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RULES OF CONDUCT
General | Posted 14 years agoSince I have had the misfortune to witness some egregious examples of bad behaviour in other people's journals and galleries, I am setting forth the rules of conduct for my account. This applies to journals and gallery. Basically, the rules are, behave yourselves. I have no problem with civilized discussion and debate. I do have a serious problem with boorish, ill-mannered behaviour, especially when the offender then tries to cry about their First Amendment rights, or excuse it as a joke, or claim they're simply expressing their opinion or whatever. The First Amendment does not apply here, and anyone who thinks it does is invited to read the text of it. As this is my account, I am the sole arbiter of what is and is not offensive, and those who have offended me will be summarily blocked. No excuses, no appeals. Anyone who feels sufficiently strongly about the matter is invited to take it up with the FA staff.
As a general guide, I am not so delicate that I am offended by the simple appearance of words such as "fuck", "cock" "cum", etc. What does offend me is bigotry, narrow-mindedness, intolerance and hate, generally. Thus, no name-calling. No mocking other people. No mocking me, your hostess. No inciting people to rage or intemperate behaviour. In short, behave as if you were a guest in someone else's home and wanted to make a good impression.
As a general guide, I am not so delicate that I am offended by the simple appearance of words such as "fuck", "cock" "cum", etc. What does offend me is bigotry, narrow-mindedness, intolerance and hate, generally. Thus, no name-calling. No mocking other people. No mocking me, your hostess. No inciting people to rage or intemperate behaviour. In short, behave as if you were a guest in someone else's home and wanted to make a good impression.
Bullying - We ALL have a part to play
General | Posted 14 years agoPrompted by GentlemanPlayer's new journal footer, I stopped to think about this some. One thing I see that dismays me quite a bit is this perception in our society - by which I mean the western world, generally - that (a) stopping bullying is someone else's responsibility - teachers, schools, the government, other parents and (b) that it's a problem but it's not my problem because my child isn't a bully.
No.
Bullying is everyone's problem. We all have a part to play in stopping it. That, by the way, includes the pack mentality often seen online whereby long-time habitues of a forum or website will swarm someone who is new and/or expresses an unpopular opinion. There is a fine line between expressing disagreement with someone's opinion or correcting them for a faux pas because of their being new, and the dogpiling that so often results when someone makes a mistake. Guess what - that's bullying, and it encourages a bullying mentality.
You can do your bit by refusing to be drawn into that mentality and joining in the scrum. You can help someone who is being dogpiled by PUBLICLY being supportive to them. Again, you don't have to agree with their position, but you can treat them as a person instead of prey.
You can do your bit by stepping in when you see bullying taking place. You can do your bit if you're in a position of authority by not abusing your position, and making it a personal thing to enforce no-bullying in the workplace. You can intervene when someone you know, someone you work with, someone you work for, someone who works for you is set upon, verbally or physically.
Don't just sit there and wring your hands and decry the awfulness of bullying. Step up and refuse to accept it when you see it happening, refuse to engage in it yourself. And if you are a victim of bullying, remember that bullies are cowards and scum, and their activities are an attempt to gain respect and power. Respect that they are people, but do not abandon your own self-respect in the process.
If you agree with GentlemanPlayer, if you agree with what I've written here, then cut and paste this into your journal, into your footer, and add your voice to resist bullying.
The boy you punched in the hall today committed suicide a few minutes ago.
That girl you called a slut in class today, she's a virgin.
The boy you called lame, He has to work every night to support his family.
That girl you pushed down the other day is already being abused at home.
You think you know them.
Guess what, YOU DON'T!
Re-post if you are against bullying.
http://www.stopbullying.gov/
http://www.stopabully.ca/
No.
Bullying is everyone's problem. We all have a part to play in stopping it. That, by the way, includes the pack mentality often seen online whereby long-time habitues of a forum or website will swarm someone who is new and/or expresses an unpopular opinion. There is a fine line between expressing disagreement with someone's opinion or correcting them for a faux pas because of their being new, and the dogpiling that so often results when someone makes a mistake. Guess what - that's bullying, and it encourages a bullying mentality.
You can do your bit by refusing to be drawn into that mentality and joining in the scrum. You can help someone who is being dogpiled by PUBLICLY being supportive to them. Again, you don't have to agree with their position, but you can treat them as a person instead of prey.
You can do your bit by stepping in when you see bullying taking place. You can do your bit if you're in a position of authority by not abusing your position, and making it a personal thing to enforce no-bullying in the workplace. You can intervene when someone you know, someone you work with, someone you work for, someone who works for you is set upon, verbally or physically.
Don't just sit there and wring your hands and decry the awfulness of bullying. Step up and refuse to accept it when you see it happening, refuse to engage in it yourself. And if you are a victim of bullying, remember that bullies are cowards and scum, and their activities are an attempt to gain respect and power. Respect that they are people, but do not abandon your own self-respect in the process.
If you agree with GentlemanPlayer, if you agree with what I've written here, then cut and paste this into your journal, into your footer, and add your voice to resist bullying.
The boy you punched in the hall today committed suicide a few minutes ago.
That girl you called a slut in class today, she's a virgin.
The boy you called lame, He has to work every night to support his family.
That girl you pushed down the other day is already being abused at home.
You think you know them.
Guess what, YOU DON'T!
Re-post if you are against bullying.
http://www.stopbullying.gov/
http://www.stopabully.ca/
ESSAY - How To Critique Art
General | Posted 14 years agoThere have been a few things that I've seen here and there on the web that prompted me to write this. Before I get going, though, I want to make it clear that this is not prompted by any commentary or feedback I've received on my own artistic or writing endeavours.
The first thing that strikes me, since I'm as guilty as anyone else of doing it, is that most of the feedback artists and writers get is a squee. To use a somewhat exaggerated example, a comment of "OMG OMG OMG this is so fucking hot I love it I love it!", while definitely an enthusiastic endorsement of popularity, is not critical. The mirror of that, which I've also seen, are comments such as "Meh, don't like boobs" or "Gurls wif cawks suxx0rs". These are also not criticism but (at best) an expression that the commentator's personal taste does not jive with the artist's. Most artists I know of would more likely classify them as trolling. In either case, however, both the squeeing and the trolling are less than helpful for an artist's development. Curiously, the usual reaction I get when I point this out, particularly from the latter type of commenter, is "What, if we can't say anything nice we should just STFU?" Well, in a nutshell, yes. Because one of the key points about critique is that it's not an attack. It can and should be couched in polite language.
Good criticism concerns itself with the strong and weak points of the work. For visual art, this means the most basic elements such as inking being crisp and clean, perspective guidelines being removed and so on; for writing, such things as spelling, punctuation and syntax being correct. The next higher 'level' addresses elements like plot, characterization and narrative flow in writing; in visual work this would be composition and proportions of body parts and objects in the image. Above that would be such things as how well did the artist or author do in expressing themes? Every piece of art - even pornography - has these elements. It matters not a whit whether the critic likes the theme of the story or image; what matters is was it done well?
