a very subjective oppinion, given there are good pieces of music which, however, simply don't interest me.
I would dare to seperate FA's music artist into three levels:
-Those who don't have any clue of what they're doing and thing song+2xpitch = remix
-Those who are still learning, do common errors, but produce music you can listen to without bleeding ear
-and those who actually produce good music, which, without any doubts, includes you
I would dare to seperate FA's music artist into three levels:
-Those who don't have any clue of what they're doing and thing song+2xpitch = remix
-Those who are still learning, do common errors, but produce music you can listen to without bleeding ear
-and those who actually produce good music, which, without any doubts, includes you
I enjoyed it, but the melody line is kind've... how would I describe that... muddy, slushy, unclear, bleeding? I'm not sure if it's supposed to be or not, though. It's really noticeable when that Egyptian line kicks in at 0:54 and takes us all the way out. It could just be that particular sample too.
oh man I'm grooving to this song as I listen to it! As soon as I think of a desert, I think of dessert! But this song drew me away from that. The structure is very good and worth placing a commission. So I can see why your client loves it so far. I'm going to try and crit it to make it match your client, then whatever your client leaves out, I'll add in.
I love it dude ^ ^ hmm, how about making it around 4:30 in length and could you maybe slow it's pace down the last two minutes to give it a more 'earthy' tone (if that even makes sense? ;d lol)
This may or may not be a stupid question, but could you supply me with the full details on what the client asks (if both you and your client are comfortable with it) in future so I don't contradict them and lead you against what they asked?
Anyway! Firstly, I definitely think that making this song longer would be best. The song draws you in. It's one of those songs you don't want to hear the end of because it's so exciting! These kind of songs must be longer, to support the viewer. But remember to constantly make the melody change, unless the song ever has lyrics. And the song could also definitely do with a slow-down. Although it sounds really exciting, it loses the main picture in the title, of "Eternal Sands" because it sounds more to do with a title like "Eternal Sands Battle", and loses the whole feeling of the barren desert you are probably being asked to base it on. And as for the "earthy" tone, I'd recommend adding instruments that relate to the cultures in the desert. I'm sorry I can't help you with specific names, but everyone knows what kind of instruments (or at least the tone color of them) you normally hear in a song about a desert.
My ideas. Maybe add in some tension, make it sound like events are happening. But at the same time, keep to the desert, not so much the battle, unless the client asked. Maybe add in some wind FX (not hard to find on YouTube) to make the song sound like you're actually standing in the desert. I'd also recommend that the strings need to be stronger. Not louder, but make chords (more than one note being played at once by one instrument) to give it a stronger texture. Play around with key signature, too! But only when you're done. To most people, it sounds the same, but in an expert's ears, different key signatures can drastically change the effects that come across. I always think of sunset when I hear a song with lots of sharps and flats. Lastly, I wouldn't add in a key change in this song, I'm not sure if it would work. But this time, I could definitely be wrong, so if you think that key change could work, try it.
You'll make this a great song! I can already tell! As in, all of your other songs always turn out great!
I love it dude ^ ^ hmm, how about making it around 4:30 in length and could you maybe slow it's pace down the last two minutes to give it a more 'earthy' tone (if that even makes sense? ;d lol)
This may or may not be a stupid question, but could you supply me with the full details on what the client asks (if both you and your client are comfortable with it) in future so I don't contradict them and lead you against what they asked?
Anyway! Firstly, I definitely think that making this song longer would be best. The song draws you in. It's one of those songs you don't want to hear the end of because it's so exciting! These kind of songs must be longer, to support the viewer. But remember to constantly make the melody change, unless the song ever has lyrics. And the song could also definitely do with a slow-down. Although it sounds really exciting, it loses the main picture in the title, of "Eternal Sands" because it sounds more to do with a title like "Eternal Sands Battle", and loses the whole feeling of the barren desert you are probably being asked to base it on. And as for the "earthy" tone, I'd recommend adding instruments that relate to the cultures in the desert. I'm sorry I can't help you with specific names, but everyone knows what kind of instruments (or at least the tone color of them) you normally hear in a song about a desert.
My ideas. Maybe add in some tension, make it sound like events are happening. But at the same time, keep to the desert, not so much the battle, unless the client asked. Maybe add in some wind FX (not hard to find on YouTube) to make the song sound like you're actually standing in the desert. I'd also recommend that the strings need to be stronger. Not louder, but make chords (more than one note being played at once by one instrument) to give it a stronger texture. Play around with key signature, too! But only when you're done. To most people, it sounds the same, but in an expert's ears, different key signatures can drastically change the effects that come across. I always think of sunset when I hear a song with lots of sharps and flats. Lastly, I wouldn't add in a key change in this song, I'm not sure if it would work. But this time, I could definitely be wrong, so if you think that key change could work, try it.
You'll make this a great song! I can already tell! As in, all of your other songs always turn out great!
Well, there's no pm's so what ya see on this journal is what has been discussed. =)
It's definitely longer than the demo, standing at 3 minutes thus far, and will be longer when finished. Right now it's very upbeat, which is a fair reason to why it has a battle feel to it, but that's probably because I'm basing this on the Y's 7 soundtrack, minus the guitars of course. It picks up further after this section, then slows down completely, picks up a little, but the beat is more spacial, so it sounds more upbeat desert-like instead of a battle, and then slows down completely once more, so there's some variety in there. I was planning on doing a key shift on the part that is the most upbeat for the end only as it sounds, not tension-like or hopeful or this is the final stand, but rather, like a climax, as if the sun will soon cease it's burning of the sands. Lot's to do, but the challenge is actually working on the song, as my situation in real life is not so great. See, my uncle will hear my cousin sing (his daughter) and tell her she's talanted and that she could be a singer and such, and for me making music is like killing a man in cold blood. So, in other words, I'll have to be extemely cautious with writing, and it came at the worst time; literally, days after opening for comissions. But I'm digressing; thanks for the crit! I'll take into consideration all you said and strive to improve! ^_^
It's definitely longer than the demo, standing at 3 minutes thus far, and will be longer when finished. Right now it's very upbeat, which is a fair reason to why it has a battle feel to it, but that's probably because I'm basing this on the Y's 7 soundtrack, minus the guitars of course. It picks up further after this section, then slows down completely, picks up a little, but the beat is more spacial, so it sounds more upbeat desert-like instead of a battle, and then slows down completely once more, so there's some variety in there. I was planning on doing a key shift on the part that is the most upbeat for the end only as it sounds, not tension-like or hopeful or this is the final stand, but rather, like a climax, as if the sun will soon cease it's burning of the sands. Lot's to do, but the challenge is actually working on the song, as my situation in real life is not so great. See, my uncle will hear my cousin sing (his daughter) and tell her she's talanted and that she could be a singer and such, and for me making music is like killing a man in cold blood. So, in other words, I'll have to be extemely cautious with writing, and it came at the worst time; literally, days after opening for comissions. But I'm digressing; thanks for the crit! I'll take into consideration all you said and strive to improve! ^_^
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