Next, good criticism is couched in terms that encourage the artist or author to continue working and developing their skills. Consider the following: "You have no sense of rhythm or pacing, everything seems to be happening all over the place, like the scene in the bedroom, I thought Jill was fucking Mike and then it was Christine fucking Jill while Mike watched, when did that happen?" The statement is harsh and judgmental and contains not one iota of positive reinforcement. By contrast, here is the same thing written in a positive manner. "The changes in pace and flow are interesting but can be distracting as well; for example, the scene where Jill and Mike are fucking. It was unclear to me just when Christine arrived and took over with Jill, leaving Mike to watch them." This identifies the problem - a lack of clarity - without denigrating the writer. The same principle applies to visual art.
Last, good criticism restricts itself to what should be there. As an example, statements such as "You could have made this so much better by colouring it" aren't useful, because not all art is meant to be coloured. Similarly, don't fault a 1000-word short for a lack of novel-like character development. It's not a novel.
The last thing I want to say about criticism is directed to artists, and that is this: A good critique may identify many faults with your work, particularly if you're new to making art. It's not an attack on you or your worth as a human being. Comments such as the no-likey-boobs example aren't critique and should be ignored, but if someone takes the time to sit down and critically examine your work, then provide you with feedback, do them the courtesy of reading what they have to say. If something is mentioned that was deliberate on your part, then by all means respond and say so, but don't take it as a condemnation of you.
Now... that said, if anyone has any feedback to offer me on this little essay, please do! I might well re-write it with your comments in mind
The first thing that strikes me, since I'm as guilty as anyone else of doing it, is that most of the feedback artists and writers get is a squee. To use a somewhat exaggerated example, a comment of "OMG OMG OMG this is so fucking hot I love it I love it!", while definitely an enthusiastic endorsement of popularity, is not critical. The mirror of that, which I've also seen, are comments such as "Meh, don't like boobs" or "Gurls wif cawks suxx0rs". These are also not criticism but (at best) an expression that the commentator's personal taste does not jive with the artist's. Most artists I know of would more likely classify them as trolling. In either case, however, both the squeeing and the trolling are less than helpful for an artist's development. Curiously, the usual reaction I get when I point this out, particularly from the latter type of commenter, is "What, if we can't say anything nice we should just STFU?" Well, in a nutshell, yes. Because one of the key points about critique is that it's not an attack. It can and should be couched in polite language.
Good criticism concerns itself with the strong and weak points of the work. For visual art, this means the most basic elements such as inking being crisp and clean, perspective guidelines being removed and so on; for writing, such things as spelling, punctuation and syntax being correct. The next higher 'level' addresses elements like plot, characterization and narrative flow in writing; in visual work this would be composition and proportions of body parts and objects in the image. Above that would be such things as how well did the artist or author do in expressing themes? Every piece of art - even pornography - has these elements. It matters not a whit whether the critic likes the theme of the story or image; what matters is was it done well?
Next, good criticism is couched in terms that encourage the artist or author to continue working and developing their skills. Consider the following: "You have no sense of rhythm or pacing, everything seems to be happening all over the place, like the scene in the bedroom, I thought Jill was fucking Mike and then it was Christine fucking Jill while Mike watched, when did that happen?" The statement is harsh and judgmental and contains not one iota of positive reinforcement. By contrast, here is the same thing written in a positive manner. "The changes in pace and flow are interesting but can be distracting as well; for example, the scene where Jill and Mike are fucking. It was unclear to me just when Christine arrived and took over with Jill, leaving Mike to watch them." This identifies the problem - a lack of clarity - without denigrating the writer. The same principle applies to visual art.
Last, good criticism restricts itself to what should be there. As an example, statements such as "You could have made this so much better by colouring it" aren't useful, because not all art is meant to be coloured. Similarly, don't fault a 1000-word short for a lack of novel-like character development. It's not a novel.
The last thing I want to say about criticism is directed to artists, and that is this: A good critique may identify many faults with your work, particularly if you're new to making art. It's not an attack on you or your worth as a human being. Comments such as the no-likey-boobs example aren't critique and should be ignored, but if someone takes the time to sit down and critically examine your work, then provide you with feedback, do them the courtesy of reading what they have to say. If something is mentioned that was deliberate on your part, then by all means respond and say so, but don't take it as a condemnation of you.
Now... that said, if anyone has any feedback to offer me on this little essay, please do! I might well re-write it with your comments in mind
This distresses me very, very much
General | Posted 14 years agohttp://www.washingtonpost.com/world.....bdO_story.html
The US Air Force - or at least, senior officials in it - have committed a huge act of disrespect to fallen military by disposing of their cremated remains in a Virginia landfill. This wasn't a couple of privates screwing up, either; this went on for three or four years. Furthermore, some mid-to-senior level officials knew about it, because there were efforts made to block inquiries into the whereabouts of remains by their relatives.
I don't generally like to share RL, but I've previously mentioned this; I am, in RL, in the Royal Canadian Navy. Canada and America have been allies for a long time now, and our respective armies, navies and air forces work closely; we are, in many respects, brothers and sisters in arms. So when I read this article, I could not believe, at first, that something like this could happen to the remains of soldiers, sailors and airmen and women. I feel as though someone, somewhere, has flung dirt in the faces of everyone who has ever stood up to defend their nation, and it makes me sick to my stomach that, from what I read in the article, this wasn't brought to light until recently. I realize the investigation and such by the Washington Post was done before this date, but there is a horrible kind of symmetry when you realize the article date is December 7th, the 70th anniversary of the attack on Pearl Harbour and the deaths of thousands of US military personnel.
Please, if you are American and outraged by this, do contact your representatives and your senators and let them know. Your voices will carry much more weight than those of outraged non-Americans - though I would ask anyone who thinks this is a gross injustice to the memories of these fallen and their families to write as well. They deserve better than to have their remains treated as trash.
The US Air Force - or at least, senior officials in it - have committed a huge act of disrespect to fallen military by disposing of their cremated remains in a Virginia landfill. This wasn't a couple of privates screwing up, either; this went on for three or four years. Furthermore, some mid-to-senior level officials knew about it, because there were efforts made to block inquiries into the whereabouts of remains by their relatives.
I don't generally like to share RL, but I've previously mentioned this; I am, in RL, in the Royal Canadian Navy. Canada and America have been allies for a long time now, and our respective armies, navies and air forces work closely; we are, in many respects, brothers and sisters in arms. So when I read this article, I could not believe, at first, that something like this could happen to the remains of soldiers, sailors and airmen and women. I feel as though someone, somewhere, has flung dirt in the faces of everyone who has ever stood up to defend their nation, and it makes me sick to my stomach that, from what I read in the article, this wasn't brought to light until recently. I realize the investigation and such by the Washington Post was done before this date, but there is a horrible kind of symmetry when you realize the article date is December 7th, the 70th anniversary of the attack on Pearl Harbour and the deaths of thousands of US military personnel.
Please, if you are American and outraged by this, do contact your representatives and your senators and let them know. Your voices will carry much more weight than those of outraged non-Americans - though I would ask anyone who thinks this is a gross injustice to the memories of these fallen and their families to write as well. They deserve better than to have their remains treated as trash.
I need to gerbil...
General | Posted 14 years ago... because I've had requests that, frankly, scare me. This will very likely be TL;DR, so read on at your peril
First, let me clarify that these requests do not, in the least, creep me out; no-one is cyber-stalking me on FA (at least, so I hope). However, I am scared because I've been asked, by people who are long-time members of FA and of the fur fandom community, for writing. As in, offers of writing in exchange for art.
It's bad enough when people ask me if they may use my character in a piece of art, or a story, or something because for some perverse, self-defeating-type reason, I have this flash where I want to say "Oh, you don't really want to use them; they're nowhere near as exciting/alluring/sexy/other adjectives as <long list of characters whom I consider vastly more interesting/seductive/hot than mine>." I know this is rubbish, but there it is; that's my usual first reaction. I am a newcomer to this site and to the fur fandom, and awfully conscious of it. I'm also chiefly interested in the pornographic aspects of it which seems to trigger some of my residual religious upbringing in the form of guilt about what I enjoy. So, in a nutshell, self-deprecation.
It's made much, much worse when I receive requests from people whom I perceive as being more established, and vastly more skilled in their chosen form of expression, and these people tell me they would like to do a piece of art in exchange for a piece of writing. Not only do I feel the familiar self-deprecation setting in, I also have a sense of... well, being humoured, if that makes any sense. As if I were a child pretending to an adult's dignities in the community. Let me make very clear that I do not for a second think that's what lies behind these requests, and if anyone has that thought, please understand that I wouldn't dream of suspecting any artist here of such a low motive. This is entirely a self-generated perception of the quality and worth of my writing which goes along with the self-deprecation.
For those who know, Taasla recently ran an auction to help out another member of FA, and after a serious amount of literal nail-biting, I worked up the courage to offer to write a story for the auction winner. This was one of those scaled auctions; as the bids got higher, more and more goodies got added to the pot. I consoled myself with the thought that the bid probably wouldn't get high enough that I would have to make good on my offer. Imagine my surprise when it did. I exchanged a series of notes with the auction winner, practically demanding a comprehensive biography of his character before I felt I could start writing the story - and I did the same to the beneficiary of the auction, since he had offered to pair one of his characters with the auction winner. Than Goddess both parties seemed to find the story enjoyable, but that was easily one of the most emotionally draining, nerve-wracking experiences I had ever gone through. While the ego-boo consequent to that story was most gratifying, I still felt the praise I received was far more lavish than the story warranted.
Now, I recently received a request for a commission. From someone whom I respect enormously, and who has a stable of characters that enthrall me, and with whom I enjoy exchanging banter and teasing in comments both on journals and submissions. But... I just can't bring myself to accept. Not yet. This may seem irrational, but to me, when money changes hands for something, that puts a much greater onus on the creator to make something truly worthy of the commissioner's coin, and I don't feel my work is yet of that calibre. The funny part - the funny-and-pathetic part - is that I have read the work of other writers here, and I can tell, intellectually, that my writing is probably on a par with quite a few of them. But there is, once again, that nagging self-doubt that colours my view of all my own work and downgrades it.
So... I've modified my profile to indicate that if someone would like to ask about a request or a trade, feel free to inquire. There are any number of other members on FA whose works I admire greatly and who would cause me to feel immensely flattered if they should think kindly enough of my skills to request a story or offer a trade. But I won't be taking commissions - not yet, maybe not ever.
ETA: Re-reading this, I realize it sounds horribly like I'm begging for praise. I'm not. I simply wished to explain such requests, however flattering and ego-stroking, are also OMG-freak-me-out-whatamIgoingtodowhatamIgoingtodo-making.
First, let me clarify that these requests do not, in the least, creep me out; no-one is cyber-stalking me on FA (at least, so I hope). However, I am scared because I've been asked, by people who are long-time members of FA and of the fur fandom community, for writing. As in, offers of writing in exchange for art.
It's bad enough when people ask me if they may use my character in a piece of art, or a story, or something because for some perverse, self-defeating-type reason, I have this flash where I want to say "Oh, you don't really want to use them; they're nowhere near as exciting/alluring/sexy/other adjectives as <long list of characters whom I consider vastly more interesting/seductive/hot than mine>." I know this is rubbish, but there it is; that's my usual first reaction. I am a newcomer to this site and to the fur fandom, and awfully conscious of it. I'm also chiefly interested in the pornographic aspects of it which seems to trigger some of my residual religious upbringing in the form of guilt about what I enjoy. So, in a nutshell, self-deprecation.
It's made much, much worse when I receive requests from people whom I perceive as being more established, and vastly more skilled in their chosen form of expression, and these people tell me they would like to do a piece of art in exchange for a piece of writing. Not only do I feel the familiar self-deprecation setting in, I also have a sense of... well, being humoured, if that makes any sense. As if I were a child pretending to an adult's dignities in the community. Let me make very clear that I do not for a second think that's what lies behind these requests, and if anyone has that thought, please understand that I wouldn't dream of suspecting any artist here of such a low motive. This is entirely a self-generated perception of the quality and worth of my writing which goes along with the self-deprecation.
For those who know, Taasla recently ran an auction to help out another member of FA, and after a serious amount of literal nail-biting, I worked up the courage to offer to write a story for the auction winner. This was one of those scaled auctions; as the bids got higher, more and more goodies got added to the pot. I consoled myself with the thought that the bid probably wouldn't get high enough that I would have to make good on my offer. Imagine my surprise when it did. I exchanged a series of notes with the auction winner, practically demanding a comprehensive biography of his character before I felt I could start writing the story - and I did the same to the beneficiary of the auction, since he had offered to pair one of his characters with the auction winner. Than Goddess both parties seemed to find the story enjoyable, but that was easily one of the most emotionally draining, nerve-wracking experiences I had ever gone through. While the ego-boo consequent to that story was most gratifying, I still felt the praise I received was far more lavish than the story warranted.
Now, I recently received a request for a commission. From someone whom I respect enormously, and who has a stable of characters that enthrall me, and with whom I enjoy exchanging banter and teasing in comments both on journals and submissions. But... I just can't bring myself to accept. Not yet. This may seem irrational, but to me, when money changes hands for something, that puts a much greater onus on the creator to make something truly worthy of the commissioner's coin, and I don't feel my work is yet of that calibre. The funny part - the funny-and-pathetic part - is that I have read the work of other writers here, and I can tell, intellectually, that my writing is probably on a par with quite a few of them. But there is, once again, that nagging self-doubt that colours my view of all my own work and downgrades it.
So... I've modified my profile to indicate that if someone would like to ask about a request or a trade, feel free to inquire. There are any number of other members on FA whose works I admire greatly and who would cause me to feel immensely flattered if they should think kindly enough of my skills to request a story or offer a trade. But I won't be taking commissions - not yet, maybe not ever.
ETA: Re-reading this, I realize it sounds horribly like I'm begging for praise. I'm not. I simply wished to explain such requests, however flattering and ego-stroking, are also OMG-freak-me-out-whatamIgoingtodowhatamIgoingtodo-making.
ESSAY & RANT Copyright, Trademark, Public Domain Etc.
General | Posted 14 years agoOkay, having seen a few artists here get burned recently over issues of copyright and so on, I want to lay out a few simple guidelines. This is horribly over-simplified, but should make certain things clear.
Copyright is on a piece of work, literary, musical, artistic, etc. This is why Sony can copyright a disc of Beethoven's 5th; they haven't copyrighted the symphony, they've copyrighted the particular recording they're selling. So an artist can draw someone else's character and guess what? The artist holds the copyright on the drawing, not the other person. Most places, copyright automatically exists from the moment the work is created, though if you have to go to court over a copyright issue, registering the copyright will help you prove it. Copyright expires at different times depending on where you live, but as long as it's in force, the creator of that work has it.
Trademark is different; trademark protects symbols and logos used in commerce, hence 'trade'. Disney trademarks all its characters because it uses them as representations in business, including selling stuff with the characters on it. Also, trademark has to be defended if infringed; if a business does not defend (i.e., litigate) infringements on its trademark, a court may rule the company abandoned that trademark. That's why Disney goes after fanart of their characters so vigourously.
Pubic domain is stuff that used to be copyrighted and the copyright has expired, or the creator may decide to make it public domain right from the get-go. This doesn't mean someone else can come along and slap a copyright or trademark on it, though; once it's public domain, it stays public domain.
So, commissioners, when you commission a piece of art from an artist, unless you specifically arrange to purchase the copyright, it remains with the artist. Some artists offer 'private commissions', meaning they will not display that piece anywhere else, but they haven't given up the copyright. Some commissioners have gone so far as to remove the artist's signature/copyright and substitute their own, under the mistaken belief that since it's their character, it's their copyright, but that's clear and blatant copyright infringement, and in fact is grounds for court action.
Myself, I prefer to make sure I get clear statements from an artist regarding what I may and may not do with the art I get from them - can I post it on other sites, can I crop it to make icons, can I colour it, can I add a thing like "Rhiannon is the property of GingerM" to it. On the flip side, the stuff I've created and put up is very much copyright to me, no matter that it may have other characters in it, or even if it has none of my characters in it. I have a couple of things in mind for the future which I may make public domain, in which case I'll make it clear they are such. But if someone else comes along and tries to claim they can take ownership of them, they'll find out just how wrong they are.
ETA: Another common misconception is the idea that anything goes on the internet. Yes, copyright does exist on the internet, so ripping art and re-posting to uchan or e621 or whatever is copyright infringement. This is one of those situations, by the way, where strategically placed watermarks are the original artist's best friend if it becomes necessary to prove the origin of the work to these sites.
Copyright is on a piece of work, literary, musical, artistic, etc. This is why Sony can copyright a disc of Beethoven's 5th; they haven't copyrighted the symphony, they've copyrighted the particular recording they're selling. So an artist can draw someone else's character and guess what? The artist holds the copyright on the drawing, not the other person. Most places, copyright automatically exists from the moment the work is created, though if you have to go to court over a copyright issue, registering the copyright will help you prove it. Copyright expires at different times depending on where you live, but as long as it's in force, the creator of that work has it.
Trademark is different; trademark protects symbols and logos used in commerce, hence 'trade'. Disney trademarks all its characters because it uses them as representations in business, including selling stuff with the characters on it. Also, trademark has to be defended if infringed; if a business does not defend (i.e., litigate) infringements on its trademark, a court may rule the company abandoned that trademark. That's why Disney goes after fanart of their characters so vigourously.
Pubic domain is stuff that used to be copyrighted and the copyright has expired, or the creator may decide to make it public domain right from the get-go. This doesn't mean someone else can come along and slap a copyright or trademark on it, though; once it's public domain, it stays public domain.
So, commissioners, when you commission a piece of art from an artist, unless you specifically arrange to purchase the copyright, it remains with the artist. Some artists offer 'private commissions', meaning they will not display that piece anywhere else, but they haven't given up the copyright. Some commissioners have gone so far as to remove the artist's signature/copyright and substitute their own, under the mistaken belief that since it's their character, it's their copyright, but that's clear and blatant copyright infringement, and in fact is grounds for court action.
Myself, I prefer to make sure I get clear statements from an artist regarding what I may and may not do with the art I get from them - can I post it on other sites, can I crop it to make icons, can I colour it, can I add a thing like "Rhiannon is the property of GingerM" to it. On the flip side, the stuff I've created and put up is very much copyright to me, no matter that it may have other characters in it, or even if it has none of my characters in it. I have a couple of things in mind for the future which I may make public domain, in which case I'll make it clear they are such. But if someone else comes along and tries to claim they can take ownership of them, they'll find out just how wrong they are.
ETA: Another common misconception is the idea that anything goes on the internet. Yes, copyright does exist on the internet, so ripping art and re-posting to uchan or e621 or whatever is copyright infringement. This is one of those situations, by the way, where strategically placed watermarks are the original artist's best friend if it becomes necessary to prove the origin of the work to these sites.
Love is where you find it
General | Posted 14 years ago... and it matters not what bits you or your heart's companion have.
Love No Matter Who You Find It In
♂ + ♂ = ♥ ♀ + ♀ = ♥
♀ + ♂ = ♥ ⚥ + ♂ = ♥
⚥ + ♀ = ♥ ⚥ + ⚥ = ♥
Put this on your profile if you agree.STATUS - WRITING FOR OTHERS
General | Posted 15 years agoI am not available for commissions, so please do not ask to commission a piece of writing. This may change in the future, but for now, no writing-for-money. I am willing to discuss trades and requests, as I am interested in expanding my horizons as a writer. It's entirely possible I may open draws or something, especially if I'm looking for particular types of challenges. My current writing status will be kept updated in my profile and here; you can also find links to the pieces I've written for others here.
TRADES & REQUESTS STATUS: Closed for now. (as of December 21st)
Current Projects (in order of working on them)
None
Completed Projects (most recent first)
Nov, 2017 - personal - Hammered! (4,245 words)
Jul 2, 2016 - personal - Apartment 3A Chapter 3 (3,713 words)
Dec 19, 2015 - Gift - Demona69 - What Happens At The Track Stays At The Track (3,447 words)
Jul 7, 2015 - Gift - Sinister - Country Stuffin' (1,169 words)
Jun 4, 2014 - Personal - Apartment 3A Chapter 2 (3,535 words)
Mar 31, 2013 - Prize - Ajna - Snowbound (1,100 words)
Dec 21, 2012 - Trade - Demona69 - The Right Tool for the Job (5,030 words)
Aug 27, 2012 - Gift - Sinister - Birthday Favours (7,716 words)
Aug 9, 2012 - Personal - Apartment 3A Chapter 1 (6,031 words)
Jul 7th, 2012 - Gift - Jubei_Ketzia - Sometimes You Gotta Run Away (21,381 words)
May 8th, 2012 - Prize - fc32 - Jungle Flora (1,443 words)
Feb 13th, 2012 - Gift - Taasla - To Fly Together (6,149 words)
Jan 10th, 2012 - Gift - 30secsfrommarz, Tobiwanz - While The Cat's Away, The Mice Will Play (1,017 words)
Dec 23rd, 2011 - Request - GentlemanPlayer - The Company Christmas Party (4,895 words)
Dec 4th, 2011 - Trade - fc32 - Buff (2,515 words)
Nov 27th, 2011 - Trade - Taasla & Jubei_Ketzia - Slamfuck (6,030 words)
Nov 20th, 2011 - Request - 30secsfrommarz - It's Not Business, It's Just Personal (4,944 words)
Oct 21st, 2011 - Prize - Deuceswift - A Mage's Apprentice (3,368 words)
Oct 13th, 2011 - Gift - UZUDAE - ...Ride A Cowgirl (1,112 words), sequel to his Save A Horse
Sep 19th, 2011 - Request - Tobiwanz - The Lesson Chapter 2 (2,849 words), The Lesson Chapter 1 (2,322 words)
CONTRACTUAL TERMS (last updated July 23rd, 2012)
The following conditions are in place on all material I create for others. The recipient, hereinafter "you", agrees that you understand, accept and will abide by the conditions set forth by the creator, hereinafter "I" or "me" as applicable. "Work" refers to the creation in whatever form or medium; commission" refers to the contract to create such work, whether as a gift, a request or a trade and does not necessarily imply payment.
1. Copyright & Posting
a) I retain copyright to the work; this copyright will NOT be transferred to you except at my sole discretion and for such recompense as is acceptable to me.
b) You have the right to re-post the work when, where and as you please, provided that you credit me as the creator of the work and link to my post of the work, or if not posted, to my user profile; and you credit all characters not your own to their owners.
c) No other party may re-post the work without my written permission; such permission will impose the same requirements as (a) and (b) except that such permission will be limited to one upload to one specific account on one specific site which will be identified if permission is granted.
2. Restrictions
The following restrictions exist:
a) I will not create anything dealing with watersports, scat, diaper, torture, pain, cruelty, bloodplay, gore, vore, unbirth, necrophilia, ageplay, child/cub. This list is not exclusive and may be expanded at any time. Furthermore, I will interpret these limitations as broadly or as narrowly as fits my comfort zone; e.g., erotic biting may not count as pain, and hickies may not count as blood.
b) AGEPLAY, CHILD & CUB: I will determine for myself if the characters involved seem to be children or cub and decide on that basis; my decision will be final and is not subject to debate. Statements such as "this race takes 100 years to reach full growth but she's over 18" or "he's just petite" will be disregarded.
c) You may request the use of one or more of my characters in the work if you wish; however it is your responsibility to read their character sheets and decide if they are suitable as they are. Do NOT ask me to change them to suit your desires. Further, if in another work, I have opted to relax a restriction, that does NOT set a precedent for your request.
d) I am willing to use other peoples' characters in the work if you wish; however it is your responsibility to arrange it with the characters' owners'. I will require a direct communication from the owner to me specifically granting permission for me to include their character(s) in the work. I will NOT arrange this on your behalf, and if I do not receive that permission as described then I will not use their character.
e) I am willing to set stories in known fiction universes, however I will NOT, under any circumstances, use characters that are commercial properties; e.g., Oola (Star Wars), Neville Longbottom (Harry Potter), Mickey Mouse, etc. Please do not ask me; I will not do it.
3. Conduct
a) I will at all times be respectful and courteous in my communication with you, and I require you to do the same.
b) As this is a business transaction, do not engage in role-play while discussing the nature of the work to be done.
c) My real life is my business just as yours is yours. Do not ask for my real life information and do not give me yours.
4. Refusal and Termination
a) I retain the right to refuse a commission for any reason; I am NOT obliged to discuss or justify my reason for refusing.
b) I retain the right to terminate a commission after it has been started. In the event it was a trade, I will contact you to determine fair recompense if you've already completed your half of the trade. Note, however, that my preferred practice is to deliver my part of a trade first.
c) If you terminate the commission, I will be under no obligation to you of any kind.
5. Agreement
a) It is your responsibility to read and understand these terms. If you do not understand something, it is your responsibility to ask for clarification before accepting them.
b) These terms are not negotiable. Do not ask me to change them. Either accept them as they are or seek someone else.
c) If you have read, understand and accept these terms, say so when you contact me to arrange a commission. I will not start work until I have such a statement from you.
d) Gift work (i.e., where I present you with a work without a commission) is exempt from these terms with the exception of section 1.
TRADES & REQUESTS STATUS: Closed for now. (as of December 21st)
Current Projects (in order of working on them)
None
Completed Projects (most recent first)
Nov, 2017 - personal - Hammered! (4,245 words)
Jul 2, 2016 - personal - Apartment 3A Chapter 3 (3,713 words)
Dec 19, 2015 - Gift - Demona69 - What Happens At The Track Stays At The Track (3,447 words)
Jul 7, 2015 - Gift - Sinister - Country Stuffin' (1,169 words)
Jun 4, 2014 - Personal - Apartment 3A Chapter 2 (3,535 words)
Mar 31, 2013 - Prize - Ajna - Snowbound (1,100 words)
Dec 21, 2012 - Trade - Demona69 - The Right Tool for the Job (5,030 words)
Aug 27, 2012 - Gift - Sinister - Birthday Favours (7,716 words)
Aug 9, 2012 - Personal - Apartment 3A Chapter 1 (6,031 words)
Jul 7th, 2012 - Gift - Jubei_Ketzia - Sometimes You Gotta Run Away (21,381 words)
May 8th, 2012 - Prize - fc32 - Jungle Flora (1,443 words)
Feb 13th, 2012 - Gift - Taasla - To Fly Together (6,149 words)
Jan 10th, 2012 - Gift - 30secsfrommarz, Tobiwanz - While The Cat's Away, The Mice Will Play (1,017 words)
Dec 23rd, 2011 - Request - GentlemanPlayer - The Company Christmas Party (4,895 words)
Dec 4th, 2011 - Trade - fc32 - Buff (2,515 words)
Nov 27th, 2011 - Trade - Taasla & Jubei_Ketzia - Slamfuck (6,030 words)
Nov 20th, 2011 - Request - 30secsfrommarz - It's Not Business, It's Just Personal (4,944 words)
Oct 21st, 2011 - Prize - Deuceswift - A Mage's Apprentice (3,368 words)
Oct 13th, 2011 - Gift - UZUDAE - ...Ride A Cowgirl (1,112 words), sequel to his Save A Horse
Sep 19th, 2011 - Request - Tobiwanz - The Lesson Chapter 2 (2,849 words), The Lesson Chapter 1 (2,322 words)
CONTRACTUAL TERMS (last updated July 23rd, 2012)
The following conditions are in place on all material I create for others. The recipient, hereinafter "you", agrees that you understand, accept and will abide by the conditions set forth by the creator, hereinafter "I" or "me" as applicable. "Work" refers to the creation in whatever form or medium; commission" refers to the contract to create such work, whether as a gift, a request or a trade and does not necessarily imply payment.
1. Copyright & Posting
a) I retain copyright to the work; this copyright will NOT be transferred to you except at my sole discretion and for such recompense as is acceptable to me.
b) You have the right to re-post the work when, where and as you please, provided that you credit me as the creator of the work and link to my post of the work, or if not posted, to my user profile; and you credit all characters not your own to their owners.
c) No other party may re-post the work without my written permission; such permission will impose the same requirements as (a) and (b) except that such permission will be limited to one upload to one specific account on one specific site which will be identified if permission is granted.
2. Restrictions
The following restrictions exist:
a) I will not create anything dealing with watersports, scat, diaper, torture, pain, cruelty, bloodplay, gore, vore, unbirth, necrophilia, ageplay, child/cub. This list is not exclusive and may be expanded at any time. Furthermore, I will interpret these limitations as broadly or as narrowly as fits my comfort zone; e.g., erotic biting may not count as pain, and hickies may not count as blood.
b) AGEPLAY, CHILD & CUB: I will determine for myself if the characters involved seem to be children or cub and decide on that basis; my decision will be final and is not subject to debate. Statements such as "this race takes 100 years to reach full growth but she's over 18" or "he's just petite" will be disregarded.
c) You may request the use of one or more of my characters in the work if you wish; however it is your responsibility to read their character sheets and decide if they are suitable as they are. Do NOT ask me to change them to suit your desires. Further, if in another work, I have opted to relax a restriction, that does NOT set a precedent for your request.
d) I am willing to use other peoples' characters in the work if you wish; however it is your responsibility to arrange it with the characters' owners'. I will require a direct communication from the owner to me specifically granting permission for me to include their character(s) in the work. I will NOT arrange this on your behalf, and if I do not receive that permission as described then I will not use their character.
e) I am willing to set stories in known fiction universes, however I will NOT, under any circumstances, use characters that are commercial properties; e.g., Oola (Star Wars), Neville Longbottom (Harry Potter), Mickey Mouse, etc. Please do not ask me; I will not do it.
3. Conduct
a) I will at all times be respectful and courteous in my communication with you, and I require you to do the same.
b) As this is a business transaction, do not engage in role-play while discussing the nature of the work to be done.
c) My real life is my business just as yours is yours. Do not ask for my real life information and do not give me yours.
4. Refusal and Termination
a) I retain the right to refuse a commission for any reason; I am NOT obliged to discuss or justify my reason for refusing.
b) I retain the right to terminate a commission after it has been started. In the event it was a trade, I will contact you to determine fair recompense if you've already completed your half of the trade. Note, however, that my preferred practice is to deliver my part of a trade first.
c) If you terminate the commission, I will be under no obligation to you of any kind.
5. Agreement
a) It is your responsibility to read and understand these terms. If you do not understand something, it is your responsibility to ask for clarification before accepting them.
b) These terms are not negotiable. Do not ask me to change them. Either accept them as they are or seek someone else.
c) If you have read, understand and accept these terms, say so when you contact me to arrange a commission. I will not start work until I have such a statement from you.
d) Gift work (i.e., where I present you with a work without a commission) is exempt from these terms with the exception of section 1.
STATUS - ART FOR ME & BY ME
General | Posted 15 years agoThis is my list of what I've commissioned, what contests I've entered and/or won, trades I'm involved with and ideas for stuff I'd like. Please note that it's not a "hey, where's my stuff?!" list; this is simply so I can avoid stacks
of Post-Its on my monitor and desk.
TO DO LIST
Not necessarily in this order:
* pic of Jolene as shemale Twi'lek fucking Rhiannon bent over the back of a landspeeder - IN PROGRESS
* Rhiannon in desert cam with a C7 across hir shoulders, one hand on the muzzle, one on the butt, one foot up on an ammo can. Desert CADPAT pants (but low-riding), t-shirt cropped just below hir nipples, Navy beret on , winking at viewer, pants open and cock flopped out - IN PROGRESS
*colour unicorn sketch done by calicokitea
* get permission from SerenaKitty to colour the lineart pic she did.
* Story set in cutecindyhoney's "Dryden DNA Disaster" universe; FtM girl who is latent futa, details her change and initial adventures (i.e., who she fucks and fills with babies) - IN PROGRESS
Commissioned Work
Auctions/Contests/Draws
April 7th, 2014 -
orange04 - Status: OPEN
orange04 is inquiring who might like to have their character paired up with one of his/hers, and if they'd be interested in going in together on a piece from a famous artist. (http://www.furaffinity.net/journal/5652488/)
Gifts/Requests/Trades
Art Ideas
Not necessarily in this order; move to "Commissions" section once order placed and paid for.
* Neko x Rhiannon - muchitsujononeko wants a pair of pictures from the following four ideas:I didn't get a chance to capture the chatlog before Demona closed the stream, so I just wanted to note you to make sure the basic ideas are captured.
Idea 1 - male Neko astride Rhiannon, tit-fucking her and cumming on hir face and breasts. Rhiannon hard and spurting cum on his back.
Idea 2 - male Neko holding hir legs apart in a V or bent back, balls-deep and cumming in hir pussy while shi tit-fucks hirself, possibly cumming on hir face.
Idea 3 - female Neko, riding and bouncing on Rhiannon's cock (possibly like the pic Neeko did of Xeros with Sh'sthress - http://www.furaffinity.net/view/6800329)
Idea 4 - female Neko, upside down, legs held and spread wide by Rhiannon, who's standing, burying hir cock and cumming in Neko, Only Neko's head and shoulders supported on the ground/bed.Neko wants one each of female Neko and male Neko sexing with Rhiannon.
* Juneaue x Rhiannon - juneaue is willing to foot the bulk of the cost, bless him. Idea is Rhiannon is tit-fucking her, cumming on her tits while she titfucks Rhiannon with a vibrator. Both of them with O-faces.
* Lokelani, Sekai, Rhiannon - a threesome piece; possibly set on a Hawaiian beach; artist to be determined. With gentlemanplayer.
* Dragon, Phoenix, Rhiannon - a threesome piece, the two of them double-stuffing Rhiannon (http://www.furaffinity.net/view/6514495#cid:47081297). With granddragoon and therisingphoenix
* Isra Malai solo, artist to be volkcreed.
* Idea - Xeros & Isra smexing - hinted at here: http://www.furaffinity.net/view/748...../#cid:52883811
* Idea - Rhiannon in a 'power suit', unbuttoned; wearing a lacy top or only a bra under it, in a 'naughty' pose, maybe with hir cock hanging out below the hem
* Idea - 'role reversal' pic, where Sh'sthress is domming Rhiannon. Maybe a dark green lacy corset, a riding crop and a big strap-on stuffed in Rhiannon?
Update: August 18th Rhiannon should be in an 'ass-up' pose, like the one Taasla did here: http://www.furaffinity.net/view/8671152/ - Also, Taasla to do the pic.
* Idea - Nike in aeromorph form, skin is modern RCAF paint scheme, in modern RCAF uniform. Rank of Colonel.
* Idea - MLP porn - herm versions of ponies, possibly incest, impregnation - Applejack fucking her younger sister Apple Bloom, Rarity fucking Sweetie Belle? Or possibly Jubei's character Penny and Rhiannon fucking the ponies?
* Idea - taur-form versionsof Rhiannon & Sh'sthress. Rhiannon will probably be classic centaur, rearing and erect.
Update Sep 30th: Rhiannon is done. Sh'sthress will be loosely dragonic for the taur part of her body. Also add Isra Malai taur version - felitaur.
* Idea - planesona versions of Rhiannon & Sh'sthress, get them from renegadepit - leave it up to her to determine from their character write-ups what kind of plane and markings.
* Idea - one of the characters schlepping about in housecoat, PJs, fuzzy slippers, hair up in curlers or something, looking for coffee.
* Idea - Smurfette follow-up; Smurfette sitting on a throne in front of a mushroom house, impregnating (or fucking an already-pregnant) Sassette, with two or three other smurfs lying around (i.e., discarded) leaking cum from their asses. (http://en.wikipedia.org/wiki/Characters_in_The_Smurfs)
* Idea - "flower girl" pics of Sh'sthress and Nyara'a. Rhiannon & Isra Malai are done.
* Idea - Rhiannon as cowgirl, with gunbelt, chaps and stetson, at a ranch/farm. Possibly ass shot?
* Idea - Rhiannon destroying a semen collector, similar theme as Greywolfblacksock's pic here: http://www.furaffinity.net/view/5909067/ - feet braced wide, leaning back, masturbating hirself with the semen collector which has been ripped from the floor; the end blown off from the firehose-like jet of cum erupting from hir cock. Shi should have a seriously intense O-face, like shi's a primal, elemental force of lust which mere machines cannot hope to tame or control.
* Idea - Rhiannon destroying a condom - masturbating, cum blasting through it like it's not even there. Brand is "Trojan: Horse"; title "Truth In Advertising"
* Idea - Nike in aeromorph form with a wild, tye-dyed, '60's VW microbus psychedelic paint job, with big peace symbols painted on her boobs.
* Pic - sinister's Ardanis taking Sh'sthress, and being taken in turn by user/demona69; scene from the story I wrote for him. Will have to be drawn by demona69 as she does not allow anyone else to draw Demona nude and/or having sex.
* Pic - with foxxeh's Ebonhorn; noted him Nov 9th about it; he replied, and suggested him on his back on a pile of haybales, Rhiannon balls-deep, pumping hir cum into his ass. Her leg nearest the camera raised/braced up so there's a clear view of hir cock stuffed in his ass and cum squirting out of him around hir cock. My suggestion back to him is either shi's leaning over enough he can suckle hir breasts or shi's grabbing his horns, maybe waving hir Stetson in a bronc-riding kind of way as shi unloads. Probably work better as an outdoor scene?
* Pic - with two males/herms/shemales - Rhiannon in the middle of a sandwich - on her back, hips and legs raised so there's a clear view of the cocks in her, one in her cunt, one in her asshole. Her own cock hard and cum flying out of it to goop her hair and face. Perhaps she's tonguing herself? Or mouth open catching it? Do a sketch and offer a draw for who wants to be in it.
* Ref sheet for Nike - to include profile, plan, elevation views of 'feral' form as well as front/back of aeromorph form. Need to design legs/feet that resemble landing gear for aeromorph form; possibly somewhat squared-off musculature? Also - big boobs or small ones?
Writing Ideas
* Idea - stories about Rhiannon as dominant biker bitch? Perhaps shi goes to a biker bar and someone tried to assault her. Possibly shi goes with two or three other well-endowed herms and they teach the (male) bikers and their 'old ladies' a few lessons about herms/shemales.
* Chakat Universe - the Eponid exodus to Chakona. Title "The Song of Rhiannon: Exodus"
* Chakat Universe - vignette piece of Rhiannon & Silkpaws having hot chocolate together and chatting - https://www.furaffinity.net/view/9145235/#cid:62132289
Miscellaneous
* Gift pic - Kyrell and Johara; non-sexual, and poses based loosely off the lady-and-the-knight pic (http://ladysknight.files.wordpress.com/2011/10/mylady.jpg)
* Make an SL avatar of Nike
* EllysPerani posted a list of 10 different pics she would like: http://www.furaffinity.net/journal/4100169/
* pic of Jolene's 'Tela' as mate to Princess Leia; probaby a montage - both of them dressed; Tela in her scruffy outfit (http://www.furaffinity.net/view/9861561/); Leia in her white dress from the move poster (http://halofanforlife.com/wp-content/uploads/2012/06/Original-Star-Wars-poster.jpg) or alternatively her slavegirl outfit from Jabba's sail barge (http://cdn.buzznet.com/assets/users16/yasfx/default/princess-leia--large-msg-130453032206.jpg) either side; center of them fucking
* pic of shemale Jolene and shemale Tela as Empress and Empress of the Twi'lek Empire (https://www.furaffinity.net/view/10071175/#cid:66989045) - quasi-barbarian queen-type outfits, lounging on a throne for two. Both at least partly erect, dripping, cocks and balls on full display. Perhaps mutually masturbating. Sci-fi-ish background a la Star Wars - droids, etc.
of Post-Its on my monitor and desk.
TO DO LIST
Not necessarily in this order:
* pic of Jolene as shemale Twi'lek fucking Rhiannon bent over the back of a landspeeder - IN PROGRESS
* Rhiannon in desert cam with a C7 across hir shoulders, one hand on the muzzle, one on the butt, one foot up on an ammo can. Desert CADPAT pants (but low-riding), t-shirt cropped just below hir nipples, Navy beret on , winking at viewer, pants open and cock flopped out - IN PROGRESS
*
* get permission from SerenaKitty to colour the lineart pic she did.
* Story set in cutecindyhoney's "Dryden DNA Disaster" universe; FtM girl who is latent futa, details her change and initial adventures (i.e., who she fucks and fills with babies) - IN PROGRESS
Commissioned Work
Auctions/Contests/Draws
April 7th, 2014 -
orange04 - Status: OPENorange04 is inquiring who might like to have their character paired up with one of his/hers, and if they'd be interested in going in together on a piece from a famous artist. (http://www.furaffinity.net/journal/5652488/)
Gifts/Requests/Trades
Art Ideas
Not necessarily in this order; move to "Commissions" section once order placed and paid for.
* Neko x Rhiannon - muchitsujononeko wants a pair of pictures from the following four ideas:I didn't get a chance to capture the chatlog before Demona closed the stream, so I just wanted to note you to make sure the basic ideas are captured.
Idea 1 - male Neko astride Rhiannon, tit-fucking her and cumming on hir face and breasts. Rhiannon hard and spurting cum on his back.
Idea 2 - male Neko holding hir legs apart in a V or bent back, balls-deep and cumming in hir pussy while shi tit-fucks hirself, possibly cumming on hir face.
Idea 3 - female Neko, riding and bouncing on Rhiannon's cock (possibly like the pic Neeko did of Xeros with Sh'sthress - http://www.furaffinity.net/view/6800329)
Idea 4 - female Neko, upside down, legs held and spread wide by Rhiannon, who's standing, burying hir cock and cumming in Neko, Only Neko's head and shoulders supported on the ground/bed.Neko wants one each of female Neko and male Neko sexing with Rhiannon.
* Juneaue x Rhiannon - juneaue is willing to foot the bulk of the cost, bless him. Idea is Rhiannon is tit-fucking her, cumming on her tits while she titfucks Rhiannon with a vibrator. Both of them with O-faces.
* Lokelani, Sekai, Rhiannon - a threesome piece; possibly set on a Hawaiian beach; artist to be determined. With gentlemanplayer.
* Dragon, Phoenix, Rhiannon - a threesome piece, the two of them double-stuffing Rhiannon (http://www.furaffinity.net/view/6514495#cid:47081297). With granddragoon and therisingphoenix
* Isra Malai solo, artist to be volkcreed.
* Idea - Xeros & Isra smexing - hinted at here: http://www.furaffinity.net/view/748...../#cid:52883811
* Idea - Rhiannon in a 'power suit', unbuttoned; wearing a lacy top or only a bra under it, in a 'naughty' pose, maybe with hir cock hanging out below the hem
* Idea - 'role reversal' pic, where Sh'sthress is domming Rhiannon. Maybe a dark green lacy corset, a riding crop and a big strap-on stuffed in Rhiannon?
Update: August 18th Rhiannon should be in an 'ass-up' pose, like the one Taasla did here: http://www.furaffinity.net/view/8671152/ - Also, Taasla to do the pic.
* Idea - Nike in aeromorph form, skin is modern RCAF paint scheme, in modern RCAF uniform. Rank of Colonel.
* Idea - MLP porn - herm versions of ponies, possibly incest, impregnation - Applejack fucking her younger sister Apple Bloom, Rarity fucking Sweetie Belle? Or possibly Jubei's character Penny and Rhiannon fucking the ponies?
* Idea - taur-form versions
Update Sep 30th: Rhiannon is done. Sh'sthress will be loosely dragonic for the taur part of her body. Also add Isra Malai taur version - felitaur.
* Idea - planesona versions of Rhiannon & Sh'sthress, get them from renegadepit - leave it up to her to determine from their character write-ups what kind of plane and markings.
* Idea - one of the characters schlepping about in housecoat, PJs, fuzzy slippers, hair up in curlers or something, looking for coffee.
* Idea - Smurfette follow-up; Smurfette sitting on a throne in front of a mushroom house, impregnating (or fucking an already-pregnant) Sassette, with two or three other smurfs lying around (i.e., discarded) leaking cum from their asses. (http://en.wikipedia.org/wiki/Characters_in_The_Smurfs)
* Idea - "flower girl" pics of Sh'sthress and Nyara'a. Rhiannon & Isra Malai are done.
* Idea - Rhiannon as cowgirl, with gunbelt, chaps and stetson, at a ranch/farm. Possibly ass shot?
* Idea - Rhiannon destroying a semen collector, similar theme as Greywolfblacksock's pic here: http://www.furaffinity.net/view/5909067/ - feet braced wide, leaning back, masturbating hirself with the semen collector which has been ripped from the floor; the end blown off from the firehose-like jet of cum erupting from hir cock. Shi should have a seriously intense O-face, like shi's a primal, elemental force of lust which mere machines cannot hope to tame or control.
* Idea - Rhiannon destroying a condom - masturbating, cum blasting through it like it's not even there. Brand is "Trojan: Horse"; title "Truth In Advertising"
* Idea - Nike in aeromorph form with a wild, tye-dyed, '60's VW microbus psychedelic paint job, with big peace symbols painted on her boobs.
* Pic - sinister's Ardanis taking Sh'sthress, and being taken in turn by user/demona69; scene from the story I wrote for him. Will have to be drawn by demona69 as she does not allow anyone else to draw Demona nude and/or having sex.
* Pic - with foxxeh's Ebonhorn; noted him Nov 9th about it; he replied, and suggested him on his back on a pile of haybales, Rhiannon balls-deep, pumping hir cum into his ass. Her leg nearest the camera raised/braced up so there's a clear view of hir cock stuffed in his ass and cum squirting out of him around hir cock. My suggestion back to him is either shi's leaning over enough he can suckle hir breasts or shi's grabbing his horns, maybe waving hir Stetson in a bronc-riding kind of way as shi unloads. Probably work better as an outdoor scene?
* Pic - with two males/herms/shemales - Rhiannon in the middle of a sandwich - on her back, hips and legs raised so there's a clear view of the cocks in her, one in her cunt, one in her asshole. Her own cock hard and cum flying out of it to goop her hair and face. Perhaps she's tonguing herself? Or mouth open catching it? Do a sketch and offer a draw for who wants to be in it.
* Ref sheet for Nike - to include profile, plan, elevation views of 'feral' form as well as front/back of aeromorph form. Need to design legs/feet that resemble landing gear for aeromorph form; possibly somewhat squared-off musculature? Also - big boobs or small ones?
Writing Ideas
* Idea - stories about Rhiannon as dominant biker bitch? Perhaps shi goes to a biker bar and someone tried to assault her. Possibly shi goes with two or three other well-endowed herms and they teach the (male) bikers and their 'old ladies' a few lessons about herms/shemales.
* Chakat Universe - the Eponid exodus to Chakona. Title "The Song of Rhiannon: Exodus"
* Chakat Universe - vignette piece of Rhiannon & Silkpaws having hot chocolate together and chatting - https://www.furaffinity.net/view/9145235/#cid:62132289
Miscellaneous
* Gift pic - Kyrell and Johara; non-sexual, and poses based loosely off the lady-and-the-knight pic (http://ladysknight.files.wordpress.com/2011/10/mylady.jpg)
* Make an SL avatar of Nike
* EllysPerani posted a list of 10 different pics she would like: http://www.furaffinity.net/journal/4100169/
* pic of Jolene's 'Tela' as mate to Princess Leia; probaby a montage - both of them dressed; Tela in her scruffy outfit (http://www.furaffinity.net/view/9861561/); Leia in her white dress from the move poster (http://halofanforlife.com/wp-content/uploads/2012/06/Original-Star-Wars-poster.jpg) or alternatively her slavegirl outfit from Jabba's sail barge (http://cdn.buzznet.com/assets/users16/yasfx/default/princess-leia--large-msg-130453032206.jpg) either side; center of them fucking
* pic of shemale Jolene and shemale Tela as Empress and Empress of the Twi'lek Empire (https://www.furaffinity.net/view/10071175/#cid:66989045) - quasi-barbarian queen-type outfits, lounging on a throne for two. Both at least partly erect, dripping, cocks and balls on full display. Perhaps mutually masturbating. Sci-fi-ish background a la Star Wars - droids, etc.
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